The Cat's Table

Description

In the early 1950s, an 11-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: One man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another cat’s table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.
 
As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

---

Amazon Best Books of the Month, October 2011: Michael Ondaatje's finely wrought new novel chronicles a young boy's passage from Sri Lanka to London onboard the Oronsay, both as it unfolds and in hindsight. Glancing off the author's own biography, the story follows 11-year-old Michael as he immerses himself in the hidden corners and relationships of a temporary floating world, overcoming its physical boundaries with the expanse of his imagination. The boy's companions at the so-called cat's table, where the ship’s unconnected strays dine together, become his friends and teachers, each leading him closer to the key that unlocks the Oronsay's mystery decades later. Elegantly structured and completely absorbing, The Cat's Table is a quiet masterpiece by a writer at the height of his craft. --Mia Lipman

---

Guest Reviewer: Abraham Verghese on The Cat's Table by Michael Ondaatje

One means by which I have kept track of the passage of time is by the appearance of a new Michael Ondaatje book. I’ve loved his poetry (and I still know long passages from Secular Love by heart). I love the way his books of poetry or prose, fiction or nonfiction (and some of his books are hybrids that seem to be all those genres in one book) are so carefully crafted. I must have read In the Skin of a Lion 10 times, disassembling it to see how this magic alchemy came about.

You can imagine my excitement when The Cat’s Table, Ondaatje’s latest, arrived on my desk. I found myself reading aloud with a loved one, savoring, just a few pages a day that were carefully rationed. Reading aloud was a way to make every morsel last longer, have it linger on tongue and ear. I can’t think of a book I’ve read where the sense of a journey—in this case, a ship going from Ceylon to England via the Suez Canal—is so carefully mirrored in the reader’s experience. I had the sense of movement, of a big ship inching away from the shore, and of seeing one’s former life recede. At the assigned dinner table (from which the title derives), one meets fellow travelers and the brief bios they present to the world. With each passing day, the narrator finds that these constructed selves give way to something deeper, something overstated, or something dark and ominous, or at other times they modestly conceal a being that is incredibly beautiful and heroic. As the journey progresses, the many characters and the flavors each adds begin to meld together, and I had a sense of the narrative soup thickening, the pace increasing. Indeed, by the last few pages it was as though we had arrived all too soon at the bottom of a most delicious cioppino or bouillabaisse. The fleshy items were dispensed with, the shells all removed, leaving only those last few spoonfuls, and in them a wise world, a complete world, a world distilled. When it was over, I had that sense one lives for as a reader: the feeling of having discovered a truth not just about the imagined world of the novelist, but also about oneself, a truth one can now carry forth into the world, into the rest of one’s life....

Make haste to get this book, then do what I did: Fill up the tub, ration yourself to a few pages a day, read aloud, preferably to someone as crazy about Ondaatje as you are. Be disciplined. Don’t exceed your ration. It is a long voyage but it will go by too soon. So relish. Enjoy!

Abraham Verghese is the author of the internationally best-selling novel Cutting for Stone, which has been translated into 23 languages and spent over a year on the New York Times best-seller list. He is also the author of My Own Country, a 1994 NBCC Finalist and a Time Best Book of the Year, and The Tennis Partner, a New York Times Notable Book. A graduate of the Iowa Writers’ Workshop, he has published essays and short stories in The New Yorker, The New York Times, The Atlantic Monthly, Esquire, Granta, The Wall Street Journal, and elsewhere. He is currently Professor and Senior Associate Chair for the Theory and Practice of Medicine at Stanford University and lives in Palo Alto, California.

---

Running in the Family

Description

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

---

In the Skin of a Lion

Description

Bristling with intelligence and shimmering with romance, this novel tests the boundary between history and myth. Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient. 256 pp.

---

Anil's Ghost: A Novel

Description

With his first novel since the internationally acclaimed The English Patient, Booker Prize—winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing.

Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.

---

In his Booker Prize-winning third novel, The English Patient, Michael Ondaatje explored the nature of love and betrayal in wartime. His fourth, Anil's Ghost, is also set during a war, but unlike in World War II, the enemy is difficult to identify in the bloody sectarian upheaval that ripped Sri Lanka apart in the 1980s and '90s. The protagonist, Anil Tissera, a native Sri Lankan, left her homeland at 18 and returns to it 15 years later only as part of an international human rights fact-finding mission. In the intervening years she has become a forensic anthropologist--a career that has landed her in the killing fields of Central America, digging up the victims of Guatemala's dirty war. Now she's come to Sri Lanka on a similar quest. But as she soon learns, there are fundamental differences between her previous assignment and this one:

The bodies turn up weekly now. The height of the terror was 'eighty-eight and 'eighty-nine, but of course it was going on long before that. Every side was killing and hiding the evidence. Every side. This is an unofficial war, no one wants to alienate the foreign powers. So it's secret gangs and squads. Not like Central America. The government was not the only one doing the killing.

