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Nin Anais

Delta of Venus

Mariner Books

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Description

An extraordinarily rich and exotic collection from the mistress of erotic writing

 

In Delta of Venus, Anais Nin pens a lush, magical world where the characters of her imagination possess the most universal of desires and exceptional of talents. Among these provocative stories, a Hungarian adventurer seduces wealthy women then vanishes with their money; a veiled woman selects strangers from a chic restaurant for private trysts; and a Parisian hatmaker named Mathilde leaves her husband for the opium dens of Peru.


White Stains

Olympia Press

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Description

Collection of short stories written by Ms. Nin and some of her friends written for Roy Johnson back in the '40s. Contains six stories in all, and may actually have been written by Ernest Dowson. Also attached: an Edwardian guide to lovemaking.
Little Birds

Mariner Books

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Price: $5.30
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Description

Evocative and superbly erotic, Little Birds is a powerful journey into the mysterious world of sex and sensuality. From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.




Anais Nin: The Last Days, a memoir

Sky Blue Press

List Price: $6.99

Description

"I have chosen to reveal the intimacies of Anais Nin's last days as I witnessed them so that the story of her death is not lost. Everything comes back in the mind’s eye. Everything comes back in the crucible of the heart. She remains in my psyche all these years later as the most refined and rarified human being I have ever encountered."

Thus begins Barbara Kraft's memoir, Anais Nin: The Last Days. With her sometimes loving and sometimes raw prose, Kraft has done what no biographer, no scholar, no film could do: capture the humanity, mortality, and essence of one of the twentieth century's most celebrated and yet mysterious literary figures.

Anais Nin, noted for her diaries and erotica, was at the height of her fame when she took on Barbara Kraft as a writing student. Quickly, the two became intimate friends at the moment when both would encounter tragedy: Kraft's impending cataclysmic divorce and Nin's terminal cancer. The circumstances created an environment of interdependency: Nin, despite her failing health, supported Kraft's writing and life decisions, and Kraft became a devoted and untiring part of Nin's support system during her last two years of life.

And, as Kraft observes,

"Illness is the great leveler from which none of us is immune. It flushes out all the old, buried truths and puts us in touch with the essential meaning of things. There is no time, no energy for masks, veils, labyrinths, interior cities, or multiple hearts. Death hovered over her, the one reality that Anaïs could not transcend or transmute or transform or levitate with the magic of words. It was a reality she met with a dignity that tore at the heart of all of us who knew her and were close to her."

Because of the overwhelming reality of cancer, Anais Nin was stripped down to her bare essence, which Kraft captures expertly. She poignantly records not only Nin's stubborn grip on life, but also the heroic efforts that Rupert Pole, Nin's west coast lover, made to shield her from the inevitable pain, agony, and humiliation associated with the disease. It is a monumental tribute to not only those fighting for their lives, but also the forgotten ones--the caregivers.

The very personal events in this book can be appreciated by anyone who has gone through terminal disease or know someone who has. So, like Nin herself, the raw reality of Anais Nin: The Last Days becomes symbolic, mythical, and universally inspirational.

Praise:

An intimate and beautiful portrayal of the final years and painful death of Anais Nin, interweaving their study of writing together, the publication of Kraft's diary, and the breakup of the Kraft marriage. This compelling memoir is honest, critical, and full of perceptive insights into the relationships between Nin and her men. "Of all the young women I've worked with you are the one most like me," Nin told Kraft as she lay dying.—Noel Riley Fitch, Anais; the Erotic Life of Anais Nin

Because Kraft's visits with Anais Nin were so frequent during the last two years of Nin's life, Kraft is the most qualified to write this book, which details the grace with which Nin confronted excruciating pain and the prospect of death from cancer. Kraft does not depict her mentor as a saint, but acknowledges her shortcomings, including possibly dishonest advice that had unfortunate consequences for Kraft. Anais Nin: The Last Days will appeal to anyone interested in Nin, but also to readers concerned about relationships between women, the process of dying, and even opera.—Benjamin Franklin V, editor of The Portable Anais Nin

Anais Nin died some 30 years ago, but this important new memoir takes us back to the woman herself. Kraft's moving and deeply personal eyewitness account of Nin's final months—and her gift for candor and self-revelation—makes Kraft's book a must-read. Kraft was there, and the intersection of these two lives makes for sometimes heartbreaking, always lively reading.—Chris Freeman, co-editor of The Isherwood Century
"I have chosen to reveal the intimacies of Anais Nin's last days as I witnessed them so that the story of her death is not lost. Everything comes back in the mind’s eye. Everything comes back in the crucible of the heart. She remains in my psyche all these years later as the most refined and rarified human being I have ever encountered."

Thus begins Barbara Kraft's memoir, Anais Nin: The Last Days. With her sometimes loving and sometimes raw prose, Kraft has done what no biographer, no scholar, no film could do: capture the humanity, mortality, and essence of one of the twentieth century's most celebrated and yet mysterious literary figures.

Anais Nin, noted for her diaries and erotica, was at the height of her fame when she took on Barbara Kraft as a writing student. Quickly, the two became intimate friends at the moment when both would encounter tragedy: Kraft's impending cataclysmic divorce and Nin's terminal cancer. The circumstances created an environment of interdependency: Nin, despite her failing health, supported Kraft's writing and life decisions, and Kraft became a devoted and untiring part of Nin's support system during her last two years of life.

