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Merwin WS

The Shadow of Sirius

Copper Canyon Press

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Winner of the 2009 Pulitzer Prize for Poetry

Featured on NPR's "Fresh Air" and "The NewsHour with Jim Lehrer" on PBS.

Honored as one of the "Best Books of the Year" from Publishers Weekly.

"A collection of luminous, often tender poems that focus on the profound power of memory." —Pulitzer Prize Committee

"In his personal anonymity, his strict individuated manner, his defense of the earth, and his heartache at time's passing, Merwin has become instantly recognizable on the page; he has made for himself that most difficult of creations, an accomplished style." —Helen Vendler, The New York Review of Books

“Merwin is one of the great poets of our age.”—Los Angeles Times Book Review

"[The Shadow of Sirius is] the very best of all Merwin: I have been reading William since 1952, and always with joy." —Harold Bloom

"[Merwin's] best book in a decade—and one of the best outright... The poems... feel fresh and awake with a simplicity that can only be called wisdom." —Publishers Weekly, starred review

"Merwin's gentle wisdom and attentiveness to the world are alive as ever. These deeply reflective meditations move through light and darkness, old love and turning seasons to probe the core of human existence." —Orion

"[The Shadow of Sirius] shows the earthly possibilities of simple completeness in a writer's mature work. More than an achievement in poetry, this is an achievement in writing." —Harvard Review

The nuanced mysteries of light, darkness, presence, and memory are central themes in W.S. Merwin’s new book of poems. “I have only what I remember,” Merwin admits, and his memories are focused and profound—the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and “our long evenings and astonishment.” In “Photographer,” Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by “someone who understood.” In “Empty Lot,” Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can’t help but ask: How shall we mine our lives?

somewhere the Perseids are falling
toward us already at a speed that would
burn us alive if we could believe it
but in the stillness after the rain ends
nothing is to be heard but the drops falling

W.S. Merwin, author of over fifty books, is America’s foremost poet. His last two books were honored with major literary awards: Migration won the National Book Award, and Present Company received the Bobbitt Prize from the Library of Congress.


Flower & Hand: Poems, 1977-1983

Copper Canyon Press

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A volume bringing back into print three volumes by the most celebrated American poet currently writing.

The Lost Upland: Stories of Southwestern France

Counterpoint

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In The Lost Upland, award-winning poet W. S. Merwin explores his intimate knowledge of the people and the countryside in what is the home of the Lascaux caves, an ancient part of southwestern France. In three narratives of small-town life, Merwin shows with unmatched poetic and narrative power how the past is still palpably present. These stories offer the reader a brilliantly evocative and loving portrayal of the French country people and their way of life.

The Second Four Books of Poems: The Moving Target / The Lice / The Carrier of Ladders / Writings to an Unfinished Accompaniment

Copper Canyon Press

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W.S. Merwin was born in New York City in 1927 and grew up in New Jersey and Pennsylvania. He worked as a tutor in France, Portugal, and Majorca, and has translated from French, Spanish, Latin and Portugese. He has published more than a dozen volumes of orignal poetry and several volumes of prose. Mr. Merwin has been awarded the Tanning Prize, the Pulitzer and Bollingen prizes, the Fellowship of the Academy of American Poets, the Shelley Memorial Award, the Pen Translation Prize, and many other honors. He lives in Haiku, Hawaii.

W.S. Merwin's Second Four Books of Poems includes some of the most startlingly original and influential poetry of the second half of this century, a poetry that has moved, as Richard Howard has written, "from preterition to presence to prophecy."

Other books by M.S. Merwin available from Consortium:
East Window (Copper Canyon Press), 1-55659-091-1
The First Four Books of Poems (Copper Canyon Press), 1-55659-139-X
Flower & Hand (Copper Canyon Press), 1-55659-119-5

Purgatorio: A New Verse Translation (English and Italian Edition)

Knopf

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At the pinnacle of a grand and prolific career, W. S. Merwin has given us a shimmering new verse translation of the central section of Dante's Divine Comedy -- the Purgatorio.
  
Led by Virgil, inspired by his love for Beatrice, Dante makes the arduous journey up the Mountain of Purgatory, where souls are cleansed to prepare them for the ultimate ascent to heaven.  Presented with the original Italian text, and with Merwin's notes and commentary, this luminous new interpretation of Dante's great poem of sin, repentance, and salvation is a profoundly moving work of art and the definitive translation for our time.
In the foreword to his version of the Purgatorio, W.S. Merwin dwells on the quasi-insuperable hurdles that any translator of Dante must face. Choosing just a single line from the first canticle, he asks: "How could that, then, really be translated? It could not, of course." This makes Dante's masterpiece sound like the literary equivalent of Mission: Impossible ("Your mission, Mr. Merwin, should you choose to accept it...") Happily, however, the Pulitzer Prize-winning poet decided to give it a try. He spent several years wrestling with Dante's inexhaustible tercets, and rather than applying himself to the fire-and-brimstone-scented thrills of the Inferno, Merwin turned to the middle and most humane portion of the entire work: Purgatorio. It's here, in a kind of spiritual halfway house between heaven and hell, that the poem reaches a peak of tenderness and regret--and rises quite literally from the dead.