In such a situation, it's difficult to know who to trust. Anil's colleague is one Sarath Diyasena, a Sri Lankan archaeologist whose political affiliations, if any, are murky. Together they uncover evidence of a government-sponsored murder in the shape of a skeleton they nickname Sailor. But as Anil begins her investigation into the events surrounding Sailor's death, she finds herself caught in a web of politics, paranoia, and tragedy.

Like its predecessor, the novel explores that territory where the personal and the political intersect in the fulcrum of war. Its style, though, is more straightforward, less densely poetical. While many of Ondaatje's literary trademarks are present--frequent shifts in time, almost hallucinatory imagery, the gradual interweaving of characters' pasts with the present--the prose here is more accessible. This is not to say that the author has forgotten his poetic roots; subtle, evocative images abound. Consider, for example, this description of Anil at the end of the day, standing in a pool of water, "her toes among the white petals, her arms folded as she undressed the day, removing layers of events and incidents so they would no longer be within her." In Anil's Ghost Michael Ondaatje has crafted both a brutal examination of internecine warfare and an enduring meditation on identity, loyalty, and the unbreakable hold the past exerts over the present. --Alix Wilber

---

Divisadero

Description

From the celebrated author of The English Patient and Anil's Ghost comes a remarkable, intimate novel of intersecting lives that ranges across continents and time. In the 1970s in Northern California a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is shattered by an incident of violence that sets fire to the rest of their lives. Divisadero takes us from San Francisco to the raucous backrooms of Nevada's casinos and eventually to the landscape of southern France. As the narrative moves back and forth through time and place, we find each of the characters trying to find some foothold in a present shadowed by the past.

---

From the celebrated author of The English Patient, comes another breathtaking, unforgettable story, this time about a family torn apart by an act of violence. Divisadero is a rich and rewarding read, one that Jhumpa Lahiri, in her guest review for Amazon.com (see below), calls "Ondaatje's finest novel to date." --Daphne Durham

---

Guest Reviewer: Jhumpa Lahiri

Jhumpa Lahiri was awarded the 2000 Pulitzer Prize for fiction, as well as the PEN/Hemingway Award for her mesmerizing debut collection of stories, Interpreter of Maladies. Her poignant and powerful debut novel, The Namesake was adapted by screenwriter Sooni Taraporevala, and released in theaters in 2007.

My life always stops for a new book by Michael Ondaatje. I began Divisadero as soon as it came into my possession and over the course of a few evenings was captivated by Ondaatje's finest novel to date. The story is simple, almost mythical, stemming from a family on a California farm that is ruptured just as it is about to begin. Two daughters, Anna and Claire, are raised not just as siblings but with the intense bond of twins, interchangeable, inseparable. Coop, a boy from a neighboring farm, is folded into the girls' lives as a hired hand and quasi-brother. Anna, Claire, and Coop form a triangle that is intimate and interdependent, a triangle that brutally explodes less than thirty pages into the book. We are left with a handful of glass, both narratively and thematically. But Divisadero is a deeply ordered, full-bodied work, and the fragmented characters, severed from their shared past, persevere in relation to one another, illuminating both what it means to belong to a family and what it means to be alone in the world. The notion of twins, of one becoming two, pervades the novel, and so the farm in California is mirrored by a farm in France, the setting for another plot line in the second half of the book and giving us, in a sense, two novels in one. But the stories are not only connected but calibrated by Ondaatje to reveal a haunting pattern of parallels, echoes, and reflections across time and place. Like Nabokov, another master of twinning, Ondaatje's method is deliberate but discreet, and it was only in rereading this beautiful book--which I wanted to do as soon as I finished it--that the intricate play of doubles was revealed. Every sign of the author's genius is here: the searing imagery, the incandescent writing, the calm probing of life's most turbulent and devastating experiences. No one writes as affectingly about passion, about time and memory, about violence--subjects that have shaped Ondaatje's previous novels. But there is a greater muscularity to Divisadero, an intensity born from its restraint. Episodes are boiled down to their essential elements, distilled but dramatic, resulting in a mosaic of profound dignity, with an elegiac quietude that only the greatest of writers can achieve. --Jhumpa Lahiri

---

---

Coming Through Slaughter

Description

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place.

In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.

---