And, as Kraft observes,

"Illness is the great leveler from which none of us is immune. It flushes out all the old, buried truths and puts us in touch with the essential meaning of things. There is no time, no energy for masks, veils, labyrinths, interior cities, or multiple hearts. Death hovered over her, the one reality that Anaïs could not transcend or transmute or transform or levitate with the magic of words. It was a reality she met with a dignity that tore at the heart of all of us who knew her and were close to her."

Because of the overwhelming reality of cancer, Anais Nin was stripped down to her bare essence, which Kraft captures expertly. She poignantly records not only Nin's stubborn grip on life, but also the heroic efforts that Rupert Pole, Nin's west coast lover, made to shield her from the inevitable pain, agony, and humiliation associated with the disease. It is a monumental tribute to not only those fighting for their lives, but also the forgotten ones--the caregivers.

The very personal events in this book can be appreciated by anyone who has gone through terminal disease or know someone who has. So, like Nin herself, the raw reality of Anais Nin: The Last Days becomes symbolic, mythical, and universally inspirational.

Praise:

An intimate and beautiful portrayal of the final years and painful death of Anais Nin, interweaving their study of writing together, the publication of Kraft's diary, and the breakup of the Kraft marriage. This compelling memoir is honest, critical, and full of perceptive insights into the relationships between Nin and her men. "Of all the young women I've worked with you are the one most like me," Nin told Kraft as she lay dying.—Noel Riley Fitch, Anais; the Erotic Life of Anais Nin

Because Kraft's visits with Anais Nin were so frequent during the last two years of Nin's life, Kraft is the most qualified to write this book, which details the grace with which Nin confronted excruciating pain and the prospect of death from cancer. Kraft does not depict her mentor as a saint, but acknowledges her shortcomings, including possibly dishonest advice that had unfortunate consequences for Kraft. Anais Nin: The Last Days will appeal to anyone interested in Nin, but also to readers concerned about relationships between women, the process of dying, and even opera.—Benjamin Franklin V, editor of The Portable Anais Nin

Anais Nin died some 30 years ago, but this important new memoir takes us back to the woman herself. Kraft's moving and deeply personal eyewitness account of Nin's final months—and her gift for candor and self-revelation—makes Kraft's book a must-read. Kraft was there, and the intersection of these two lives makes for sometimes heartbreaking, always lively reading.—Chris Freeman, co-editor of The Isherwood Century
The Portable Anais Nin

List Price: $19.95
Price: $19.95

Description

The Portable Anais Nin is the first comprehensive collection of the author's work in nearly 40 years, during which time her catalogue has doubled with the release of the erotica and unexpurgated diaries. A handy source book of Nin's most important writings, arranged chronologically and annotated by prominent Nin scholar Benjamin Franklin V. Included are complete diary excerpts, entire fictional works, such as The House of Incest, erotica, interviews, selections from her unpublished diary, and her critical writings.
Under A Glass Bell (Swallow Paperbook)

Swallow Press

List Price: $11.95
Price: $6.75
You Save: $5.20 (44%)

Description

Under a Glass Bell was self-published by Anaïs Nin in 1944, using a manual press. This collection of thirteen short stories, beautifully crafted in a style influenced by French surrealism, but uniquely Nin’s, brought her national attention when Edmund Wilson of The New Yorker reviewed it. Considered one of Nin’s most successful works of fiction, the tales attain psychological realism through illusory symbolism.

Among the titles are “Houseboat,” “The Mouse,” “Ragtime,” “The Labyrinth,” and “Birth.”

Under a Glass Bell is a celebration of the passionate language of Anaïs Nin.

Nin Anais News




Kim Krizan talks about Zombies 2061 - Comic Book Resources
Kim Krizan talks about Zombies 2061She's an Academy Award-nominated screenwriter, an actress who has appeared in films such as Dazed and Confused and Waking Life, a former singer in an all-girl rock band, a creative writing teacher and an Anaïs Nin scholar. And now Kim Krizan can add

We write to taste life twice - Austin Herald
We write to taste life twiceCaron didn't say that and neither did I. I do know Anais Nin said, “We write to taste life twice.” That makes sense. Our boys are home for the summer, and Lydia stopped by. One is on a job search, and the other has work lined up.

Communicate Your Trial Story To Focus Groups - The Complete Lawyer
Communicate Your Trial Story To Focus Groups - The Complete Lawyer The Complete LawyerCommunicate Your Trial Story To Focus GroupsAuthor Anais Nin reminds us that, “We see things not as they are, but as we are.†Similarly, focus groups help us learn about our case and its deficiencies in ways we would otherwise miss because we are so vested and immersed in it.

Why Not a National Friendship Day? - OpEdNews
Why Not a National Friendship Day?Because as Anais Nin knew, “each friend represents a world in us, a world possibly not born until they arrive…” To put it more mundanely, as Marlene Dietrich did, “It's the friends you can call up at 4:00 am that matter.” If you have friends like that,

'Fierce Light: When Spirit Meets Action' - OhmyNews International
'Fierce Light: When Spirit Meets Action' - OhmyNews International OhmyNews International'Fierce Light: When Spirit Meets Action'While there will always be risk involved in taking action for one's beliefs, in the words of Anais Nin, "And the time came when the risk to remain tight in the bud was more painful than the risk it took to blossom." That time is now.