The Sparrow

Description

"A NOTABLE ACHIEVEMENT . . . Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense."
--USA Today

"AN EXPERIENCE NOT TO BE MISSED . . . If you have to send a group of people to a newly discovered planet to contact a totally unknown species, whom would you choose? How about four Jesuit priests, a young astronomer, a physician, her engineer husband, and a child prostitute-turned-computer-expert? That's who Mary Doria Russell sends in her new novel, The Sparrow. This motley combination of agnostics, true believers, and misfits becomes the first to explore the Alpha Centuri world of Rakhat with both enlightening and disastrous results. . . . Vivid and engaging . . . An incredible novel."
--Milwaukee Journal Sentinel

"POWERFUL . . . Father Emilio Sandoz [is] the only survivor of a Jesuit mission to the planet Rakhat, 'a soul . . . looking for God.' We first meet him in Italy . . . sullen and bitter. . . . But he was not always this way, as we learn through flashbacks that tell the story of the ill-fated trip. . . . The Sparrow tackles a difficult subject with grace and intelligence."
--San Francisco Chronicle

"SMOOTH STORYTELLING AND GORGEOUS CHARACTERIZATION . . . Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them."
--Entertainment Weekly

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In 2019, humanity finally finds proof of extraterrestrial life when a listening post in Puerto Rico picks up exquisite singing from a planet which will come to be known as Rakhat. While United Nations diplomats endlessly debate a possible first contact mission, the Society of Jesus quietly organizes an eight-person scientific expedition of its own. What the Jesuits find is a world so beyond comprehension that it will lead them to question the meaning of being "human." When the lone survivor of the expedition, Emilio Sandoz, returns to Earth in 2059, he will try to explain what went wrong... Words like "provocative" and "compelling" will come to mind as you read this shocking novel about first contact with a race that creates music akin to both poetry and prayer.

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Doc: A Novel

Description

NATIONAL BESTSELLER
 
Born to the life of a Southern gentleman, Dr. John Henry Holliday arrives on the Texas frontier hoping that the dry air and sunshine of the West will restore him to health. Soon, with few job prospects, Doc Holliday is gambling professionally with his partner, Mária Katarina Harony, a high-strung, classically educated Hungarian whore. In search of high-stakes poker, the couple hits the saloons of Dodge City. And that is where the unlikely friendship of Doc Holliday and a fearless lawman named Wyatt Earp begins— before the gunfight at the O.K. Corral links their names forever in American frontier mythology—when neither man wanted fame or deserved notoriety.

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A Letter from Author Mary Doria Russell
For the past three years, when people asked what my next novel is about, I've only had to say four words. “It's about Doc Holliday.” You mention Doc Holliday to guys especially and they just light up. “Oh, man! I love Doc!” they say, and they often mention Val Kilmer's portrayal in the movie Tombstone.

I love that movie, too, but when I write characters, I'm really writing about whom and what they love. The shining silver wire that runs through Doc is John Henry Holliday's love for his mother.

Alice Holliday was 22 when her son was born near Atlanta in the summer of 1851. She was still in mourning for her firstborn, “a sweet little girl who lived just long enough to gaze and smile and laugh, and break her parents' hearts.” I'm sure you can imagine her distress when her second child was born with a cleft palate and cleft lip. Even today, when you know clefts can be repaired, they're a shock.

In 1851, such children commonly died within weeks, but Alice kept her boy alive, waking every hour to feed him with an eyedropper, day and night, for eight long weeks. Think about that exhausted young woman and the baby with the hole in his face. Locking eyes. Struggling to stay awake. Struggling to stay alive...

When the infant was two months old, his uncle Dr. John Stiles Holliday performed a successful surgical repair of the cleft--an achievement kept private to protect the family's reputation. You see, in the 1850s, the Hollidays were Georgia gentry whose large extended family would become the O'Haras, Wilkeses and Hamiltons in Gone With The Wind. (Margaret Mitchell was Doc's cousin, twice removed.) These were people who took “good breeding” seriously, and birth defects were a source of familial shame--for everyone but Alice.

