Description
Austrian Expressionist Egon Schiele produced a prolific body of work before his early death at the age of twenty-eight in 1918. The oeuvre is comprised of a few hundred oil paintings and thousands of drawings and watercolors.
Schiele's oils have often been reproduced and are well recognized. However, limited access to the fragile works on paper and dispersion among several collections have made for an unbalanced representation of his work as a draftsman.This book assembles drawings and watercolors from public and private collections and reproduces work from every year of the artist's career, beginning with the juvenilia and early academic studies. The focus means that work that is rarely reproduced is represented extensively, providing a unique opportunity to study the rapid artistic development of Schiele over the course of his brief twelve-year career.
The book is organized chronologically and divided into year-by-year sections. Each section includes a text that discusses the major events in Schiele's life and the interrelation between the artist's drawing and developments in his oil painting. Features a previously unpublished Schiele watercolor and several works that have never been reproduced in color. Over 350 color illustrations







Boston GlobeHe made despair glamorous, but was Francis Bacon truly great?In literature, such writers as JD Salinger, Ernest Hemingway, and Raymond Carver routinely suffer such a fate, while in art, Edvard Munch, Egon Schiele, and Vincent Van Gogh are perhaps the classic cases. Francis Bacon, too, belongs in this category.
ArtnetARTFUL TOM, A MEMOIR by Thomas HovingWe fell in love, too with some very naked nudes by another Viennese artist of the turn of the century, Egon Schiele. We went looking around the galleries hoping to buy a drawing or print by either painter. In one shop we found two works by Gustav Klimt
This is LondonTracey Emin's really done it this timeMaybe not by the classic standard, even if the jerky economy of her lines have a superficial similarity to Egon Schiele, but Emin knows how to use drawing to reveal psychology. The line shows agitation and torment. The process is interesting: in her
Financial TimesLunch with the FT: Tracey EminShe cites Edvard Munch, Egon Schiele, German expressionism and Louise Bourgeois as influences, though I reckon she depends most on post-minimalist conventions and installation media. Although nothing in her art is formally radical, her impression of