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Vachss Andrew

A Bomb Built in Hell

Ten Angry Pitbulls, Inc.

List Price: $4.99

Description

Andrew Vachss' pre-Flood novel A Bomb Built in Hell was written in 1973. It was rejected by every publisher, one of whom described it as a "political horror story," others of whom berated it for its "lack of realism," including such things as Chinese youth gangs and the fall of Haiti. And the very idea of someone entering a high school with the intent of destroying every living person inside was just too ... ludicrous.

Readers of Vachss' Burke series will immediately recognize Wesley, the main character of A Bomb Built in Hell. This is his story.

The cover is by the one-and-only Geofrey Darrow.
Andrew Vachss' pre-Flood novel A Bomb Built in Hell was written in 1973. It was rejected by every publisher, one of whom described it as a "political horror story," others of whom berated it for its "lack of realism," including such things as Chinese youth gangs and the fall of Haiti. And the very idea of someone entering a high school with the intent of destroying every living person inside was just too ... ludicrous.

Readers of Vachss' Burke series will immediately recognize Wesley, the main character of A Bomb Built in Hell. This is his story.

The cover is by the one-and-only Geofrey Darrow.
That's How I Roll: A Novel

Pantheon

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Around here, even dying can be hard. Horribly hard. Only death itself comes easy. By easy, I mean frequent. Death happens so often that people regard it pretty much the same as the never-ending rain.
   
When life itself is hard, you have to be hard to live. Even a bitch will cull one of her own pups if she doesn't think he's going to be tough enough--she knows she's only got but so much milk, and there's none to waste.

Survival isn't some skill we learned--it's in all our genes. Nobody needed to be told to step aside when they saw the Beast coming. But not everyone stepped fast enough.
   
There's rock slides. Floods, too. Those are natural phenomena. You live here, you expect them. But just because a man's found under tons of rock, or floating in the river, doesn't mean his death was due to natural causes.

Folks drink a lot. Wives get beaten something fierce. Some of those wives can shoot pretty good. And some of their husbands never think it can happen to them, even when they're sleeping off a drunk.

There's supposed to be good and bad in everyone. Probably is. But here, it's the bad in you that's more often the most useful.

Like the difference between climate and weather. Most folks around here don't view a killing as good or bad--just something that happens, like a flood or a fire.

That's why a whole lot of bodies never get viewed at all.

For a man like me, this is a good part of the country to do my work. I take pride in the quality of my work, but I never deceive myself that every death at my hands is justified, never mind righteous or noble.

I never saw myself as ... much of anything, really. Just a crippled, cornered rat, trying to protect my little brother with whatever I can.
Another Life (Vintage Crime/Black Lizard)

Vintage

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In this blistering conclusion to the nationally bestselling series, Burke is forced into a journey that will change the lives of the urban survivalist and his outlaw family forever.The only person Burke has ever called father, known throughout the underground as “The Prof,” is in a coma, barely clinging to life in an off the-books hospital. So when Pryce, a slippery man with government connections, offers the best medical services for the Prof and a clean slate for all concerned, Burke takes the contract without reading it. The two-year-old son of a Saudi prince has been kidnapped. A highly professional snatch; no mistakes, no clues, and no ransom note. Burke’s job: get the kid back, whatever it takes. To do so, the ultimate man-for-hire must return to the day “Baby Boy Burke” was written on his birth certificate, and write, in the blood of his enemies, the final act of this story.
Book Description
In this blistering new novel, Burke ("lord of the Asphalt Jungle"–-The Washington Post Book World) is forced into a journey that will change the lives of the urban survivalist and his outlaw family ... forever.

The only person Burke has ever called "father," a legendary crime planner known throughout the underworld as the Prof, is in a coma, barely clinging to life in the off-the-books hospital where the crew stashed him after their last job went off the rails. So when Pryce, a shadow-man with deep (and very dark) government connections, offers a package–Presidential-grade medical services for the Prof and a wiped-clean slate for everyone who participates–Burke signs the contract without reading it.

The two-year-old son of a Saudi prince has been kidnapped. A highly professional snatch: no errors, no forensics ... and no ransom note. Burke's job: get the kid back. Whatever it costs, whatever it takes. Pryce came to Burke because the profile concluded this was the work of a pedophile ring. But after Burke turns over every rock and comes up empty in his hunt for maggots, the ultimate man-for-hire must return to the day "Baby Boy Burke" was written on his birth certificate to conduct the one interrogation that could possible save this child and write, in the blood of his enemies, the final act of his life story.


