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Naipaul VS

A House for Mr. Biswas

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The early masterpiece of V. S. Naipaul’s brilliant career, A House for Mr. Biswas is an unforgettable story inspired by Naipaul's father that has been hailed as one of the twentieth century's finest novels.

In his forty-six short years, Mr. Mohun Biswas has been fighting against destiny to achieve some semblance of independence, only to face a lifetime of calamity. Shuttled from one residence to another after the drowning death of his father, for which he is inadvertently responsible, Mr. Biswas yearns for a place he can call home. But when he marries into the domineering Tulsi family on whom he indignantly becomes dependent, Mr. Biswas embarks on an arduous–and endless–struggle to weaken their hold over him and purchase a house of his own. A heartrending, dark comedy of manners, A House for Mr. Biswas masterfully evokes a man’s quest for autonomy against an emblematic post-colonial canvas.
An Area of Darkness

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A classic of modern travel writing, An Area of Darkness is Nobel laureate V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.
Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul’s strikingly original responses to India’s paralyzing caste system, its apparently serene acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. The result may be the most elegant and passionate book ever written about the subcontinent.
Miguel Street

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“A stranger could drive through Miguel Street and just say ‘Slum!’ because he could see no more.” But to its residents this derelict corner of Trinidad’s capital is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name.” There’s Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There’s the lovely Mrs. Hereira, in thrall to her monstrous husband. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.
Set during World War II and narrated by an unnamed–but precociously observant–neighborhood boy, Miguel Street is a work of mercurial mood shifts, by turns sweetly melancholy and anarchically funny. It overflows with life on every page.
Among the Believers: An Islamic Journey

Vintage

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Naipaul's controversial account of his travels through the Islamic world was hailed by The New Republic as "the most notable work on contemporary Islam to have appeared in a very long time."
The Middle Passage

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In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.
Vintage Naipaul

Vintage

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Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions.

“The most splendid writer of English alive today. . . . He looks into the mad eye of history and does not blink.” —The Boston Globe

Winner of the Nobel Prize in Literature, V.S. Naipaul is our most intelligent and unflinching observer of the collision between modern and traditional societies. His novels, essays, and reportage are distinguished by their wit, outrage, and compassion, and by a prophetic vision of individuals caught in the tectonic upheavals of history.

Vintage Naipaul includes the prologue and first chapter of the novel A House for Mr. Biswas; a vignette from the novel Half a Life; “Jasmine” from The Overcrowded Barracoon; “Synthesis and Mimicry” from India: A Wounded Civilization; “A New King for the Congo: Mobutu and the Nihilism of Africa” from The Writer and the World; “Jack’s Garden” from his memoir The Enigma of Arrival; and the story “The Bomoh’s Son” from the collection Beyond Belief.

Naipaul VS News




Richard Ingrams's Week: Once you're stuck with a nickname, the ... - Independent
Richard Ingrams's Week: Once you're stuck with a nickname, the I felt a little ashamed but at least I was able to enjoy my journey in silence. I am told that VS Naipaul was once button-holed by a stranger. "You're somebody famous aren't you?" he said. "Yes," said Naipaul. "I am Salman Rushdie."

Datebook | May 22-28
Jamaica, featured an appearance by Nobel Prize-winning poet Derek Walcott, who unexpectedly used the opportunity to read a poem that bashed the values and writing skills of another Nobel-prize winning writer with Caribbean roots, VS Naipaul.

The Trouble With Explanation - Outlook
The Trouble With Explanation - Outlook OutlookThe Trouble With ExplanationAnd if we speak specifically about the arts, should we—or should we not—follow the advice of VS Naipaul, who once told an audience at the Hay-on-Wye literary festival that literature was not for the young, and recommended that all English departments

India Finds the Center
To paraphrase what VS Naipaul wrote in another context, Indians find their center. That center can be boring, predictable, and dull; but in a country where people must be prepared for all sorts of uncertainties (and then blame the adversities on karma)

'The Financial Expert' has potent lessons for today - OregonLive.com
'The Financial Expert' has potent lessons for today - OregonLive.com OregonLive.com'The Financial Expert' has potent lessons for todayIn the words of VS Naipaul, Narayan's novels comprise "small men, small schemes, big talk, limited means." Anyone familiar with India and with Narayan's works would find in that observation a fair amount of truth. The one character that breaks out of