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Redon Odilon

Odilon Redon: Prince of Dreams (1840-1916)

Harry N Abrams

List Price: $85.00
Price: $300.00

Description

The work of French Symbolist painter Odilon Redon has long been seen as a direct link between the 19th century and the development of modern art. Now Douglas W. Druick, Searle curator of European paintings at The Art Institute of Chicago, has gathered more than 500 color and black-and-white reproductions of the artist's well-known and more obscure works.
Odilon Redon

Ankele Publishing, LLC

List Price: $4.95

Description

Odilon Redon

Born: April 20, 1840 in Bordeaux, France.
Died: July 6, 1916 in Paris, France.

Movement: Post-Impressionism, Symbolism.

Interesting Facts:
Redon served in the Franco-Prussian War.
He studied sculpture, etchcing, and lithography.
Redon married Camille Falte. They had three sons, but their first died when he was less than a year old.

Notable Works:
The Cactus Man, The Crying spider, The Smiling Spider, The Eye Balloon, The Guardian Spirit of the Waters.

Odilon Redon art book contains 50+ Symbolist reproductions of mythical subjects and portraits with title and date.

Odilon Redon

Born: April 20, 1840 in Bordeaux, France.
Died: July 6, 1916 in Paris, France.

Movement: Post-Impressionism, Symbolism.

Interesting Facts:
Redon served in the Franco-Prussian War.
He studied sculpture, etchcing, and lithography.
Redon married Camille Falte. They had three sons, but their first died when he was less than a year old.

Notable Works:
The Cactus Man, The Crying spider, The Smiling Spider, The Eye Balloon, The Guardian Spirit of the Waters.

Odilon Redon art book contains 50+ Symbolist reproductions of mythical subjects and portraits with title and date.

The Graphic Works of Odilon Redon (Dover Fine Art, History of Art)

Dover Publications

List Price: $22.95
Price: $13.03
You Save: $9.92 (43%)

Description

A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. This modestly priced compilation features 209 of the influential artist's graphic works — 172 lithographs, plus 37 etchings and engravings.

I Am the First Consciousness of Chaos: The Black Album (Solar Books - Solar Nocturnal)

Solar Books

List Price: $29.95
Price: $19.75
You Save: $10.20 (34%)

Description

French artist Odilon Redon (1840–1916) was a key precursor of Surrealist thought. A contemporary of the Impressionists, Redon instead chose to align himself with literary Symbolism, as evidenced by his friendship with poet Stéphane Mallarmé and his visual interpretations of the decadent texts of such writers as Baudelaire, Flaubert, Poe, and others. I Am the First Consciousness of Chaos collects Redon’s key “noirs,” as he called his works in black—lithographs, etchings and charcoals—that evidence the artistic lineage from Symbolism to Surrealism. 

Never previously available in a single volume, the majority of Redon’s noirs—over 250 illustrations—are finally collected here, along with illuminating excerpts from the texts which inspired their creation, including work by J. K. Huysmans, Flaubert, Baudelaire, Edward Bulwer-Lytton, and St John the Divine, as well as an autobiographical introductory essay by Redon himself. Within the pages of this dark and bizarre collection are grotesque and oneiric images: giant and sundered eyes, fantastic cannibal shadows, skeletal harbingers of dread, and the nebulous phantasms that erupt from the night. 

I Am the First Consciousness of Chaos
is an extraordinary gathering of art sprung from the unique mind of Redon and motivated by some of the nineteenth century’s most influential literature.


A soi-même, journal (1867-1915): notes sur la vie, l'art et les artistes (French Edition)

University of Michigan Library

List Price: $14.99
Price: $14.99

Description


The Brush and the Pen: Odilon Redon and Literature

University Of Chicago Press

List Price: $65.00
Price: $54.76
You Save: $10.24 (16%)

Description

French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris.

Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.

Redon Odilon News




Review: 'Summer Hours' sorts through the things we leave behind - San Jose Mercury News
Review: 'Summer Hours' sorts through the things we leave behind - San Jose Mercury News Decider DCReview: 'Summer Hours' sorts through the things we leave behindAlong with the three siblings, Assayas contemplates a pair of paintings by Camille Corot (Frédéric's favorites, which don't much impress his teenage children); a panel by Odilon Redon; and a desk, armoire and several vases of similarly notable pedigree Looking for Mr. Goodbot

Summer Hours - New York Press
Summer HoursAssayas glides by the fabulous appointments (from Odilon Redon panels to a burnished, gold-inlay Majorelle writing desk), and they become a presence—an art fact representing everything he and his characters stand for. As Summer Hours depicts styles of

The Strain: Q&A and Excerpt - Dread Central
The Strain: Q&A and ExcerptPainters like Carlos Schwabe, Odilon Redon, Félicien Rops, Arnold Bocklin, Lucian Freud, Francis Bacon, Thomas Cole, and many others never fail to excite me. On the book front there are just as many authors; Charles Dickens does the trick every time as

OKCMOA Presents Passport to Paris: Nineteenth-Century French ... - Art Daily
OKCMOA Presents Passport to Paris: Nineteenth-Century French It was not until late in the century that the visionary lithographs of Odilon Redon and the design and color innovations of Henri de Toulouse-Lautrec revived interest in the medium. Passport to Paris includes Redon's There are basaltic columns

Art Review: Exhibit brings French prints to Oklahoma City Museum ... - NewsOK.com
Art Review: Exhibit brings French prints to Oklahoma City Museum A skeletal figure wearing a long dress reaches out to grasp the elbow of a nude young woman in a darkly disquieting lithograph by Odilon Redon called "Death, It Is Me.” Heroically simple and straightforward, by contrast, but emotionally satisfying,