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Jancovich Mark

Horror, The Film Reader (In Focus: Routledge Film Readers)

Routledge

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Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.
Approaches to Popular Film (Inside Popular Film)

Manchester University Press

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An invaluable introduction to popular film and the way in which it is studied this book brings together the critical approaches and issues that have sought to define popular film from the 1950s to the present day. It includes discussion of mass culture theory and political economy; auteur theory; genre theory; star studies; historical poetics; screen theory; feminism and cultural studies. Written by specialists, Approaches to popular film is an ideal textbook for students coming to film theory for the first time.

The Place of the Audience: Cultural Geographies of Film Consumption (BFI Modern Classics)

British Film Institute

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Examines the meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, television transmission, video rental/retail, and satellite/cable) and the meanings of the activities of film consumption associated with these sites.

The Cultural Politics of the New Criticism

Cambridge University Press

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In this book, Mark Jancovich concentrates on the works of three leading American writers - Robert Penn Warren, John Crowe Ransom and Allen Tate - in order to examine the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy in the late 1930s and 1940s. This critical movement managed to transform the teaching and study of English through a series of essays published in journals such as the Southern Review and the Kenyon Review. Jancovich argues that the New Criticism was not an example of bourgeois individualism, as previously held, but that it sprang from a critique of modern capitalist society developed by pre-capitalist classes within the American South. In the process, he clarifies the distinctions between the aims of these three Southern poets from those of the next 'generation' of New Critics such as Cleanth Brooks, Warren and Welleck, and Wimsatt and Beardsley. He also claims that the failure on the part of most contemporary critics to identify the movement's ideological origins and aims has usually meant that these critics continue to operate within the very professional terms of reference established through the New Critical transformations of the academy.
The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media

McFarland

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Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic text within the genre--yet the term "science fiction"; had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time?

These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied.

Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.
Quality Popular Television: Cult TV, the Industry and Fans (BFI Modern Classics)

British Film Institute

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Why are some contemporary television shows so compelling? Looking at shows as diverse as "Ally McBeal", "Buffy the Vampire Slayer" and "Star Trek" it examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling.

Jancovich Mark News




Bunny Boilers: Cinematic stalkers guarantee drama - Independent
Bunny Boilers: Cinematic stalkers guarantee dramaProfessor Mark Jancovich, head of film studies at the University of East Anglia, added: "The stalker as a character in films has a long lineage but since the 1990s people have been preoccupied with it. The rise of celebrity culture is part of that

'April Antics Variety Show' has laughs galore - Gary Post Tribune
'April Antics Variety Show' has laughs galore Gregory Gantzer, Brooke Goodwin, Taylor Granat, Scarlett Hammer, Allison Hess, Mark Hofferth, Mike Hofferth, Kathryn Holmgren, Ashley Hoshaw, Aeleah Howard, Saima Iqbal, Michael Jancovich, Mark Jaskowiak, Jessica Jolley, Andrea Kalasountas,

Charlotte County property transfers - Sarasota Herald-Tribune
Charlotte County property transfersJancovich, Cheryl A., and Jancovich, Donald J., to King, Carlene S., and King, Edward J. Jr., Lot 30 Block 4687 Port Charlotte, $310000. Krick, Alan R., and Krick, Robin A., to Cervenka, Becky J., and Cervenka, Ronald D., Lot 13 Block 3302 Section 44