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Schwitters Kurt
Kurt Schwitters: Color and Collage (Menil Collection)
DescriptionBest known for his extraordinary abstract collages, German artist Kurt Schwitters (18871948) is one of the most influential figures of the international avant-garde. Emphasizing the significance of color and light in the artist’s work and delving into the relationship between collage and painting, this handsome volume accompanies the first U.S. retrospective of the artist’s oeuvre in twenty-five years. Affiliated with Dada and the Constructivist movement in the years following WWI, he coined the term merz” to describe his ambition to make connections, preferably between everything in the world.” Schwitters’s merz gave seemingly worthless objects of urban wastetrain tickets, newspaper fragments, bits of wirenew life as compositional elements in his installations, assemblages, sculptures, and collages. Hoping to unify life and art by incorporating everyday objects into his work, this pioneer of installation art came closest to his ideal with Merzbau, a room-size walk-in sculpture constructed entirely of found materials. Alongside images and analysis of a full-scale reconstruction of Merzbau, this book includes an illustrated chronology and 90 color plates of Schwitters’s assemblages, reliefs, sculptures, and collages, with emphasis on merz works from the 1920s and 1940s. The selection not only illuminates the artist’s response to the dominant art movements of his time but also illustrates his unique composition and design. Essays by prominent scholars provide new perspective on the artist who created poetry from the commonplace.
PPPPPP: Poems Performances Pieces Proses Plays Poetics
DescriptionKurt Schwitters' stated goal was to "erase the boundaries between the arts." This collection, culled from the five-volume German edition of Schwitters' writings, introduces the total work of art that is Merz through Schwitters' words. Included is the complete text for the "Ursonate," Schwitters' legendary and lengthy epic of sound poetry, which, as poets, editors and translators Jerome Rothenberg and Pierre Joris comment, "is to sound poetry what Joyce's Ulysses is to the twentieth-century novel."
Pppppp: Kurt Schwitters Poems, Performance, Pieces, Proses, Plays, Poetics (Border Lines: Works in Translation)
DescriptionKurt Schwitters, one of the great visual artists of the 20th century, was also one of the major poets and theorists of Modernism. This collection brings the vast range of his writings to an English audience. This book was the winner of the 1994 PEN Center USA West Literary Award for Translation.Customer ReviewsTouching NonsenseLike his Merz collages, Schwitters' poems take dissociated elements and glue them to together to make an aesthetically pleasing whole. As an artist and a writer Schwitters has the supreme ability to create beauty from cast-off fragments, using them to his own designs of witty word-play and absurd juxtaposition. Fantasy abounds and is mixed with advertisements, fragments of conversation, and themes of desire. In both his writings and his collages he sought to "erase the boundaries between the arts." Usually only known for "Anna Blume", Schwitters was an avid writer and this book collects his absurdist plays, nonsensical proses (sic), essays about his life and work (and Dada, poetry, and language), and over 100 of his unique poems. Of all the Dada literature (perhaps excluding Arp), his is the most pleasing and re-readable. Unfortuately some of his German punning and word-play is lost in translation, but can be seen in works that were originally written in English. Never before has nonsense been so emotionally charged or touching (and lets not leave out humorous and outrageous). This is the best collection of Schwitters' work in English that I have come across. Highly recommended. Touching Nonsense Like his Merz collages, Schwitters' poems take dissociated elements and glue them to together to make an aesthetically pleasing whole. As an artist and a writer Schwitters has the supreme ability to create beauty from cast-off fragments, using them to his own designs of witty word-play and absurd juxtaposition. Fantasy abounds and is mixed with advertisements, fragments of conversation, and themes of desire. In both his writings and his collages he sought to "erase the boundaries between the arts." Usually only known for "Anna Blume", Schwitters was an avid writer and this book collects his absurdist plays, nonsensical proses (sic), essays about his life and work (and Dada, poetry, and language), and over 100 of his unique poems. Of all the Dada literature (perhaps excluding Arp), his is the most pleasing and re-readable. Unfortuately some of his German punning and word-play is lost in translation, but can be seen in works that were originally written in English. Never before has nonsense been so emotionally charged or touching (and lets not leave out humorous and outrageous). This is the best collection of Schwitters' work in English that I have come across. Highly recommended. Schwitters Kurt News![]()
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Kurt Schwitters - Wikipedia
Kurt Schwitters exhibition in Mexico City of collages ...
Kurt Schwitters - Artchive
Kurt Schwitters Merzbau in Hannover 1933
Kurt Schwitters: Biography from Answers.com |
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