Alice and her son became intensely close. She invented a form of speech therapy to correct his diction. She was a piano teacher who introduced him to the music that would become their great shared passion. She home-schooled him until she was sure his speech wouldn't be ridiculed, then sent him to a local boys academy, where he excelled in every subject. In the midst of our nation's ugliest war, she raised a shy, intelligent child to be a thoughtful, courteous gentleman and a fine young scholar who would earn the degree of Doctor of Dental Surgery before he was 21.

Alice didn't live to see him graduate. She died of tuberculosis when John Henry was 15. The loss was staggering, and when he, too, developed TB, he knew exactly what kind of awful death he faced. Hoping dry air and sunshine would restore his health, he left everyone and everything he loved, and went West. He was only 22 when he left Atlanta in 1873.

The Doc Holliday of legend is a gambler and gunman who appears out of nowhere in 1881, arriving in Tombstone with a bad reputation and a hooker named Big Nose Kate. But I have written the story of Alice Holliday's son: a scared, sick, lonely boy, born for the life of a minor aristocrat in a world that ceased to exist at the end of the Civil War, trying to stay alive on the rawest edge of the American frontier.

John Henry Holliday didn't have a mother to love him when he was grown, so I have taken him for my own. My fondest hope for Doc is that it will win for him the compassion and respect I think he deserves. Read it, and weep.

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Dreamers of the Day: A Novel

Description

“I suppose I ought to warn you at the outset that my present circumstances are puzzling, even to me. Nevertheless, I am sure of this much: My little story has become your history. You won’t really understand your times until you understand mine.”

So begins the account of Agnes Shanklin, the charmingly diffident narrator of Mary Doria Russell’s compelling new novel, Dreamers of the Day. And what is Miss Shanklin’s “little story?” Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world–and of our own.

A forty-year-old schoolteacher from Ohio still reeling from the tragedies of the Great War and the influenza epidemic, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt and the Holy Land. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes, with her plainspoken American opinions–and a small, noisy dachshund named Rosie–enters into the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan.

Neither a pawn nor a participant at the conference, Agnes is ostensibly insignificant, and that makes her a welcome sounding board for Churchill, Lawrence, and Bell. It also makes her unexpectedly attractive to the charismatic German spy Karl Weilbacher. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward a personal awakening.

With prose as graceful and effortless as a seductive float down the Nile, Mary Doria Russell illuminates the long, rich history of the Middle East with a story that brilliantly elucidates today’s headlines. As enlightening as it is entertaining, Dreamers of the Day is a memorable, passionate, gorgeously written novel.

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Children of God (Ballantine Reader's Circle)

Description

Mary Doria Russell's debut novel, The Sparrow, took us on a journey to a distant planet and into the center of the human soul. A critically acclaimed bestseller, The Sparrow was chosen as one of Entertainment Weekly's Ten Best Books of the Year, a finalist for the Book-of-the-Month Club's First Fiction Prize and the winner of the James M. Tiptree Memorial Award. Now, in Children of God, Russell further establishes herself as one of the most innovative, entertaining and philosophically provocative novelists writing today.

The only member of the original mission to the planet Rakhat to return to Earth, Father Emilio Sandoz has barely begun to recover from his ordeal when the So-ciety of Jesus calls upon him for help in preparing for another mission to Alpha Centauri. Despite his objections and fear, he cannot escape his past or the future.

Old friends, new discoveries and difficult questions await Emilio as he struggles for inner peace and understanding in a moral universe whose boundaries now extend beyond the solar system and whose future lies with children born in a faraway place.

Strikingly original, richly plotted, replete with memorable characters and filled with humanity and humor, Chil-dren of God is an unforgettable and uplifting novel that is a potent successor to The Sparrow and a startlingly imaginative adventure for newcomers to Mary Doria Russell's special literary magic.


From the Hardcover edition.

