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Sontag Susan

Regarding the Pain of Others

Picador

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Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today.

How does the spectacle of the sufferings of others (via television or newsprint) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Susan Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001.

In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.

Against Interpretation: And Other Essays

Picador

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First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp," Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.

On Photography

Picador

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Winner of the National Book Critics' Circle Award for Criticism.

One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as “a progress of essays about the meaning and career of photographs.” It begins with the famous “In Plato’s Cave”essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching “Brief Anthology of Quotations.”

Illness as Metaphor and AIDS and Its Metaphors

Picador

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In 1978 Susan Sontag wrote Illness as Metaphor, a classic work described by Newsweek as "one of the most liberating books of its time." A cancer patient herself when she was writing the book, Sontag shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of patients and often inhibit them from seeking proper treatment. By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is--just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed.

Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote a sequel to Illness as Metaphor, extending the argument of the earlier book to the AIDS pandemic.

These two essays now published together, Illness as Metaphor and AIDS and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professionals and, above all, on the lives of many thousands of patients and caregivers.

As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980

Farrar, Straus and Giroux

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This, the second of three volumes of Susan Sontag’s journals and notebooks, begins where the first volume left off, in the middle of the 1960s. It traces and documents Sontag’s evolution from fledgling participant in the artistic and intellectual world of New York City to world-renowned critic and dominant force in the world of ideas with the publication of the groundbreaking Against Interpretation in 1966.

As Consciousness is Harnessed to Flesh follows Sontag through the turbulent years of the 1960s—from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden—up to 1981 and the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of one individual’s political and moral awakening.


Reborn: Journals and Notebooks, 1947-1963

Farrar, Straus and Giroux

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"I intend to do everything...to have one way of evaluating experience—does it cause me pleasure or pain, and I shall be very cautious about rejecting the painful—I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!"
 
So wrote Susan Sontag in May 1949 at the age of sixteen. This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
 
Reborn is a kaleidoscopic self-portrait of one of America’s greatest writers and intellectuals, teeming with Sontag’s voracious curiosity and appetite for life. We watch the young Sontag’s complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself—all filtered through the inimitable detail of everyday circumstance.

Sontag Susan News




Wife/Mother/Worker/Spy - New York Times
Wife/Mother/Worker/Spy - New York Times New York TimesWife/Mother/Worker/SpyIf, like most photos, they had an insuperable power to determine what we recall of events, as Susan Sontag wrote in The Times Magazine, we recalled only a few details of the biggest events in our family's life. But sometime between then and now,

Upcoming Events At Northshire Bookstore - Message for the Week
Upcoming Events At Northshire Bookstore - Message for the Week Message for the WeekUpcoming Events At Northshire BookstorePhillip Lopate – Noted essayist Phillip Lopate presents Notes on Sontag, his reflections on the personality and achievements of the acclaimed writer, Susan Sontag. Michelle Mercer – Mercer takes an intimate look at singer/songwriter Joni Mitchell's

Like Mother, Like Son - Advocate.com
Like Mother, Like Son - Advocate.com Advocate.comLike Mother, Like SonIs Susan Sontag's son keeping the real Susan Sontag hidden from the public with his edit of his late mother's journals? Sontag biographer Carl Rollyson sure seems to think so. By Carl Rollyson The dozens of reviewers and bloggers discussing Susan

Lopate's Sontag - Brooklyn Rail
Lopate's Sontag - Brooklyn Rail Brooklyn RailLopate's Sontagby Jessica Loudis It is a testament to Susan Sontag's impact as an intellectual figure that since her death in 2004, she has yet to fade from public consciousness: her books remain, with equal tenacity, on the shelves at The Strand and Barnes & Noble;

Sontag v. Rich: Or, Before Feminism Went Pastel - New Yorker
Sontag v. Rich: Or, Before Feminism Went PastelFor example, take this excellent exchange between Adrienne Rich and Susan Sontag, prompted by Sontag's 1975 essay “Fascinating Fascism,” about Leni Riefenstahl and Nazi-themed pornography. The essay and the exchange were both published in the New York