The Beginner's Goodbye

Description

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances—in their house, on the roadway, in the market.
 
Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self-dependent young woman, she is like a breath of fresh air. Unhesitatingly he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace.
 
Gradually he discovers, as he works in the family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.
 
A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler’s humor, wisdom, and always penetrating look at human foibles.

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Amazon Best Books of the Month, April 2012: "The strangest thing about my wife’s return from the dead was how other people reacted." So begins Anne Tyler's new novel, which documents the days of Aaron Woolcott after the unexpected loss of his wife, Dorothy. And as arresting as the first sentence is, it's also a bit worrying. So many clichés could follow. Will Aaron resolve his grief through poetic moonlit walks with the apparition of his lost wife? Thankfully, this is Anne Tyler. And the ghost of Dorothy, like all Tyler's characters, has a kind of rich, eccentric depth that sits opposite to the expected. Aaron's recovery after his wife's death conveys all the subtle hallmarks of Tyler's style, where a flawed man must learn how to do a very difficult thing--say a final goodbye. --Ben Moebius

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Dinner at the Homesick Restaurant: A Novel (Ballantine Reader's Circle)

Description

“Beautiful . . . funny, heart-hammering, wise . . . superb entertainment.”
–The New York Times

“A book that should join those few that every literate person will have to read.”
–The Boston Globe


Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore’s Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl’s favorite, who never stops yearning for the perfect family that could never be his own.

Now Pearl and her three grown children have gathered together again–with anger, hope, and a beautiful, harsh, and dazzling story to tell.


“A novelist who knows what a proper story is . . . [Tyler is] not only a good and artful writer, but a wise one as well.”
–Newsweek

“Anne Tyler is surely one of the most satisfying novelists working in America today.”
–Chicago Tribune

“In her ninth novel she has arrived at a new level of power.”
–John Updike, The New Yorker

“Marvelous, astringent, hilarious, [and] strewn with the banana peels of love.”
–Cosmopolitan

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Saint Maybe

Description

9 weeks on the New York Times bestseller list!

"A novel that attests once again to Ms. Tyler's enormous gifts as a writer."
--THE NEW YORK TIMES

"Captivating . . . . Compelling . . . . There is a kind of magic at work in this novel."
--THE WASHINGTON POST BOOK WORLD


In 1965, the happy Bedloe family is living an ideal, apple-pie existence in Baltimore.  Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever--particularly that of seventeen-year-old Ian Bedloe, the youngest son, who blames himself for the sudden "accidental" death of his older brother.

Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt.  Then one crisp January evening, he catches sight of a window with glowing yellow neon, the CHURCH OF THE SECOND CHANCE.  He enters and soon discovers that forgiveness must be earned, through a bit of sacrifice and a lot of love...


A New York Times Notable Book

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Tyler makes things look so easy that she never gets enough credit, yet she portrays everyday Americans with such humor, grace and, ultimately, emotional force that her books are always deeply satisfying. In Saint Maybe her protagonist Ian Bedloe, stricken with guilt over the death of his older brother, raises three children unrelated to him by blood. He is strengthened in this Herculean task by the storefront Church of the Second Chance, to which he devotes himself with equal fervor. Someone once said all great writers are comic writers. Among living Americans, Tyler is exhibit A.

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Noah's Compass: A Novel

Description

Liam Pennywell, who set out to be a philosopher and ended up teaching fifth grade, never much liked the job at that run-down private school, so early retirement doesn’t bother him. But he is troubled by his inability to remember anything about the first night that he moved into his new and spare condominium on the outskirts of Baltimore. All he knows when he wakes up the next day in the hospital is that his head is sore and bandaged. His effort to recover the moments of his life that have been stolen from him leads him on an unexpected detour. What he needs is someone who can do the remembering for him. What he gets is . . . well, something quite different.

