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Szymborska Wislawa
Poems New and Collected
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Described by Robert Hass as "unquestionably one of the great living European poets" and by Charles Simic as "one of the finest poets living today," Szymborska mesmerizes her readers with poetry that captivates their minds and captures their hearts. This is the book that her many fans have been anxiously awaiting-the definitive, complete collection of poetry by the Nobel Prize-winning poet, including 164 poems in all, as well as the full text of her Nobel acceptance speech of December 7, 1996, in Stockholm. Beautifully translated by Stanislaw Bara«nczak and Clare Cavanagh, who won a 1996 PEN Translation Prize for their work, this volume is a must-have for all readers of poetry.
All poets, according to Wislawa Szymborska, are in a perpetual dialogue with the phrase I don't know. "Each poem," she writes in her 1996 Nobel Lecture, "marks an effort to answer this statement, but as soon as the final period hits the page, the poet begins to hesitate, starts to realize that this particular answer was pure makeshift, absolutely inadequate." As a self-portrait, at least, this is fairly accurate. From the beginning, Szymborska has indeed wrestled with the demon of epistemology. Yet even in her earliest poems, such as "Atlantis," she delivered her speculations with a human--which is to say, a gently ironic--face: They were or they weren't. On an island or not. An ocean or not an ocean Swallowed them up or it didn't. Fifteen years later, when her 1972 collection, Could Have, appeared, Szymborska seemed to have made some major inroads into her notorious ignorance. Now she confessed to at least a shred of comprehension, stressing, however, that such knowledge has come at a terrible price: "We read the letters of the dead like helpless gods, / but gods, nonetheless, since we know the dates that follow. / We know which debts will never be repaid. / Which widows will remarry with the corpse still warm." And even in her most recent work, the poet continues to gravitate toward the admirable emptiness of, say, the clouds: "Unburdened by memory of any kind, / they float easily over the facts." Ultimately, though, the joke is on Szymborska, whose poems have grown more witty, more humane, and more tender--in other words, more knowing--with each passing year. View with a Grain of Sand remains an excellent point of entry to Szymborska's oeuvre, but Poems New and Collected is the place to go for a wide-angle view of this superlative and sardonic writer.
Here
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An exciting collection of poems by Wislawa Szymborska. When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest ever. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought.
From the title poem:
I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . .
Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.
Miracle Fair: Selected Poems of Wislawa Szymborska
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"Miracle Fair is Szymborska at her very best."—Harvard Book Review Winner of the Heldt Prize for Translation. A new translation of the Nobel Prize-winning Polish poet, with an introduction by Czeslaw Milosz. This long-awaited volume samples the full range of Wislawa Szymborska's major themes: the ironies of love, the wonders of nature's beauty, and the illusory character of art. Szymborska's voice emerges as that of a gentle subversive, self-deprecating in its wit, yet graced with a gift for coaxing the extraordinary out of the ordinary.
Monologue of a Dog
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From a writer whom Charles Simic calls "one of the finest poets living" comes a collection of witty, compassionate, contemplative, and always surprising poems. Szymborska writes with verve about everything from love unremembered to keys mislaid in the grass. The poems will appear, for the first time, side by side with the Polish originals, in a book to delight new and old readers alike.
EVERYTHING Everything- a bumptious, stuck-up word. It should be written in quotes. It pretends to miss nothing, to gather, hold, contain, and have. While all the while it's just a shred of a gale.
(20051101)
View with a Grain of Sand: Selected Poems
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From one of Europe’s most prominent and celebrated poets, a collection remarkable for its graceful lyricism. With acute irony tempered by a generous curiosity, Szymborska documents life’s improbability as well as its transient beauty to capture the wonder of existence. Preface by Mark Strand. Translated by Stanislaw Baranczak and Clare Cavanagh, winners of the PEN Translation Prize.
