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Signorelli Luca
Luca Signorelli: The San Brizio Chapel, Orvieto (Great Fresco Cycles of the Renaissance)
DescriptionThis beautiful series lavishly illustrates the world's major fresco cycles from the early fourteenth through the seventeenth centuries. Each book also contains a comprehensive text, a biography of the artist, a bibliography, and a glossary.
Luca Signorelli
DescriptionThis is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Life and Art of Luca Signorelli
DescriptionDefinitive in its scholarship and thrilling in its scope, this lavishly illustrated volume offers the first book-length study of Luca Signorelli (1445–1523), sometimes described as the "least-known major artist" of the Renaissance. Twenty years of painstaking archival research have produced this portrait of Signorelli in public and private life—an adventurous painter who believed art was divinely inspired, and an affectionate family man who participated energetically in public life. In his paintings—of which the Last Judgement in Orvieto cathedral is his undisputed masterpiece—Signorelli integrated his observations of daily life with a fresh and sensitive approach to representing religious subjects. A student of Piero della Francesca, Signorelli was influential into the early 16th century, though he was ultimately eclipsed by his friends Raphael and Michelangelo. Signorelli's work is represented in museums around the world, and this book now offers new audiences and scholars a complete picture of one of the Renaissance's most significant and intriguing artists.
Luca Signorelli: The Complete Paintings
DescriptionGiorgio Vasari remarked that Luca Signorelli was "as famous a painter in Italy as any one has ever been." Mentored by Piero della Francesca, he developed a unique style which was characterized by violent and torturous movement of the figures and complex iconography. In this continuation of our successful Renaissance painters' series, Signorelli experts Tom Henry and Laurence Kanter offer a thorough consideration of the artist's entire body of painting in the first comprehensive treatment of his work.
How Fra Angelico and Signorelli Saw the End of the World
DescriptionThe frescoes of the Cappella Nuova in the Cathedral of Orvieto have fascinated visitors from Michelangelo to Freud and Czelow Milosz because of their dramatic portrayal of the end of the world and the Last Judgment. Creighton Gilbert s study draws on previously overlooked documents to explain the commissioning of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. In contrast to most other art historians, who ascribe the iconographic and formal structure of the paintings to Signorelli, Gilbert contends that his predecessor, Fra Angelico, devised the entire program of decoration. Gilbert also situates the cycle in the contexts of liturgical practice, humanistic studies, and the rich body of texts and images shaping the Renaissance conception of the coming of the Antichrist and the world s final moments.How Fra Angelico and Signorelli Saw the End of the World examines every element in the Cappella Nuova's architecture and complex decoration, which not only represents the coming of the Antichrist, the end of the world, and the Last Judgment but also, on a high dado, features portraits of Dante and other poets, scenes from their texts, and sinuous grotesque ornament. Although Dante s likeness has long been recognized, Gilbert is the first scholar to establish that his great epic, The Divine Comedy, exerted a profound influence on the Chapel s iconographic program.
Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry, and a Vision of the End of Time (Histories of Visions) (Histories of Visions)
DescriptionBuilt in 1290, the cathedral at Orvieto, Italy, is a masterpiece of Italian gothic architecture. The decoration of the Cappella Nuova, commenced by Fra Angelico in 1447 and magnificently completed by Luca Signorelli in 1499 and 1504, displays an awe-inspiring "Last Judgement" and "Apocalypse" and, below it, scenes from Dante and classical literature. Drawing on years of detailed research into the history of the chapel, Sara Nair James identifies Signorelli's theological advisors as a group of Dominican scholars, known as the "Masters of the Sacred Page of this city". She presents the decoration as an integrated whole, a programme complex in iconography, message, source material and theory and, through a detailed response to Dante's "Divine Comedy" and a moralized reading of classical legends, explains how the events of the end-time join the literary narratives to form a sermon on salvation through penance. The book is not simply a work of traditional iconography, explaining the stories behind the pictures. It is a study in the theory and techniques of the visual representation of religious belief and its reception by the laity. The detailed illustration includes many photographs taken after the restoration of the chapel in 1996.Signorelli Luca News![]()
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