Titian, Tintoretto, Veronese: Rivals in Renaissance Venice

Description

For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters--Titan, Tintoretto and Veronese--overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists--brilliant, ambitious and fiercely competitive--vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upsmanship, humor and passion.

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Veronese: Gods, Heroes, and Allegories

Description

Paolo Caliari-better known as Veronese-is the "profane" painter par excellence. Veronese gave expression to a secular and progressive vision that brought him into direct collision with the Church hierarchy, prefiguring the collision of the academy and modern art. This catalog brings together a series of paintings by the 16th-century Italian artist emphasizing the spectacular in Veronese's work which in turn reveals multiple facets of Venetian life.
This sumptuous catalogue from the Musée du Luxembourg exhibition aims to underline the profane aspect of the artist, leaving aside religious works and altarpieces. His paintings of Biblical subjects are not actually excluded, for Veronese approached Holy Scripture and mythology in the same spirit, bringing out the emotional aspects of the Bible rather than the symbolic and didactic as other Venetian artists of his time did.
In this richly illustrated volume, Veronese can be seen as the quintessence of the classicism that exalted drawing and color, magnificence and quality, that aimed to organize the episodes from mythology and the Bible in a grandiose manner, and to bring out the profound self-awareness of the subjects of his portraits.

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Veronese (Chaucer Library of Art S.)

Description

Veronese’s paintings have enjoyed great popularity up to the
present day, with a reputation for exquisite technical skill
reflected in intricately detailed depictions of dress patterns and
the human body. But critics have long neglected the subtler
aspect of Veronese’s work, a virtuosity as storyteller that inspired
many of his religious paintings with great narrative force. This
comprehensive study of Veronese examines every stage in
his career, from the first major fresco cycles at the church
of St Sebastiano in Venice and the decorations at the Villa
Maser through to his last work at the Doge’s Palace, and highlights the wealth of motifs and techniques that were to be of formative importance to the Pre-Raphaelites. With more than 60 colour plates and detailed notes on all reproductions, Veronese is the essential introduction to a painter of seminal importance to the development of Italian art in the sixteenth and seventeenth centuries.

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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto

Description

Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance. Establishing the conditions of painting in Renaissance Venice, including the social, economic and political situation of arts and artists and the aesthetic values that distinguish Venetian painting from that of Central Italy, David Rosand also explores the formal principles and technical procedures that determined the uniqueness of painting in Venice, above all the development of oil painting on canvas. He also analyses individual images, altarpieces and mural paintings within the several contexts of conventions and institutions - artistic, social, historical - of Renaissance Venice.

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The Secret of Paolo. The Life of the Renaissance Painter Paolo Veronese in Venice

Description

Venice, at its height during the late Renaissance, is the setting for “The Secret of Paolo”. Young Paolo Veronese starts building his artistic reputation in this thriving city in 1551. He establishes his own atelier and develops his craft to become one of the most celebrated painters of his time.

The title “The Secret of Paolo” refers to the passion of Paolo for art and his lust for life, which climaxes in his unfulfilled love for a beautiful married woman, Giustiniana Barbaro. The author, Ivo Knottnerus, weaves a story of the life and works of this exceptional artist, his patrons and fellow artists during this fascinating period of history. A critical background event in the novel is one of the largest naval battles of history, the Battle of Lepanto in 1571, the war of the Islamic sultan of Turkey against the Christian alliance of the Republic of Venice, the Spanish King Philip II and the Pope. The great pest epidemic of the 1570s, in which countless numbers of Venetians fall victim, marks another watershed in Paolo’s life.

Paolo records much of this history of Venice in his paintings and frescos. He also creates magnificent works with mythological and Christian themes. His fame reaches such heights that the art agents of the European sovereigns find their way to his atelier in Venice. He is even invited to become the court painter of the Spanish King Philip II. Paolo however declines this royal invitation. He remains loyal to Venice.

All of the leading museums in the world now have at least one of Paolo’s paintings in their collection. Several of his masterpieces are exhibited in the same gallery as the Mona Lisa, in the Louvre Museum in Paris.

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Venice, at its height during the late Renaissance, is the setting for “The Secret of Paolo”. Young Paolo Veronese starts building his artistic reputation in this thriving city in 1551. He establishes his own atelier and develops his craft to become one of the most celebrated painters of his time.

The title “The Secret of Paolo” refers to the passion of Paolo for art and his lust for life, which climaxes in his unfulfilled love for a beautiful married woman, Giustiniana Barbaro. The author, Ivo Knottnerus, weaves a story of the life and works of this exceptional artist, his patrons and fellow artists during this fascinating period of history. A critical background event in the novel is one of the largest naval battles of history, the Battle of Lepanto in 1571, the war of the Islamic sultan of Turkey against the Christian alliance of the Republic of Venice, the Spanish King Philip II and the Pope. The great pest epidemic of the 1570s, in which countless numbers of Venetians fall victim, marks another watershed in Paolo’s life.

Paolo records much of this history of Venice in his paintings and frescos. He also creates magnificent works with mythological and Christian themes. His fame reaches such heights that the art agents of the European sovereigns find their way to his atelier in Venice. He is even invited to become the court painter of the Spanish King Philip II. Paolo however declines this royal invitation. He remains loyal to Venice.

All of the leading museums in the world now have at least one of Paolo’s paintings in their collection. Several of his masterpieces are exhibited in the same gallery as the Mona Lisa, in the Louvre Museum in Paris.

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Peter Greenaway: Veronese, The Wedding at Cana

Description

How might a dialogue between painting and cinema be conducted? British artist and filmmaker Peter Greenaway has embarked on a series of visual and verbal conversations with European and American paintings housed in national collections around the world. In this book, his focus is Paolo Veronese's sixteenth-century canvas.

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