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Vizenor Gerald
Native-American Literature: A Brief Introduction and Anthology
DescriptionThis is one of a series of brief anthologies designed for ethnic, multicultural and American literature courses. The series aims to introduce undergraduates to the rich but often neglected literary contributions of established and newer ethnic writers to American literature. Each text is organized chronlogically by genre and represents a wide range of literature. An introduction provides an historical overview and a celebration of the diversity within each ethnic group. It also addresses the general literary concerns students are likely to encounter in their readings. A seperate thematic table of contents provides the tutor with more flexibility in the classroom. All four anthologies include three bibliographies which suggest novels for further reading; aid students in their research and recommend films that would enhance the studies. Ishmael Reed, the general editor, is founder of the American Book Awards.
Gerald Vizenor: Texts and Contexts
DescriptionNovelist, autobiographer, poet, dramatist, essayist, and cultural critic of rare and radical boldness, Gerald Vizenor has long stood at the very forefront of Native writing. His challenges to received thinking, along with signature phrases like postindian, survivance, storier, double-other, and terminal creed, have uniquely influenced the discourse of Native life and art.
Shrouds of White Earth (Excelsior Editions)
DescriptionPointed, absorbing novel about an indigenous artist’s long journey of creativity and coming-of-awareness from White Earth Reservation to Paris.
Dead Voices: Natural Agonies in the New World (American Indian Literature and Critical Studies Series)
DescriptionGerald Vizenor gives life to traditional tribal stories by presenting them in a new perspective: he challenges the idyllic perception of rural life, offering in its stead an unusual vision of survival in the cities-the sanctuaries for humans and animals. It is a tribal vision, a quest for liberation from forces that would deny the full realization of human possibilities. In this modern world his characters insist upon survival through an imaginative affirmation of the self. In Dead Voices Vizenor, using tales drawn from traditional tribal stories, illuminates the centuries of conflict between American Indians and Europeans, or "wordies." Bagese, a tribal woman transformed into a bear, has discovered a new urban world, and in a cycle of tales she describes this world from the perspective of animals-fleas, squirrels, mantis, crows, beavers, and finally Trickster, Vizenor’s central and unifying figure. The stories reveal unpleasant aspects of the dominate culture and American Indian culture such as the fur trade, the educational system, tribal gambling, reservation life, and in each the animals, who represent crossbloods, connect with their tribal traditions, often in comic fashion. As in his other fiction, Vizenor upsets our ideas of what fiction should be. His plot is fantastic; his story line is a roller-coaster ride requiring that we accept the idea of transformation, a key element in all his work. Unlike other Indian novelists, who use the novel as a means of cultural recovery, Vizenor finds the crossblood a cause for celebration.
The Heirs of Columbus
Description"If you must read a book on Columbus," declared the Los Angeles Times in its review of The Heirs of Columbus, "this is the one." Gerald Vizenor's novel reclaims the story of Chrisopher Columbus on behalf of Native Americans by declaring the explorer himself to be a descendent of early Mayans and follows the adventures of his modern-day, mixedblood heirs as they create a fantastic tribal nation.The genetic heirs of Christopher Columbus meet annually at the Stone Tavern at the headwaters of the Mississippi to remember their "stories in the blood" and plan their tribal nation. They are inspired by the late-night talk radio discourses of Stone Columbus, a trickster healer who became rich as the captain of the sovereign bingo barge Santa Maria Casino, anchored in the international waters of the Lake of the Woods. The heirs' plan to reclaim their heritage enrages the government and inspires the tribal nations in a comic tale of mythic proportions. Vizenor is a mixedblood Chippewa who writes fiction in the trickster mode of Native American tradition, using humor to challenge received ideas and subvert the status quo. In The Heirs of Columbus he "reveals not only how Indians have staved off the tidal wave of assimilation," noted the San Francisco Chronicle, "but also how, through humor and persistence, they sometimes reverse the direction of cultural appropriation and, in the process, transform the alien values imposed on them." "Vizenor understands the wilder, irrational, half-mad parts of the Discoverer's soul as few people ever have," noted Kirkpatrick Sale in the Nation; "Columbus is appropriated here in an entirely new way, made to be an Indian in service to his Indian descendents." And the Voice Literary Supplement said "Even more rousing than Vizenor's deconstruction of Columbus, though, is his alternative vision of an American identity." |
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