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Ladder of Years: A Novel

Description

A NEW YORK TIMES NOTABLE BOOK
BALTIMORE WOMAN DISAPPEARS DURING FAMILY VACATION, declares the headline. Forty-year-old Delia Grinstead is last seen strolling down the Delaware shore, wearing nothing more than a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To her husband and three almost-grown children, she has vanished without trace or reason. But for Delia, who feels like a tiny gnat buzzing around her family's edges, "walking away from it all" is not a premeditated act, but an impulse that will lead her into a new, exciting, and unimagined life . . . .
"TYLER DETAILS DELIA'S ADVENTURE WITH GREAT SKILL . . . As so often in her earlier fiction--Celestial Navigation, Dinner at the Homesick Restaurant, The Accidental Tourist, and her nine other novels--[she] creates distinct characters caught in poignantly funny situations. . . .Tyler writes with a clarity that makes the commonplace seem fresh and the pathetic touching."
--The New York Times
"UTTERLY COMPELLING. . .WONDERFULLY SATISFYING. . .Ladder of Years is virtually flawless."
--Chicago Tribune
"A 'PAGE-TURNER' IN THE BEST SENSE . . . One wants to lightly caress the pages of the story because one cares for Ms. Tyler's touchingly flawed characters. . . . Both madcap and genteel, Anne Tyler knows as well as anyone that 'human beings lead many lives.' Casually, delightfully, Ladder of Years will tell you just how we humans manage this trick."
--The Baltimore Sun

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The Amateur Marriage: A Novel

Description

From the inimitable Anne Tyler, a rich and compelling novel about a mismatched marriage—and its consequences, spanning three generations.

They seemed like the perfect couple—young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother’s grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

Pauline, impulsive, impractical, tumbles hit-or-miss through life; Michael, plodding, cautious, judgmental, proceeds deliberately. While other young marrieds, equally ignorant at the start, seemed to grow more seasoned, Pauline and Michael remain amateurs. In time their foolish quarrels take their toll. Even when they find themselves, almost thirty years later, loving, instant parents to a little grandson named Pagan, whom they rescue from Haight-Ashbury, they still cannot bridge their deep-rooted differences. Flighty Pauline clings to the notion that the rifts can always be patched. To the unyielding Michael, they become unbearable.

From the sound of the cash register in the old grocery to the counterculture jargon of the sixties, from the miniskirts to the multilayered apparel of later years, Anne Tyler captures the evocative nuances of everyday life during these decades with such telling precision that every page brings smiles of recognition. Throughout, as each of the competing voices bears witness, we are drawn ever more fully into the complex entanglements of family life in this wise, embracing, and deeply perceptive novel.

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Anne Tyler's The Amateur Marriage is not so much a novel as a really long argument. Michael is a good boy from a Polish neighborhood in Baltimore; Pauline is a harum-scarum, bright-cheeked girl who blows into Michael's family's grocery store at the outset of World War II. She appears with a bloodied brow, supported by a gaggle of girlfriends. Michael patches her up, and neither of them are ever the same. Well, not the same as they were before, but pretty much the same as everyone else. After the war, they live over the shop with Michael's mother till they've saved enough to move to the suburbs. There they remain with their three children, until the onset of the sixties, when their eldest daughter runs away to San Francisco. Their marriage survives for a while, finally crumbling in the seventies. If this all sounds a tad generic, Tyler's case isn't helped by the characteristics she's given the two spouses. Him: repressed, censorious, quiet. Her: voluble, emotional, romantic. Mars, meet Venus. What marks this couple, though, and what makes them come alive, is their bitter, unproductive, tooth-and-nail fighting. Tyler is exploring the way that ordinary-seeming, prosperous people can survive in emotional poverty for years on end. She gets just right the tricks Michael and Pauline play on themselves in order to stay together: "How many times," Pauline asks herself, "when she was weary of dealing with Michael, had she forced herself to recall the way he'd looked that first day? The slant of his fine cheekbones, the firming of his lips as he pressed the adhesive tape in place on her forehead." Only in antogonism do Michael and Pauline find a way to express themselves. --Claire Dederer

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