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Marden Brice

Plane Image: A Brice Marden Retrospective

The Museum of Modern Art, New York

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In the autumn of 2006, The Museum of Modern Art will present Brice Marden: A Retrospective, the artist's first major American retrospective. The exhibition, which will travel to San Francisco and Berlin, will constitute an unprecedented gathering of Marden's work, with more than 50 paintings and an equal number of drawings, balanced across the artist's career. The accompanying catalogue is the first book to take readers through the full course of Marden's work as it has developed over more than 40 years from the early 1960s to the present, showing his gradual, deliberate evolution, along with his constant exploration of light, color and surface at every turn. Marden's first 20 years of work, characterized by the luminous monochrome panels for which he won his first acclaim, will for the first time appear alongside the celebrated production of the past 20 years, which followed a shift in the mid-1980s to calligraphic gestures in shimmering grounds, and another shift in the past decade to heightened color. Two of Marden's newest paintings appear here for the first time. Gary Garrels interprets Marden's work and places it in historical context. Carol C. Mancusi-Ungaro, of the Center for the Technical Study of Modern Art at Harvard, examines issues of materials, processes and conservation. Richard Shiff, Brenda Richardson and Michael Duffy explore Marden's early use of a grid and his engagement with time and space in the studio, as well as his observation of the elemental qualities of nature, his representational links to nature, and the distinctive emotional effects of the abstract monochrome works for which he was initially recognized. Marden himself addresses his working methods in an interview, and a comprehensive chronology, exhibition history and bibliography close the book out.
Brice Marden: Work of the 1990s : Paintings, Drawings, and Prints

Dallas Museum of Art

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Brice Marden: Paintings On Marble

Steidl/Matthew Marks Gallery

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This volume provides a rare glimpse into the most intimate works of the internationally acclaimed artist Brice Marden. Twenty years ago, Marden produced a series of small and virtually unknown paintings on the Greek island of Hydra, which the artist first visited in 1971. Inspired by the island's ancient marble quarries, Marden created these private paintings in oil on marble fragments as tokens for friends and family. Between 1981 and 1987, the artist made a total of 32 paintings on marble, gathered together here for the first time in a single volume. The period coincided with changes in his publicly exhibited paintings. In 1987, the date of his last painting on marble, Marden presented the first public exhibition of his calligraphic paintings, as opposed to his earlier monochrome work. An essay by Lisa Liebmann here helps to contextualize that shift: According to the artist, the diagonal in the marble fragments helped serve as a stepping stone from rectilinear to more organic form.
BRICE MARDEN

Crescent Moon Publishing

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BRICE MARDEN

The American artist Brice Marden (b. 1938) is one of the great contemporary painters.

Brice Marden's first works were the Minimalist monochrome panels of the 1960s, large, austere, 'implacable' oil and wax paintings characterized by a precise coolness. In 1975 Marden had a one-man show at the Guggenheim Museum.

Laura Garrard looks at Marden's artistic career, from the early works, the multi-panel works of the 1970s, the Sea Paintings, Grove Group, Greek and landscape works, and the 'Annunciation Series' and Thira.

In the 1980s, Brice Marden developed a 'calligraphic' or 'Oriental' art, which appeared in many prints as well as large canvases.

Brice Marden studied at Florida Southern College, Lakeland, and Boston University School of Fine and Applied Arts, receiving a Bachelor of Fine Arts in 1961. That year, he worked at Yale Norfolk Summer School in Connecticut. In 1963 he was awarded a Master of Fine Arts degree in painting from Yale University at New Haven. He moved to New York City, and worked as a guard in the Jewish Museum. At this time he was married to Pauline Baez, the sister of Joan Baez, the singer, and had a son, Nicholas.

In the mid-1960s, Marden began to have one-man exhibitions (typically at Bykert Gallery, where he had many shows). In 1966 he became an assistant to Robert Rauschenberg. In the late 1960s, Marden began making multi-panel paintings. He worked as a painting instructor at the School of Visual Arts in New York from 1969-74. He had solo shows and group shows in Europe (Milan, Turin, Paris, Dusseldorf). In 1975 there was the ten-year retrospective at the Guggenheim in New York, unusual for so young an artist. From 1973, Marden visited Greece every year.

Other major shows included a one-man exhibition of drawings (1964-74) at Contemporary Arts Museum, a drawing retrospective at Kunstraum Munich, and the Whitechapel and Stedelijk Museum, Amsterdam one-man shows of 1981. An exhibition of prints 1961-91 travelled to the Tate Gallery, London, Baltimore Museum of Art and the Musee d'art moderne de la ville de Paris.

This is the only full-length appraisal available. Fully illustrated, with new illustrations.


Brice Marden Drawings (Whitney Museum of American Art Books)

Whitney Museum

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Looking East: Brice Marden, Michael Mazur, Pat Steir

Boston University Art Gallery

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This book focuses on three contemporary painters who have found profound inspiration in Chinese art. Brice Marden, Michael Mazur, and Pat Steir have engaged in passionate relationships with various art forms from China and responded quite differently in their paintings. The successful hybridization of East and West witnessed in the work of these three artists has considerably extended the life of modernism by reemphasizing its latent Asian component. The recent work of these three artists is examined in depth, as are other American artists with an interest in Asian art, among them James McNeill Whistler, Georgia O'Keeffe, Mark Tobey, and Agnes Martin.

Marden Brice News




Michael Craig-Martin, artist - guardian.co.uk
Michael Craig-Martin, artist - guardian.co.uk guardian.co.ukMichael Craig-Martin, artistI happened to be there at the school's golden moment, when it had some fantastically good students - Richard Serra, Brice Marden, Chuck Close. Who or what have you sacrificed for your art? Personal life. You can't be an artist without having an

Now Online | T Travel Summer 2009 - New York Times
Now Online | T Travel Summer 2009 which continues to make waves in the world of contemporary art; Pittsburgh, for a night out at a cool grass-roots bar; the Caribbean island of Nevis, where the artists Helen and Brice Marden have recently remade a resort; and Russia's Lower Volga,

Dining Underground | Melia Marden Makes Bond Street Smile - New York Times
Dining Underground | Melia Marden Makes Bond Street Smile - New York Times New York TimesDining Underground | Melia Marden Makes Bond Street SmileMarden is making the best out of less space. Her food, which she describes as “straightforward, with clean flavors: I like it when you can taste everything,” was inspired by her mother Helen's Moroccan and Mediterranean fare (dad Brice takes the family

'Abstract America' at Saatchi Gallery - Financial Times
'Abstract America' at Saatchi GalleryThese knowing abstract practictioners have irony at their disposal and can switch to tie-dye aesthetics or psychedelia as fast as they can quote Malevich or Brice Marden.” This is an excuse for tired, derivative painting repackaged by advertising talk

Party in the Garden (and Chelsea) - ARTINFO
Party in the Garden (and Chelsea)A slew of artists, collectors, and celebrities were in attendance, including Aernout Mik, Brice Marden, Glenn Close, Candice Bergen, Agnes Gund, Caroline Kennedy, and New York Mayor Michael Bloomberg. MoMA President Marie-Josée Kravis said the party