Merwin's version must be measured against a good many predecessors, from John Ciardi's reader-friendly approach to Allen Mandelbaum's free-versifying to Charles Singleton's prosaic trot. How does this Purgatorio stack up? Very decently indeed. Merwin is something of a strict constructionist, who wants to hew as closely as possible to the syntax and sound of the original Italian. Yet he's no Nabokovian naysayer, slapping himself on the wrist every time he deviates from Dante's text, and he's wisely thrown the rhymes overboard. That leaves him with enough flexibility to echo some of the poem's loveliest effects:

A sweet air that within itself was
unvarying struck me on the forehead,
a stroke no rougher than a gentle breeze,

at which the trembling branches all together
bent at once in that direction where
the holy mountain casts its first shadow,

without ever leaning over so far from
the upright as to make the small birds stop
the practice of their art in the treetops...

Merwin also does a good job capturing Dante's asperity, including his near-proverbial response to a rebuke from main squeeze Beatrice in Canto XXX: "As a mother may seem harsh to her child, / she seemed to me, because the flavor / of raw pity when tasted is bitter." There are moments, of course, when the translator's taste for literalism gets him in trouble. When, for example, Dante is surrounded by a crowd of souls in the second canto, who are astonished to see one of the living among them, he describes them as "quasi oblïando d'ire a farsi belle." A difficult phrase to translate, yes, but Merwin's solution--"forgetting, it seemed, to go and see to their own beauty"--makes it sound as though they're late for an appointment at the hairdresser's. Still, these are minor flaws in a major and often marvelous piece of work. Can we look forward to a paradisiacal follow-up? --James Marcus
The Vixen

Knopf

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This major collection, by a major American poet who has been awarded the Marshall, Bollingen, Pulitzer, and other important prizes for mastery of his art, is concerned with the people, countryside, and creatures of southwest France. "Merwin writes, " J.D. McClatchy has said in THE NEW YORKER, "with one of the most distinctive and original voices in American poetry."
Merwin's new book of poems is expectedly dazzling and profoundly of a piece. It is concerned with the people and the countryside of the relatively unknown part of southwest France with which he has been associated for many years. Part lyrical, part narrative, these poems are the work of a master.

Merwin WS News




Infinite Poetry, From a Finite Number - New York Times
Infinite Poetry, From a Finite Number - New York Times New York TimesInfinite Poetry, From a Finite NumberThe eminent poet WS Merwin lived at this corner until he was 9, a block away from the Presbyterian church his father pastored. Several years ago, long after he had won his first Pulitzer, his boyhood city honored him with a street sign here: “WS Merwin

Unforgettable TV: HBO's Alzheimer's Project - U.S. News & World Report
Unforgettable TV: HBO's Alzheimer's ProjectEnjoy them now. And enjoy the people who gave them to you. Don't wait. For a wonderful appreciation of memory, listen to the interview Fresh Air's Terry Gross had with poet WS Merwin, who recently was awarded his second Pulitzer Prize.

Seattle filmmaker Lynn Shelton prepares for SIFF - Seattle Times
Seattle filmmaker Lynn Shelton prepares for SIFFThe film, "The Clouds That Touch Us Out of Clear Skies" (the title is from a WS Merwin poem), screened at a number of film festivals and established Shelton as a up-and-coming talent. "We Go Way Back," Shelton's first feature, won two Grand Jury awards

Japanese End Search for Craig Arnold
Japanese End Search for Craig Arnold Arnold is the author of two award-winning volumes of poetry: "Shells," chosen by WS Merwin for the Yale Series of Young Poets in 1999, and "Made Flesh," published in 2008. He is currently a fellow with the US-Japan Creative Artists Exchange.UW Poet and Professor Believed to Have Died after Fall

Festival of writing at Spalding - Louisville Courier-Journal
Festival of writing at SpaldingFeatured authors from past festivals include Ann Patchett, Ernest J. Gaines, Daniel Handler (aka Lemony Snicket), Pico Iyer, Yusef Komunyakaa, WS Merwin, Bobby Moresco, Michael Ondaatje, Donna Jo Napoli, Marsha Norman, Naomi Shihab Nye, Heather Raffo,