Giorgio Morandi 1890-1964: Nothing Is More Abstract Than Reality
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Morandi Giorgio
Giorgio Morandi 1890-1964: Nothing Is More Abstract Than Reality
DescriptionThis volume showcases 116 masterpieces arranged into the four major themes that characterize Giorgio Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition organized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of photographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.
Giorgio Morandi
DescriptionNow available in a sleek and nicely priced new format, this book reveals why Giorgio Morandi is considered one of the most accomplished painters of his generation.Throughout his long career, Morandi focused on still lifes and landscapes that captured the simple beauty of light and form. While his contemporaries struggled with the intellectual turmoil and aesthetic experimentation of the twentieth century, Morandi remained faithful to the subjects that fascinated him most: bottles, vases, and jugs, and the view out his studio window in Bologna. This richly illustrated volume brings together more than one hundred of his most important works. Grouped according to technique paintings, watercolors, drawings, and etchings each aspect of his work is given thoughtful consideration by scholars who explore Morandi s genius for composition, his serene palette, and his expertise as a draftsman.
Morandi: Master of Modern Still Life
DescriptionGiorgio Morandi (1890-1964) built his visual lexicon from the most minimal of props--dust-covered bottles, bowls, vases, pitchers, tins and boxes. From it, he composed delicious permutations of quiet still lifes, in the most muted yet luminous of palettes, transforming the genre of still life into a cosmos. The composer Morton Feldman once wrote that in his own work he was "interested in getting to Time in its unstructured existence... How Time exists before we put our paws on it," and in this sense Morandi may be his counterpart in paint: his painted objects seem to possess a subtle self-sufficiency and interiority. Accompanying a recent exhibition at the Phillips Collection, Washington D.C., this beautifully designed catalogue contains a selection of reproductions buttressed with two essays by Morandi experts: Flavio Fergonzi appraises the myths that have attached to Morandi, the history of his critical reception and the cities with which the artist was particularly associated; Elisabetta Barisoni discusses Morandi's reception in America.
Giorgio Morandi: The Art of Silence
DescriptionGiorgio Morandi (1890–1964), an Italian painter and printmaker renowned for his simple yet stunning still lifes, is also famous for his legendary reputation as a recluse, an artist who resided in a world bound by the walls of his Bologna studio. Giorgio Morandi: The Art of Silence dispels this myth and is the first and only study in English to cover Morandi’s career in its entirety as well as in the sociopolitical and cultural context of Italian art. Janet Abramowicz, Morandi’s former teaching assistant, takes the reader through half a century of Italian art history and its most significant movements—Futurism, Pittura Metafisica, Valori Plastici, Strapaese, Novecento—most of which have received scant attention from English-language scholars. Abramowicz shows how Morandi worked in close proximity to mainstream contemporary European art and tells the story of his relationship to the Fascist politics and patrons of his time, illustrating how his connections to this period were muted after the fall of the regime in post–World War II Italy in an effort to establish the artist as apolitical. Morandi was the only Italian modernist to emerge from Fascism unscathed. An important new addition to scholarship on twentieth-century Italian art history, this book features many rare and previously unpublished images and will fascinate admirers of Morandi and his transcendent work.
Giorgio Morandi's Studio
DescriptionReviewing the beloved early twentieth-century Italian painter Giorgio Morandi's hugely popular 2008 retrospective exhibition, The New York Times' Holland Cotter wrote, "Aspirants to the role of painter-as-poet are many. Giorgio Morandi was the real thing. And the retrospective, Giorgio Morandi (1890-1964), at the Metropolitan Museum of Art, the second of its size in the United States, with nearly 100 still lifes and a dozen landscapes, is something that anyone in love with painting and its very specific poetry will want to see." This volume presents more than 500 crisp documentary photographs that Gianni Berengo Gardin--winner of the 2008 Lucie Award for Lifetime Achievement--made of Morandi's studio during the course of its legendary move from the artist's home in the center of Bologna to the Museo Morandi. Carlo Zucchini and Silvia Palombi contribute an affectionate conversation about this epic happening on the occasion of Morandi's studio coming home.
Giorgio Morandi
DescriptionBest known for his disarmingly simple depictions of bottles, vases, bowls and jars grouped together on tabletops and painted in exquisitely muted natural colors, the beloved twentieth century Italian painter Giorgio Morandi was also an exceptional interpreter of the medium of engraving. This charming, concise volume, published to coincide with a spate of fall 2008 exhibitions--including a major survey at New York's Metropolitan Museum of Art--collects drawings, watercolors and etchings selected mainly from British and American collections. They range across all of Morandi's favorite motifs, from the famous still lifes of humble objects to the landscapes, cityscapes and objects from the sea.Giorgio Morandi was born in Bologna, Italy, in 1890. Although he fraternized with many of the most important Italian artists and poets of his day, he spent most of his time in his own studio, painting the same objects again and again. He continued to live and work in Bologna until his death in 1964. Morandi Giorgio News![]()
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