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Clarissa, the young wife of a foreign office diplomat, delights in tweaking the sensibilities of her more serious friends by playing a game she calls "supposing"--imagining a difficult situation and finding out how people would respond. But Clarissa's lighthearted games becomes deadly serious when she discovers the body of an unknown person in her own drawing room. If that weren't bad enough, her husband is on the way home with an important foreign politician. Clarissa decides to dispose of the body and persuades her three houseguests to help. But before she can get the corpse off the premises, a policeman knocks at her front door. Now Clarissa must keep the body hidden, convince the skeptical police inspector that there has been no murder, and, in the meantime, find out who has been murdered, why, and what the body is doing in her house...

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The major operas of Mozart—Don Giovanni, The Marriage of Figaro, The Magic Flute, Cosìfan Tutte—are well known to music listeners everywhere, having secured a permanent place in the repertoire of companies throughout the world. But how much do you know about La Clemenza di Tito, Idomeneo, L'Oca del Cairo, Zaide? Charles Osborne here provides detailed descriptions of all of these and fourteen others in a volume that serves both a first-rate biography and an exhaustive critical guide to the Mozart oeuvre. Charles Osborne is obviously in command of the literature: He quotes copiously from the mountain of letters, contemporary journals, and the most recent scholarship dealing with the period. His fourfold approach—linking biography with musical, textual, and dramatic analysis—is uniquely satisfying for those seeking an integrated understanding of opera's many dimensions. With a plot summary and character listings of each work, The Completes Operas of Mozart can be read in one sitting for a panoramic sweep of Mozart's operatic genius or for reliable reference by the phonograph or radio.

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While Puccini wrote only twelve operas during a long life—three of them one-acters designed to be performed together—he has to be ranked today as the world’s most popular composer of opera. His La Bohème and Tosca are more frequently performed in the major opera houses than works by other composers, and Madame Butterfly and Manon Lescaut rank not far behind. What is the explanation for Puccini's enormous success? How do his operas work as music and drama? What was he like to contemporaries such as Verdi, Toscanini, and Caruso? Charles Osborne, author of highly successful Complete Operas of Verdi and Complete Operas of Mozart, here analyzes the entire Puccini oeuvre—from Tosca and Turandot to the less-often performed Edgar, La Fanciulla del West, and La Rondine. His fourfold approach—linking biography with musical, textual, and dramatic analysis—is especially valuable for Puccini, who revealed many of his personal contradictions in his music and whose sense of detail can be appreciated by close study of the scores and characters. For the legions of Puccini lovers everywhere, this guide to his life and work can serve as an ideal reference source and opera companion.

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