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Children of God is the sequel to Mary Doria Russell's 1996 The Sparrow, which saw a Jesuit mission to the planet Rakhat end in disaster. The sole survivor of that mission, a priest named Emilio Sandoz, returned a beaten and broken man, having suffered rape and mutilation at the hands of enigmatic aliens. Now the Jesuits want to go back to Rakhat, and they want Sandoz aboard the new mission. But Sandoz has renounced his priesthood and even found a measure of happiness with his new wife and stepdaughter. Meanwhile, on Rakhat, contact with the humans has thrown the local culture into turmoil, precipitating a war between Rakhat's two sentient races. As forces conspire to send Emilio back to Rakhat--and toward a possible reconciliation with God--the planet verges on genocidal destruction. Children of God is a more polished novel than The Sparrow, and the story is equally compelling.

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A Thread of Grace

Description

Set in Italy during the dramatic finale of World War II, this new novel is the first in seven years by the bestselling author of The Sparrow and Children of God.

It is September 8, 1943, and fourteen-year-old Claudette Blum is learning Italian with a suitcase in her hand. She and her father are among the thousands of Jewish refugees scrambling over the Alps toward Italy, where they hope to be safe at last, now that the Italians have broken with Germany and made a separate peace with the Allies. The Blums will soon discover that Italy is anything but peaceful, as it becomes overnight an open battleground among the Nazis, the Allies, resistance fighters, Jews in hiding, and ordinary Italian civilians trying to survive.

Mary Doria Russell sets her first historical novel against this dramatic background, tracing the lives of a handful of fascinating characters. Through them, she tells the little-known but true story of the network of Italian citizens who saved the lives of forty-three thousand Jews during the war’s final phase. The result of five years of meticulous research, A Thread of Grace is an ambitious, engrossing novel of ideas, history, and marvelous characters that will please Russell’s many fans and earn her even more.


From the Hardcover edition.

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Mary Doria Russell's extraordinary and complex historical novel, A Thread of Grace, is the kind of book that you will find yourself haunted by long after finishing the last page. It opens with a group of Jewish refugees being escorted to safe-keeping by Italian soldiers. After making the arduous journey over a steep mountain pass, they are welcomed into a small village with warm food and clean beds. They have barely laid their heads to rest when news is received that Mussolini has just surrendered Italy to Hitler, putting them in danger yet again. This opening sequence is a grim foreshadowing of the heart-breaking journey these characters will experience in their struggle for survival.

The rich fictional narrative is woven through the factual military maneuvers and political games at the end of WW II, sharing a little-known story of a group of Italian citizens that sheltered more than 40,000 Jews from grueling work camp executions. Rather than the bleak and hopeless feeling that might be expected, the novel has the opposite effect; it reminds us that just as there will always be war, crime, and death, so too will there be good people who selflessly sacrifice themselves to ease the suffering of others. Perhaps best of all, Russell succinctly opens and closes her writing with short pieces that bookend the story with the force of a freight train. Her moving finale wraps up her narrative in the present day, with a death bed scene that's sure to rip the heart out of readers of every faith and ancestry.

On the surface, Russell's third novel may seem quite different from her earlier works. Both The Sparrow and its sequel, Children of God , were futuristic stories about Earth's first contact with alien life forms, but a closer look reveals several similarities. Fans of her earlier books will be pleased to find that Emilio Sandoz, the charismatic Jesuit priest from the first two books, finds new life in Renzo Leoni--A Thread of Grace's charming and haunted chameleon. The two have different circumstances and histories, but both characters are made of the same cloth--tormented by their consciences and plagued by unrequited love. Also similar to her earlier books, the characters in A Thread of Grace don't all enjoy a happy ending. A note in the reader's guide tells us that Russell flipped a coin to determine the fate of some of the characters. This may be upsetting for many readers, particularly those used to Hollywood endings, but it does serve as a frank reminder of the arbitrary nature of war and death. --Victoria Griffith

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Sperling.

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