Vincent's Colors

Description

Vincent van Gogh is one of the world's most famous artists. Throughout his life, he wrote to his younger brother, Theo, about his colorful, dynamic paintings. This book pairs the artist's paintings with his own words.

Van Gogh's descriptions, arranged as a simple rhyme, introduce young readers to all the colors of the rainbowand beyond. The descriptive words combine with spectacular reproductions of many of the artist's most beloved and important works to create a perfect art book for young and old alike.

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Vincent van Gogh

Description

Vincent van Gogh was a Dutch Post-Impressionist artist who didn't start painting until his late twenties. Some of his paintings are now among the world's best known, most popular and expensive works of art.
Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide.
The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.

The van Gogh art book contains over 160 of his greatest reproductions with title and date.

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Vincent van Gogh was a Dutch Post-Impressionist artist who didn't start painting until his late twenties. Some of his paintings are now among the world's best known, most popular and expensive works of art.
Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide.
The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.

The van Gogh art book contains over 160 of his greatest reproductions with title and date.

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Letters of Vincent van Gogh

Description

A literary classic, The Letters of Vincent van Gogh Captures the voice of one of the most beloved and important artists of all time.

Though Vincent van Gogh is often thought of as a mad genius, in The Letters of Vincent van Gogh the thoughtful, effervescent, and sensitive man is revealed to readers through his own voice.

This collection of letters, arranged in chronological order and written to Vincent's closest confidant, his brother and art dealer, Theo, provide a riveting narrative of van Gogh's life. The letters expose Vincent's creative process; his joy and inspiration derived from literature, Japanese art, and nature; as well as his many romantic disappointments and constant poverty. Also documented are Vincent's close relationships with fellow artists, especially Paul Gauguin. Van Gogh's tender and often ebullient letters provide a sharp contrast to the devastating and frequently violent mental breakdowns that plagued and eventually destroyed him.

Collected and edited by art historian Mark Roskill, this volume also includes a chronology, a short memoir by van Gogh's sister-in-law that fills in many of the blanks of Vincent's early years, and reproductions of selected artwork discussed in van Gogh's letters.

An epistolary classic, The Letters of Vincent van Gogh is not just an important historical collection but also a captivating treasure.

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This thorough collection of van Gogh's letters has been assembled with an artful eye and sensitivity to the artist's thinking. The result is an atypical take on Vincent van Gogh that avoids putting too much stress on his troubled mental state and too much straining by the editor to shape a narrative out of van Gogh's epistolary clues. Instead, we see the thoughtful and contemplative side of this creative genius, as well as his concern for the impact his art and life had on those people closest to him.

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Dear Theo: The Autobiography of Vincent Van Gogh

Description

Van Gogh's brother Theo was his confidant and companion, and, in his letters to him, Van Gogh reveals himself as artist and man. Even more than if he had purposely intended to tell his life story, Van Gogh's letters lay bare his deepest feelings, as well as his everyday concerns and his views of the world of art.

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Complete Letters of Vincent Van Gogh

Description

One of the most important and powerful works in the literature of art, this critically acclaimed classic is now available in a boxed set edition with all the original text and illustrations.

Articulate, intimate, written with honest directness, these letters lay bare the events of van Gogh's dramatic life, providing remarkable insights into the creative process and touching revelations of his personal anguish. The Complete Letters of Vincent van Gogh was first published by New York Graphic Society in 1958. Surely among the most distinguished books ever published, it is still the only complete edition of the letters in English. Illustrated by the more than two hundred ink drawings the artist sketched into his letters, the collection has been the source of numerous biographical and fictional works, but none has matched the intensity of the original material. Most of the letters were written to the artist's brother, Theo, and it was Theo's son, Vincent, who acted as consulting editor for the publication. A touching memoir by Theo's wife serves as the introduction.

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After more than 1,500 pages of Vincent van Gogh's letters, most of them addressed to his younger brother, Theo, a reader is exhausted by the struggles, arguments, and ultimate suicide of the creator of some of the most coveted paintings on earth, and yet elated by the triumph of art and family devotion over constant sorrow.

However depressing the life of Vincent van Gogh (1853-1890), his struggle is continually redeemed by lucid, analytical observations on art and artists as disparate as his black-sheep friend Gauguin, Manet, Degas, Japanese prints, and even the American illustrator Howard Pyle. He retains a touching certainty that his early hero, Millet, whose pictures of peasants so moved him, will prove to be the precursor of all that is progressive in art.

This three-volume, boxed set is a replica of the one originally published in 1958 by the New York Graphic Society, a translation from the Dutch of letters painstakingly ordered and preserved by Theo's young widow, Jo, in the early part of the 20th century. It would have benefited from annotations reflecting recent van Gogh scholarship and theory, but nonetheless it remains a remarkable collection of documents, including Jo's well-known memoir and family history. The early drawings are shockingly clunky, without a hint of grace or confidence. This awkwardness never disappears entirely, but evolves into an aura of hard-won authenticity, as if van Gogh were continually grappling with some fundamental, but ineffable, truth.

The symptoms of madness, "an illness much like any other," alienated Vincent from everyone around him. Even his aging parents, he wrote, "feel the same dread of taking me in ... as they would about taking in a big rough dog."

"How much sadness there is in life," he wrote to Theo. But he found the antidote: "The right thing is to work." Work he did, with astonishing single- mindedness. He mercilessly demanded supplies and continual financial aid from his brother, and although we think of their relationship as a perfect union, Vincent wrote with occasional anger, impatience, or even cruelty, once coldly assessing Theo's personality: "The bright side of your character is your reliability in money matters."

There is a tremendous dramatic tension in the third volume of letters, as we see the artist leap ahead in skill and insight, knowing all the while that this is a life that does not go all the way. This collection requires, and rewards, a devoted reader. --Margaret Moorman

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Van Gogh: Up Close (National Gallery of Canada)

Description

This sumptuously illustrated book offers a completely new way of looking at the art of Vincent van Gogh, by exploring the artist's approach to nature through his innovative use of the close-up view. Focusing on the last years of the artist's career—from 1886 until his death in July 1890—an international team of leading scholars in the field examines Van Gogh's radical approach to the close-up and sets it in the context of contemporary and historical references, such as his hitherto unrecognized use of photography and his fascination with the Old Masters and with Japanese art and culture.

One hundred key paintings dating from his arrival in Paris in 1886 to the end of his career show how Van Gogh experimented with unusual visual angles and the decorative use of color, cropping, and the flattening of his compositions. In some paintings he zoomed in on a tuft of grass or a single budding iris, while depicting shifting views of a field or garden in others. Van Gogh: Up Close not only reveals how these paintings became the most radical and innovative in the artist's body of work but also demonstrates that, far from being a spontaneous or undisciplined artist, Van Gogh was well aware of the history of art and was highly conscious of his efforts to break new ground with his work.

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