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Hogarth William

Engravings by Hogarth (Dover Fine Art, History of Art)

Dover Publications

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Rake's Progress, Harlot's Progress, Ilustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.

Hogarth's Marriage A-la-Mode (National Gallery London)

National Gallery London

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Directing his pointed wit at the upper echelons of 18th-century British society, William Hogarth, a painter, printmaker, and social critic, mocked the politics and customs of his day. His series of satirical paintings and engravings, which still absorb viewers after nearly three centuries, record human vice and folly with a sharp eye and cutting intelligence. This compelling book, with an accompanying DVD narrated by Alan Bennett, examines Hogarth's best-known series of paintings, Marriage A-la-Mode, and unlocks many mysteries that have surrounded this gripping artistic commentary.

Marriage A-la-Mode recounts the story of a marriage arranged between the son of a spendthrift nobleman who needs cash and the daughter of a rich City of London merchant who hopes to buy social status. Love never develops, and the discordant lives of the bride and bridegroom descend into adultery and venereal disease followed by murder, execution, and suicide. Judy Egerton deciphers the visual cues and symbols Hogarth employs in his comic story of doubtful morals.


The Works of William Hogarth, Volume I

BiblioBazaar

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
Hogarth: A Life and a World

Farrar, Straus and Giroux

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A landmark account of the great English artist's tumultuous life and times

William Hogarth (1697-1764) was perhaps London's greatest and best-known chronicler. The exuberant expansion and upheavals of city life furnished him with the subjects of the elaborate prints that made him famous, and that remain our finest and most fantastic visual record of eighteenth-century England.

Evoking Hogarth's fierce nationalism, his philanthropic vision, and his antagonistic dance with London's artists and patrons, Jenny Uglow's acclaimed biography "crackles with vitality and sparkles with insights" (Michael Holroyd). In the company of his friends and peers--Swift, Gay, Pope, and the rest--Hogarth burned to expose hypocrisy and yearned to be recognized as a painter in the grand old tradition. In decoding his work's details and damning references--to craven leaders and corrupt institutions, and the beloved, tragicomic tribulations of rakes, harlots, and common citizens--Uglow breathes life into his accomplishment and his thwarted ambition, showing herself at every turn "in sympathetic rapport with Hogarth the man" (P.N. Furbank, The New York Review of Books).

Combining in-depth history with perceptive explication of the references encoded in William Hogarth's images, Jenny Uglow enables modern readers to fully understand the society that shaped the art of William Hogarth (1697-1764). Hugely popular engravings such as A Rake's Progress and Marriage A-La-Mode commented on the tumultuous changes sweeping through 18th-century English society; Hogarth was appreciated as a moralist as much as a painter. Uglow colorfully recreates a vanished world, as well as the prickly nature of a man who revolutionized the role and the status of British artists.
The complete works of William Hogarth: in a series of one hundred and fifty steel engravings from the original pictures

Nabu Press

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Other Hogarth: Aesthetics of Difference

Princeton University Press

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William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject.

Drawing on a broad array of methodologies, the authors of the fifteen essays gathered in this volume include the latest insights of cultural history, gender studies, and visual theory to look afresh at a constellation of themes and issues prominent in Hogarth's work: the construction of diverse social, sexual, and racial identities; the role of women in the family and the public sphere; the critique of a culture of increasing commodification and imperial expansion; issues of politics and patronage; the body as a bearer of aesthetic as well as erotic desire. The volume also features the autobiographical testimony of a contemporary black feminist artist who took Hogarth's work as an inspiration.

By looking at this unsuspected dimension of Hogarth's work, The Other Hogarth both presents a revisionist perspective on the artist and invites us to read in his images the broader operations of eighteenth-century visual culture.

In addition to the editors, the contributors to this volume are David Bindman, Patricia Crown, Mark Hallett, Lubaina Himid, Christina Kiaer, Sarah Maza, Richard Meyer, Frdric Oge, Amelia Rauser, Sean Shesgreen, David Solkin, Nadia Tscherny, James Grantham Turner, and Peter Wagner.


Hogarth William News




Rank: Picturing the Social Order 1516-2009 - guardian.co.uk
Rank: Picturing the Social Order 1516-2009Some are familiar: George Cruikshank, James Gillray, William Hogarth, Thomas Hobbes's Leviathan with its body politic made out of thousands of tiny figures; Victor Burgin's 1976 mock advertisement showing two lovers embracing beneath the question:

Whaling Commission head says Japan must compromise
Whaling Commission head says Japan must compromise William Hogarth steps down as both US delegate and the head of the deeply divided world whaling body after a meeting next month in Portugal, where he doubted any major progress would be reached. The biologist, appointed by former president George W.

Origins of Newport street names - South Wales Argus
Origins of Newport street namesHe wrote the definitive biography of William Hogarth. Elgar Circle/Drive: Names after Sir Edward Elgar, OM, England's greatest composer, who was born in Worcester in 1857 and died in 1934. His works included oratorios like the Dream of Gerontius,

Breen re-elected in Mendon - Milford Daily News
Breen re-elected in MendonPoll workers Gloria Hogarth and Ruth O'Grady said voters came in slow and steadily all day, with rushes at about 10 am and again in the later afternoon, they said. Hogarth and O'Grady said they were expecting a big turnout with the contested races and Mendon election, override vote is today

WESTWAYS Magazine Cover Art Featured at John Wayne Airport - SYS-CON Media (press release)
WESTWAYS Magazine Cover Art Featured at John Wayne AirportIn the 1960s-1980s, the last decades of the cover-art program, the magazine capitalized on the eclectic Los Angeles art scene by featuring covers from diverse and notable artists such as William Pajaud, Paul Hogarth and Shore.