An Interview with Andrew Vachss on Another Life

Q: There has been some discussion that this might be the last novel in the Burke series. Do you see it that way? And if so, why?

Andrew Vachss: I don't just "see" it that way, I wrote it that way. Another Life is the coda to the Burke novels, the final chapter in a series that has been running since 1985. The timing was no accident. If I was to keep faith to those who gone the distance with me, I had to be true to my original promise: unlike some series in which the protagonist never ages, I set out to have each book show the main characters not only aging, but changing as well. Even dying. This series is all about "Family of Choice." All the members of Burke's family share this truth: The most righteous of parents don't want their children to "follow in their footsteps," they want their children to walk past those footsteps. Burke's family have always walked the outlaw road, and can never walk another. But as the children reach adulthood, it is the family's blood obligation to fork that road for them. And that time has now come.

Q: This is the 18th volume in the Burke series. How has the series changed? How have the issues you address in the novels changed over the years?

AV: I am not sure the series has changed... because all the changes depicted throughout have been part of the original concept. Of all of the descriptions of my books, Sonny Mehta dubbing them "investigative novels" is the one I am proudest of, because I wanted the books to be Trojan horses, a platform from which I could show people a world known only to the "Children of The Secret." I didn't know there was a name for such an intent until I won the Grand Prix de Littérature Policière and a French reporter told me the Burke series was "littérature engageé." My goal was not to raise consciousness, but to raise anger. Ours is a country where anything can be accomplished if enough people get angry... because, in America, we act on our collective anger. If you want proof of how that works, just take a look at how New York State finally closed the hated (and virtually unknown) “incest exception.” When I first wrote about predatory pedophiles modem-trafficking in kiddie porn, reviewers condemned the book as a product of my "sick imagination." Who would say that today? Time and time again what I have written about has "come true." This is not because I am prescient, it is that my work takes me places most citizens never see. So the issues never really change, but as more and more folks become aware of the foundational truth in my "fiction," those issues no longer flourish in the shadows. Years after the series launched, enough folks focused their rage at how children are seen as property in America to form the first PAC (Political Action Committee) solely devoted to child protection. Anyone who says "books don't change anything," or--more commonly--that crime fiction is the wrong genre for promoting social change--should take a closer look.

Q: Burke has a very close family of choice. What drew these people together, and what do you see is the future for them, beyond the series?

AV: It would be easy to say that everyone in Burke's family was a "Child of The Secret," but that would not be true. What they have most powerfully in common is a marrow-deep hatred of humans who prey on children. The rest of the question is actually answered within the book itself, and I'm not a fan of "spoilers."

Q: Over the years, you're consistently ahead of the curve in terms of spotting cultural, political, and criminal trends before they become headlines. How are you constantly able to do this? And is there anything in this new novel that you think is likely to be in tomorrow's headlines?

AV: It's no great trick to spot things you see with your own eyes, which is why I wrote about predatory pedophiles deliberately seeking work in day care centers, or organ trafficking, or cults practicing "baby-breeding"... it's a long list. Most folks had never even heard the word "piquerist" before my novel on the subject. And although it looks as if I "predicted" the use of the Internet to lure children, or what I called "noir vérité," etc., I was functioning far more as journalist than a novelist when I wrote about such things. Burke has two extraordinary skills which set him apart from his contemporaries: the "pattern-recognition software" inside his mind, and his ability to extract information. Another Life is going to showcase both of those skills far more than any previous book. As for "tomorrow's headlines," you have to remember that I wrote the book over a year ago... so some have already surfaced. Ask my scalpel-penciled editor--Edward Kastenmeier--if you doubt my word. Many times we have had to alter a manuscript because what I was "predicting" had just come to pass. I don't know how long it is going to take for some of the truth revealed in Another Life to reach public consciousness. It may be "tomorrow's headlines"... or it may be another year or two. But if you look at my track record, you'll know where to put your money down.

(Photo Credit National Association to Protect Children)
The Weight (Vintage Crime/Black Lizard)

Vintage

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Description

Andrew Vachss returns with a mesmerizing novel about a hard-core thief who's about to embark on a job that will alter his life forever.
 
