For a nation that elected Barack Obama as president, here is the first novel of the new era: The Mere Future, by award-winning novelist, activist, and playwright Sarah Schulman, set in a utopian (or is it dystopic?) future vision of New York City. The city has morphed into what appears to be an idealized version of itself, the result of what the new mayor calls "The Big Change," in which rent is cheap, homelessness is a thing of the past, and the only job left is marketing. Advertising no longer appears in public but in the privacy of one's home; chain stores and homogenous culture disappear, and a rugged individualism triumphs. Despite the utopian surface, however, there is a disturbing malaise that infects the population; some openly question how the mayor is paying for such measures, which take place at the expense of anyone feeling anything close to art or emotion, culminating in murder and a resulting trial that transfixes the city. Will justice be served under the new Lifestyle-Appropriate Trial and Sentencing System?

Sparkling with witty and provocative social commentary, The Mere Future is a startling vision of the world to come that blows literary conventions out of the water.

This is Sarah Schulman's twelfth novel; her previous books include Empathy, Rat Bohemia, and The Child (all available from Arsenal Pulp Press). Her awards include a Guggenheim Fellowship and two American Library Association Book awards. She is a professor of English at City University of New York (College of Staten Island).

Provocative, observant, and daring, this 1992 novel by one of America’s preeminent lesbian writers and thinkers is being reissued for the Little Sister’s Classics series. Anna O. is a loner in New York, an office temp obsessed with a mysterious woman in white leather; Doc is a post-Freudian psychiatrist who hands out business cards to likely neurotics on street corners, and is himself looking for personal fulfillment. They befriend each other in the netherworld of the Lower East Side, two unlikely people drawn together by their confusion about and empathy for the world around them, and each other. This beautifully written novel is about the fluidity of desire, and how those of us damaged by love can still be transformed by it. Features a new essay by the author and an introduction by Kevin Killian.

“Schulman crafts a piercing investigation into desire, mores, and the law.”—Publishers Weekly

“An important work of American literature. That this is probably not how the book will be handled, reviewed, shelved, sold and read makes the novel all the more necessary and true.”—Lambda Book Report

“Sarah Schulman is one our most articulate observers.”—The Advocate

“In true Schulman form, the book has a gleaming intelligence and chilled anger. It’s beautifully blunt and plainspoken.”—L.A. Weekly

“A thought-provoking story on a controversial subject. . . . To her credit, Schulman forces the reader to question common societal assumptions.”—Library Journal

The Child, a Lambda Literary Award finalist, is the eleventh and perhaps most controversial book by acclaimed lesbian writer Sarah Schulman, available for the first time in paperback. This novel explores the parameters of queer teen sexuality against a backdrop of hysteria and sanctioned homophobia, based on the 1997 sexual assault and murder of an eleven-year-old boy by a fifteen-year-old.

Stew is a lonely teen who discovers love on an adult website. But when his older boyfriend is arrested in an Internet pedophilia sting, his proclivities are revealed to his family and friends, to his horror. Devastated by these revelations and left to fend for himself, he ends up committing murder.

Brazen and daring in its themes, The Child is a powerful indictment of sex panic in America, and a plaintive meditation on isolation and desire.