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Riley Bridget
Bridget Riley: Flashback
DescriptionBridget Riley is that rare instance of an artist whose work breaks free of art history and merges with the broader cultural imagination, yet preserves for itself a rigorous, focused dialogue with painting's most basic properties: the interaction of form and color. Produced in close collaboration with the artist, Flashback tracks Bridget Riley's career from its sensational beginnings in the early 1960s, at the helm of Op art, to the ambitious and powerful paintings and works on paper of recent years. Alongside a wealth of reproductions of works from 1961 to 2007, it also features an illustrated chronology and list of works in U.K. public collections, an essay by Michael Bracewell and a wonderful meditation by Riley, titled "Work," in which she looks back on the curve of her art across the decades. "You cannot deal with thought directly outside practice as a painter," she writes: "'doing' is essential in order to find out what form your thought takes." Flashback reveals Riley's achievement in all its energetic glory, surveyable in one concise volume.
Bridget Riley: Complete Prints 1962-2010
DescriptionNewly designed and expanded, this 2010 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This beautiful catalogue raisonne featuring Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context for Riley's work. Here, MacRitchie explores Riley's career as a printmaker focusing on different periods of activity. Hartley discusses the history of screenprinting and Riley's relationship to the medium. Including over 80 prints -- featuring 12 new works -- this book brings together a substantial body of cohesive works.
Bridget Riley: Paintings and Related Work (National Gallery London)
DescriptionFor 50 years Bridget Riley has been regarded as one of Britain's most important abstract artists, renowned for large paintings that feature complex, repetitive geometric shapes and undulating linear patterns. It is fascinating to discover that she sees her decidedly modern paintings as following in an Old Master pictorial tradition. This affinity stems from a lifelong passion for paintings in the National Gallery, London, with which she was first associated as a young student, and later as a Trustee and exhibiting artist. This book celebrates the artist's long engagement with the National Gallery. The authors discuss the significance of paintings from the Gallery's collection that Riley chose for exhibition alongside her own works, and they explain how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens, and light blues, translate into the abstracted shapes that appear in Riley's work. The authors also demonstrate how the techniques and methods of modern masters including Cézanne, Seurat, and Matisse exert an important influence on Riley's paintings.
Bridget Riley: New Paintings and Gouaches
DescriptionAn essential publication for followers of the internationally known abstract painterBridget Riley, this exhibition catalogue of new paintings is her first show in the UK since 2000. Fully illustrated with large color images of previously unseen paintings, these new curvilinear works incorporate flowing forms that interlock and move with one another, a style that Riley has successfully developed in recent years. Included is an in-depth essay by Paul Moorhouse, curator of Riley's retrospective at the Tate Britain in 2003.
Paul Klee: The Nature of Creation, Works, 1914-1940
DescriptionThis study explores diversity as the mainspring of Klee's creative practice. Drawing on Klee's own classifications for his work, along with those of distinguished Klee scholars, the book traces the development of the artist's rich visual language not as a single line of enquiry, but as a series of movements, counter-movements and interconnections. By the time of his death in 1940, Klee was an acknowledged modern master, his fame and influence both as an artist and a teacher recognized throughout the western world. However, his work lost prominence for many years from the early 1960s, only re-emerging into view in much later years. Featuring an essay by Robert Kudielka, Professor of Aesthetics and Philosophy of Art at the Universitat der Kunste, Berlin, along with a personal response to Klee's work by renowned British artist Bridget Riley, this book brings to the fore the seminal role Klee had in the development of 20th-century art and signals the ongoing relevance of his work.
Parkett No. 61 Bridget Riley, Liam Gillick, Sarah Morris, Matthew Ritchie
DescriptionArtwork by Bridget Riley, Liam Gillick, Sarah Morris, Matthew Ritchie.Riley Bridget News![]()
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