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Hopper Edward

Edward Hopper

MFA Publications

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One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie, and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade.
Edward Hopper: 1882-1967, Vision of Reality (Big Art S.)

Taschen

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Edward Hopper (1882-1967) is considered the first significant American painter in 20th century art. Living in a secluded country house with his wife, Josephine, he depicted the loneliness of big city people in canvas after canvas. Probably the most famous of them, "Nightawks", done in 1942, shows a couple seated quietly, as if turned inwards upon themselves, in the harsh artificial light of an all-night restaurant. Many of Hopper's pictures represent views of streets and roads, rooftops, abandoned houses, depicted in brilliant light that strangely belies the melancholy mood of the scenes. Hopper's paintings are marked by striking juxtapositions of color, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment sometimes lends his pictures a mood of eerie disquiet. In "House by the Railroad", a harsh interplay of light and shadow makes the abandoned building seem veritably threatening. On the other hand, Hopper's renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimistic side of his character.
Edward Hopper: An Intimate Biography

Rizzoli

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"A definitive biography." Robert Hughes, Time "A nearly flawless account of a remarkable artist . . . a compelling and accessible narrative for anyone even remotely interested in modern American art." Michael Kammen, The New York Times Book Review This acclaimed biography of Edward Hopper is essential reading for anyone interested in the world-famous realist artist. This second, expanded edition doubles the number of illustrations, and includes a new section of paintings in color. A newly added section on Hopper's international influence on culture, especially on contemporary art, poetry, and cinema, makes this edition unique. The original biography (Edward Hopper: An Intimate Biography, Knopf, 1995) has long been considered the seminal review of Edward Hopper's life and work. The biography's focus is the laconic, introverted painter's stormy forty-three-year marriage to outspoken and gregarious Josephine ("Jo") Nivison, herself an artist, and draws extensively on Jo Hopper's intimate diaries, which she kept from the early 1930s until shortly before her death in 1968 (just 10 months after her husband died).
Edward Hopper in Vermont

UPNE

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Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place.

In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape.

In Edward Hopper in Vermont, Clause details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works' ultimate homes with private collectors and museums. Showcasing all of the Vermont paintings in color, this volume will delight both the fans of Hopper's work and those who are fascinated by the story of the creation, collection, and business of producing great art.
Edward Hopper's Maine

Prestel Publishing

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Examining the fruitful summers Hopper spent in Maine between 1914 and 1929, this unique and lavishly illustrated volume features over 100 paintings, watercolors, and drawings, a body of work that is astonishing in its beauty, range, consistency, and importance. This book presents Hopper's compelling images of Maine, including its signature lighthouses, towns, harbors, and coastlines, works that anticipate his mature style and ethos. Among these lyrical and masterful creations, with their carefully calculated compositions and cinematic use of light and shadow, are the plein-air paintings that Hopper created on tiny Monhegan Island off the Maine coast. This series of thirty-two oils is comparable to Monet's haystacks in its meditation on a single, everchanging
subject. Hopper's magnificent lighthouse paintings are also freshly treated, as is his mysterious Maine in Fog, a significant painting heretofore considered unfinished. Many of the works in this stunning book, never or rarely exhibited, are brought together for the first time. This publication, with its insightful accompanying essays, represents an exciting new contribution to the appreciation of this major American artist.
Edward Hopper: Painter of Light and Shadow

Harry N. Abrams

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This captivating biography of the celebrated American painter Edward Hopper follows his youth, includes information on his education, and chronicles his journeys to Paris and his settling down in Greenwich Village to pursue his artwork. The book documents his career as a commercial artist (how he first earned a living) as well as his eventual success as a great American painter. Among the artwork included are NIGHTHAWKS, CAPE COD EVENING, and HOUSE BY THE RAILROAD. A comparison is made to other artists of the period such as O'Keeffe, Pollock, and Marin to round out this unique offering.

Hopper Edward News




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Modern Life: Edward Hopper and his time
Edward Hopper is considered the pre-eminent painter of modern America and many of his works have become iconic images of the twentieth century.

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KKK charge dismissed: Man says he said 'man' not 'klan'In the narrative on the arrest warrant, Kira Shaneze Hopper accused Earnhardt of saying he would “call the KKK and take care of this problem.

Italy to celebrate Hopper's realism
Italy to celebrate Hopper's realism Italy to celebrate Hopper's realism(ANSA) - Rome, August 20 - Italy is gearing up for a sweeping retrospective of the works of American realist painter Edward Hopper later this year with a

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Summer Jam 5 review, Part I: Blind Man's Colour, Shunda K, Mogul but the NWB schedule was running behind and they were just setting up the act scheduled to perform before GreyMarket, experi-hip hopper Deficit.