The Labyrinth of Solitude (Penguin Modern Classics)

Description

As well as the nine essays on his country's psyche and history that make up 'The Labyrinth of Solitude', this highly acclaimed volume also includes 'The Other Mexico', Paz's heartfelt response to the government massacre of over three hundred students in Mexico City in 1968, and 'Return to the Labyrinth of Solitude', in which he discusses his famous work with Claude Fell. The two final essays contain further reflections on the Mexican government.

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First published in 1950, The Labyrinth of Solitude addresses issues that are both seemingly eternal and resoundingly contemporary: the nature of political power in post-conquest Mexico, the relation of Native Americans to Europeans, the ubiquity of official corruption. Noting these matters earned Paz no small amount of trouble from the Mexican leadership, but it also brought him renown as a social critic. Paz, who went on to win the Nobel Prize for Literature, later voiced his disillusionment with all political systems--as the Mexican proverb has it, "all revolutions degenerate into governments"--but his call for democracy in this book has lately been reverberating throughout Mexico, making it timely once again.

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El laberinto de la soledad

Description

Winner of the 1990 Nobel Prize for Literature and past recipient of the Jerusalem Prize, the Frankfurt Peace Prize, and the Neustadt Prize, Octavio Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character, and culture. "Essential to an understanding of Mexico and, by extension, Latin America and the third world".--THE VILLAGE VOICE .

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The Monkey Grammarian

Description

Hanuman, the red-faced monkey chief and ninth grammarian of Hindu mythology, is the protagonist of this dazzling narrative--a mind-journey to the temple of Galta in India and the occasion for Octavio Paz to explore the nature of naming and knowing, time and reality, and fixity and decay.

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Hanuman, the red-faced monkey chief and ninth grammarian of Hindu mythology, is the protagonist of this dazzling narrative--a mind-journey to the temple of Galta in India and the occasion for Octavio Paz to explore the nature of naming and knowing, time and reality, and fixity and decay.

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The Collected Poems of Octavio Paz: 1957-1987 (Bilingual Edition)

Description

“Paz's poetry is a seismograph of our century’s turbulence, a crossroads where East meets West."—Publishers Weekly

Nobel Laureate Octavio Paz is incontestably Latin America's foremost living poet. The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol)—here translated anew by Eliot Weinberger—made its appearance. This is followed by the complete texts of Days and Occasions (Días Hábiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Árbol Adentro).

With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson.

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A Tree Within (A New Directions Paperbook)

Description

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Sor Juana: Or, the Traps of Faith

Description

Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.

Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protégée. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.

Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.

Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.

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