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Mars-Jones Adam

Cedilla

Faber & Faber

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"Cedilla" continues the history of John Cromer begun by "Pilcrow", described by "The London Review of Books" as 'peculiar, original, utterly idiosyncratic' and by "The Sunday Times" as 'truly exhilarating'. These huge and sparkling books are particularly surprising coming from a writer of previously (let's be tactful) modest productivity, who had seemed stubbornly attached to small forms. Now the alleged miniaturist has rumbled into the literary traffic in his monster truck, and seems determined to overtake Proust's cork-lined limousine while it's stopped at the lights. John Cromer is the weakest hero in literature - unless he's one of the strongest. In "Cedilla" he launches himself into the wider world of mainstream education, and comes upon deeper joys, subtler setbacks. The tone and texture of the two books is similar, but their emotional worlds are very different. The slow unfolding of themes is perhaps closer to Indian classical music than the Western tradition - raga/saga, anyone? This isn't an epic novel as such things are normally understood, to be sure. It contains no physical battles and the bare minimum of travel, yet surely it qualifies. None of the reviews of "Pilcrow" explicitly compared it to a coral reef made of a billion tiny Crunchie bars, but that was the drift of opinion. Page by page, "Cedilla" too provides unfailing pleasure. It's the book you can read between meals without ruining your appetite.
Pilcrow

Faber and Faber

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The Darker Proof (Plume)

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Waters of Thirst

Vintage

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William and Terry chanced upon monogamy before it became the symbol of a world ruled by illness and denial. The author--an acclaimed voice in the gay community--offers a brilliant, hilarious, and touching novel about love and desire in the plague years.
Monopolies of Loss

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A collection of stories which Adam Mars-Jones has written in response to the AIDS crisis. The author's other works include "Lantern Lecture" and "The Parker Proof".
Venus Envy (Counterblasts)

Chatto & Windus

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The author focuses on the two "New Man" authors - Martin Amis and Ian McEwan - and examines the contradictions that surround the 1990s male. He argues that these two authors, beset by obsessions about paternity in the post-nuclear age, neatly sum up the way the image of the modern man is distorted to present its more reputable aspects, by hijacking traditional female qualities and championing them as their own. The author sweeps away the distortions he perceives in the writing of Amis and McEwan, and lays bare the concept of masculinity.

Mars-Jones Adam News




Literary line-up for Scots award - Scotsman
Literary line-up for Scots awardAlso shortlisted for the £10000 James Tait Black Memorial Prize for fiction are Irish novelist Sebastian Barry, English writer and critic Adam Mars-Jones and former Pakistani air force pilot Mohammed Hanif. n published during the previous year,

Shortlists announced for James Tait Black Memorial prizes - guardian.co.uk
Shortlists announced for James Tait Black Memorial prizesThe five shortlisted novels were named as A Mercy by Nobel laureate Toni Morrison; Sputnik Caledonia by Andrew Crumey; Pilcrow by Adam Mars-Jones; Mohammed Hanif's A Case of Exploding Mangoes, which was shortlisted for last year's Guardian First Book

Book review: The Children's Book - First Post
Book review: The Children's Book - First Post First PostBook review: The Children's BookThe Children's Book "contains magnificent things, but readers are entitled to feel short-changed when a family drama slowly turns into a history lesson", said Adam Mars-Jones in the Observer. The characters and the plot are over-loaded with research,

Una biografía sobre Gabriel García Márquez opta al premio James ... - ADN.es
Una biografía sobre Gabriel García Márquez opta al premio James También optan al galardón, cuyos ganadores en ambas categorías se anunciarán en el festival del libro de Edimburgo el próximo agosto, "Sputnik Caledonia", de Andrew Crumey; "The secret scripture", de Sebastian Barry; y "Pilcrow", de Adam Mars-Jones.