Sugar’s a pure professional, “time tested” and packing 255 pounds of muscle. Accused of a rape he couldn’t have done because he was robbing a jewelry store at the time, the DA offers him two options: give up his partners in the heist and walk, or go back to prison alone. For Sugar, there isn’t a choice; he takes the weight. When he gets out, his money is there, but so is another job. One of the heist crew has fallen off the radar, and the mastermind behind the jewelry job asks Sugar to find him and make sure their secrets are safe. Sugar suspects that there’s more to this gig than what he is being told. But nothing he suspects can prepare him for what he finds.
Blackjack: A Cross Novel (Vintage Crime/Black Lizard)

Vintage

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    As darkness fell, Viktor was standing in front of his headquarters. Despite the weather, he was wearing a thick coat made of bear fur and a hat of the same material.
    "Bolshe!" he barked into a satellite phone. He listened to the response, then said, "Ne vazhno!" into the mouthpiece, and thumbed off the phone.
    He signaled to a group of men standing close by. A line of five identical midnight blue Audi A8 sedans pulled to the empty curb. As Viktor prepared to enter the back seat of the middle car, the satellite phone in his hand seemed to change color, as if a shroud of shadow had been draped over it. A low sound, outside the human hearing threshold, came, short and sharp:
    "убил!"
 
#

    Just before daylight, a Chicago cop stared through the windshield of his cruiser. "Holy Jumping Jesus Christ! I've been on the force since before you were born, kid. And I've never seen anything like ... that."
    Both the retirement-age sergeant and the rookie sitting next to him were staring at bodies draped over a row of identical dark blue sedans. Each body had been skinned, graphically displaying that all were missing large bones, from femurs to skulls.
    Neither cop noticed the city-camo shark as it slipped past the scene. Running without headlights, it looked more like a shifting shadow than a car.
    Inside that shark, Buddha said, "Someone got to him first, boss." His gloved hands delicately fingered the thickly padded steering wheel as his eyes checked the instrument display projected on the lower windshield.
    "Viktor always was an optimist."
    "Huh?"
    "He was a HALO jumper," Cross said. "Absolutely positive his chute would open whenever he decided to pull the chord. This time, the ground got there first."
    "Chang sees a picture of this, he'll think you worked some magic, getting it done so fast."
    "Yeah. So will the Russians."
    "They paid, too?"
    "More than Chang. The Russian Bear is a sacred icon to them. In their eyes, Viktor was looting a national treasure."
    "But it had to be some of their own people doing the actual poaching."
    "Sure. But that's their problem, at their end. We only got paid to solve the one at ours."
    "Comes out perfect, boss. It's like Viktor's number came up, and we hit that number at the same time."
    "Yeah," Cross says. "Perfect."
    "What's wrong?"
    "Come on, Buddha. You saw those bodies yourself. All of a sudden we got partners? Silent partners?"        
Terminal (Vintage Crime/Black Lizard)

Vintage

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After years of carefully working the edges, a blood-commitment forces Burke's return to his former career: "violence-for-money." Claw, once the shot-caller of a white supremacist prison gang is free . . . and terminally ill--he desperately needs a pile of cash to bet on a long-shot cure. He tells Burke about a punk who once purchased protection from him, a man who claims to know the truth behind a "cold case, " the unsolved rape-murder of a thirteen-year-old girl. The killers are all weathly men today, ideal blackmail marks. But wealth is power, and the informant needs Claw's protection again. Burke decides to roll the dice. A win would give Burke the two things he lives for: Money and Revenge. A loss would turn "terminal" from a diagnosis into a certainly, and not just for Claw.

Vachss Andrew News




Prepub Mystery
Owing to advance information from the publisher that did not give sufficient detail, the LJ 7/09 annotation of Andrew Vachss's Haiku

'Vanilla Ride' by Joe Lansdale
'Vanilla Ride' by Joe Lansdale violent yet humorous style reminiscent of Carl Hiaasen as much as Andrew Vachss, both of whom are more recognizable names to mystery and crime readers.

An Idle Word: An American obssession (part 2)
child advocacy lawyer Andrew Vachss has explored the dark world of child predators and helped lead the battle against the governments which promote it.

20 questions for concert pianist Christopher O'Riley
20 questions for concert pianist Christopher O'RileyInterspersing lighter fare (crime novels by Donald E. Westlake and his various pseudonyms, Andrew Vachss, Joe R. Lansdale, Ken Bruen, Megan Abbott, and more »