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Marin John

John Marin's Watercolors: A Medium for Modernism (Art Institute of Chicago)

Art Institute of Chicago

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American modernist John Marin (1870–1953) worked prolifically in watercolor, etching, and oil during a career that spanned more than 50 years. It was the medium of watercolor, however, that encouraged him in his development of a bold, original style that is both contemporary and authentically American. Marin’s improvisational approach to color, paint handling, perspective, and movement situated him as a leading figure in modern art and helped influence the Abstract Expressionist movement.

John Marin’s Watercolors is the first book to present the Art Institute of Chicago’s impressive collection of his works in its entirety, ranging from early images rooted in traditional practice to more experimental compositions. It explores the artist’s working method, his modernist vision as it developed through etching and into watercolor, and his intuitive investigation of the inherent properties of his watercolor to craft a new, avant-garde methodology. The works are organized chronologically and grouped according to the sites where they were painted, including New York City, France and the Tyrol, the Maine coastline, and the New Mexico desert.

Marin had a strong regard for the presentation of his watercolors, and a section illuminates how he chose frames and mounts for each work. The Art Institute’s significant collection of Marin’s original frames and mounts were bequeathed to the museum, along with some 50 watercolors, by legendary photographer, dealer, and collector Alfred Stieglitz. Marin’s and Stieglitz’s attitudes toward presentation are discussed, and the frames are documented with photographic and written descriptions.


John Marin: Modernism at Midcentury (Portland Museum of Art)

Yale University Press

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Since his early work was first embraced by Alfred Stieglitz, John Marin (1870–1953) has been recognized as one of America's foremost watercolorists. During the last two decades of Marin's career, however, oil painting played a greater role in his studio practice. Marin's engagement with oil was liberating, eventually yielding a more fluid, linear, and calligraphic style.

This beautiful publication is the first to focus exclusively on Marin's output from the 1930s through the early 1950s, a corpus of nearly seventy works, which has been generally overlooked in art historical literature. Debra Bricker Balken resituates these works within the discourses of midcentury modernism, convincingly arguing that critics—such as Clement Greenberg—saw them as important precursors to Abstract Expressionism, influencing such artists as Willem de Kooning and Jackson Pollock. Marin's painted abstractions of the Maine coast and Manhattan architecture were singled out for their invention, singularity, and authority, and forecast the new language of Abstract Expressionism.


The John Marin Collection of the Colby College Museum of Art

Colby College Museum of Art Waterville, Maine

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Second only to that of the National Gallery in Washington, D.C., Colby College Museum of Art's John Marin Collection contains paintings, watercolors, drawings, etchings and photographs by one of the most important modern American artists. The works span the years 1888 to 1953 and, at a time when interest in Alfred Stieglitz and his colleagues is growing, prove extremely timely and academically valuable.
In the American Grain: Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : The Stieglitz Circle at the Phillips Collection

Counterpoint

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This lavish book gathers work from the Stieglitz circle as acquired by Duncan Phillips: paintings by Dove, Hartley, Marin, and OKeeffe, and Stieglitzs own photographic Equivalents. These artists defied European tradition, exhibiting a bold, original style that signaled arts coming of age in America. The text includes a selection of letters between Phillips and Stieglitz.
John Marin by John Marin

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John Marin

Abbeville Pr

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Marin John News




Jerry Garcia / John Kahn - Music Box
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Celebrate birth, death and music with Wake the Dead, othersThis week marks the birth of one John and mourns the death of another. The birthday is Creedence Clearwater Revival's John Fogerty who was born in Berkeley on May 28, 1945. Fogerty's Marin County connection is through his longtime nemesis,

Golden Gate Bridge Turns 72 - KCBS
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Proposed state cuts would hit poor women and children in Marin - Marin Independent-Journal
Proposed state cuts would hit poor women and children in MarinJohn Shen, executive director of Marin Community Clinics, which provides care for a large percentage of Marin County's low-income and uninsured residents, said "None of this makes any sense. Whatever California spends, the federal government matches