Goodness

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Martin Sloane: A Novel

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In 1984, Jolene Iolas, a student in upstate New York, encounters Martin Sloane's work while visiting a Toronto gallery. She strikes up a correspondence with the older artist, and eventually they become lovers. And then, without warning, without a word, he vanishes. There is no hint of his fate, no chain of cause and effect to be followed. Over the following months, Jolene sheds her life, losing everything, including her oldest friend, Molly, to her grief. Ten years pass, and Jolene begins to live with Martin's disappearance. But then the opportunity to confront her ghost arises. Word comes from, of all people, Molly, that someone named Sloane has been exhibiting in Irish galleries. Jolene travels to Dublin, where she is reluctantly reunited with her old friend. Together, the two women become lost in a jumble of pasts as they try to piece together what happened to Martin Sloane. Seamlessly crafted and beautifully written, Martin Sloane evokes the mysteries of love and art, the weight of history, and what it means to bear memory for the missing and the dead.

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When Martin Sloane, Toronto poet and playwright Michael Redhill's first novel, appeared in Canada, it made headlines for its decade-long gestation through 12 complete drafts. In an age when many blockbuster novels read as though they never saw an editor's pencil, Redhill's stamina and ruthless self-appraisal were enough to make him newsworthy. But all that attention to its composition raises a basic question about the book itself: was Martin Sloane worth all the effort?

As it turns out, Redhill's debut is an intense, poetic evocation of the experience of time and place and the personality of a fictional Irish-Canadian collage artist, Martin Sloane, whose work, if not his life, resembles the nostalgic boxes built by the real-life artist Joseph Cornell. Told in the voice of his abandoned lover Jolene Iolas, the story explores the connection between Sloane's life and his art. Iolas, who had a relationship with the older Sloane in her youth, ends up following the cold trail of his life back to Dublin, where he lived as a boy before he was exiled by illness and first began to pack up his life in little boxes. Redhill has created a powerful meditation on life and memory, his work as a poet standing him in good stead. Even if some of the characters are not quite fully realized and the narrative transitions are at times a little rough, Martin Sloane proves that hard work pays off. Long live revision. --Robyn Gillam

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Consolation: A Novel

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From the award-winning author of "Martin Sloane" and "Fidelity" comes a riveting story of two families in different centuries--one searching for the past, the other creating a record of it.

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Lost Classics: Writers on Books Loved and Lost, Overlooked, Under-read, Unavailable, Stolen, Extinct, or Otherwise Out of Commission

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An Anchor Books Original

Seventy-four distinguished writers tell personal tales of books loved and lost–great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission.

Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader’s delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.

Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara’s Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene–the “slightly ditzy” cousin of Graham; Bill Richardson on a children’s book for adults by Russell Hoban; Ronald Wright on William Golding’s Pincher Martin; Caryl Phillips on Michael Mac Liammoir’s account of his experiences on the set of Orson Welles’s Othello, and much, much more.

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Writers, it's often said, are readers first and writers second. Frequently, it is the indelible mark left by some book that inspires a person to commit to the writing life. Mining that vein, the editors of Brick, a Canadian literary journal, asked their contributors "to tell us the story of a book loved and lost." The "Lost Classics" issue has been expanded into a book, in which 73 authors--Margaret Atwood, Russell Banks, John Irving, Philip Levine, Anchee Min, and Michael Ondaatje among them--write about the books they've loved and lost.

These are books worth stealing, books remembered in the twilight that precedes sleep, books that, for these authors, provided "that moment when a reader seems to have found the perfect mate." Though many of the books extolled here are acknowledged classics, many are not. Helen Garner cherishes a childhood book that "except for members of my immediate family, no Australian I've mentioned the book to ... has had any knowledge of it whatsoever." Sarah Sheard writes lovingly of Down and Out in the Woods: An Airman's Guide to Survival in the Bush, "a manual of food, shelter and first aid [that] was the companion text of my childhood summers." Michael Turner reminisces about a book he never actually read, and Erin Mouré describes a book about the history of fishes that "no one I knew was ever interested in reading." Anne Holzman laments her inability to find a copy of a book for lefty activists called Reweaving the Web of Life (hint to Holzman: check online--used copies are readily available). And Nancy Huston introduces Kressmann Taylor's Address Unknown, "a perfectly astonishing [and prescient] little book." A kind of Rand McNally for the literary explorer, each chapter a hand-forged map leading down bookish roads less traveled. --Jane Steinberg

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Fidelity

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Michael Redhill's first short-story collection explores the highways and byways of human relationships, marital and extramarital, parental and sibling. Both affected and unsettling, darker than Redhill's first novel, these stories share that book's fascination with - and acute observation of - the things that human beings can do to each other, the ways they can misunderstand each other and the pain they can cause each other, quite often unwittingly.

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Building Jerusalem

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