True, the gentlemen of the Swedish Academy have made more than their share of bloopers. But when they bestowed the Nobel Prize upon Wislawa Szymborska in 1996, they got it right, rescuing a major poet from minor obscurity. Two previous collections of her work had appeared in English, of course. Yet View with a Grain of Sand is by far the best introduction to the Polish writer, conveying not only the fantastic lightness of her touch but the entire worlds she manages to pack into, as it were, a grain of sand. Miniscule wonders are her specialty, such as the tableau she records in "Miracle Fair": "The usual miracle: / invisible dogs barking / in the dead of night. / One of many miracles: / a small and airy cloud / is able to upstage the massive moon." Yet Szymborska is also a love poet of peculiar tartness: True love. Is it really necessary? Tact and common sense tell us to pass over it in silence, like a scandal in Life's highest circles. Perfectly good children are born without its help. It couldn't populate the planet in a million years, it comes along so rarely. What comes along so rarely, in fact, is a writer of this quality--and a translation that does her justice. Szymborska's brilliance would probably overpower even a second-rate rendering into English. But thanks to the efforts of Stanislaw Baranczak and Clare Cavanagh, she is not only brilliant but supremely readable--an intellectual comedian for whom "there's nothing more debauched than thinking."
Nonrequired Reading: Prose Pieces
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Product Details
- ISBN13: 9780151006601
- Notes: Trade-mark NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
- Condition: New
Description
Wislawa Szymborska's poems are admired around the world, and her unsparing vision, tireless wit, and deep sense of humanity are cherished by countless readers. Unknown to most of them, however, Szymborska also worked for several decades as a columnist, reviewing a wide variety of books under the unassuming title "Nonrequired Reading." As readers of her poems would expect, the short prose pieces collected here are anything but ordinary. Reflecting the author's own eclectic tastes and interests, the pretexts for these ruminations range from books on wallpapering, cooking, gardening, and yoga, to more lofty volumes on opera and world literature. Unpretentious yet incisive, these charming pieces are on a par with Szymborska's finest lyrics, tackling the same large and small questions with a wonderful curiosity.
Szymborska Wislawa News

Demerit points for bad poetry - Eureka Street
Eureka Street, Australia - May 23, 9185
Eureka StreetDemerit points for bad poetryThink of the advantages of a world with poetry inspectors and injectors: no Hallmark card ditties, no one pretending to be influenced by Rimbaud (pictured) ever again, the admirably clear and piercing Wislawa Szymborska an honored guest on television
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How Much Luck Can One Man Have? - Ha'aretz
Ha'aretz, Israel - May 07, 2009
How Much Luck Can One Man Have?She addresses the role of luck by quoting Polish poet Wislawa Szymborska: "You were saved because you were the first. / You were saved because you were the last. / Alone. With others. On the right. The left. / Because it was raining. Because of the
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Los símbolos del cambio - Diario Vasco
Diario Vasco, Spain - May 08, 2009
COPELos símbolos del cambioLos versos de Kirmen Uribe y de Wislawa Szymborska pusieron el punto poético a una esmerada puesta en escena. Que sirvió, incluso, para reivindicar una visión compleja de lo identitario, «aunque seamos distintos, como dos gotas de agua». Patxi López El Estatuto, el dantzari y el oboe López promete su cargo con lealtad a la ley ya la Corona Los dos poemas del 'lehendakari' -
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諾貝爾文學獎得主 詩界莫札特 - 中時電子報
中時電子報, Taiwan - May 21, 2009
諾貝爾文學獎得主 詩界莫札特一九九年諾貝爾文學獎得主辛波絲卡(Wislawa Szymborska)今年八十六歲,她一九二三生於波蘭西部小鎮布寧(Bnin),八歲時移居克拉科夫(Cracow),大半輩子都在這裡度過。辛波絲卡獲得文學界的最高榮耀,卻沒有讓她與大眾拉開距離,事實上,她是當今波蘭最受歡迎的女詩人 貼近辛波絲卡 劇場演繹詩作
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Wywiad z dr Michałem Rusinkiem, sekretarzem Wisławy Szymborskiej - Wiadomosci 24
Wiadomosci 24, Poland - May 19, 2009
Wywiad z dr Michałem Rusinkiem, sekretarzem Wisławy SzymborskiejWisława Szymborska uważa, że mówienie o sobie zubaża wnętrze. Wydawcy, dedykując tomik, napisała: "Z ogromną wdzięcznością, która byłaby jeszcze większa, gdyby nie te promocje." W dzisiejszym świecie, gdzie wszystko opiera się na komercjalizacji, nie
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