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Gowdy Barbara
The White Bone: A Novel
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A thrilling journey into the minds of African elephants as they struggle to survive.
If, as many recent nonfiction bestsellers have revealed, animals possess emotions and awareness, they must also have stories. In The White Bone, a novel imagined entirely from the perspective of African elephants, Barbara Gowdy creates a world whole and separate that yet illuminates our own.
For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing-not the once familiar terrain, or the age-old rhythms of life, or even memory itself-seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place. And so begins a quest through Africa's vast and perilous plains-until at last the survivors face a decisive trial of loyalty and courage.
In The White Bone, Barbara Gowdy performs a feat of imagination virtually unparalleled in modern fiction. Plunged into an alien landscape, we orient ourselves in elephant time, elephant space, elephant consciousness and begin to feel, as Gowdy puts it, "what it would be like to be that big and gentle, to be that imperiled, and to have that prodigious memory."
Barbara Gowdy has an utter affinity for the unconventional. In the title story of We So Seldom Look on Love, necrophilia is exquisite rather than execrable, and her wildly funny--and wildly affecting--novel Mister Sandman invites us into the hearts and minds of Toronto's least normal and most loving family. With The White Bone Gowdy continues her exploration of extraordinary lives, but this time human beings ("hindleggers") are on the periphery. And we're grateful when they're not around, since this gives her four-legged characters--elephants--a chance to survive. The White Bone opens with five family trees. Gowdy's pachyderms include an orphaned visionary, She-Spurns (more familiarly known as Mud), and the "fine-scenter" She-Deflates, not to mention nurse cow She-Soothes and the bull Tall Time. (Though Gowdy's nomenclature may displease some readers, Dumbo wasn't exactly an inspiring name either.) Then, before her tragic narrative even begins, Gowdy offers a second feat of empathy and imagination, a glossary of elephant language. Afflicted by premonitions and obsessed with memory and safety, these animals have terms that range from the formal to the low, the metaphorical to the deeply physical: the "Eternal Shoreless Water" is oblivion, a "sting" is a bullet, and a "flow-stick" a snake. Of course, if you have "trunk," you possess "soulfulness; depth of spirit"--something every participant in Gowdy's fourth novel desperately needs. Initially, her characters' impressions of familiar objects are amusing, but bright comedy precedes dark tragedy. Witness Mud's take on jeeps: "On their own, vehicles prefer to sleep, but whenever a human burrows inside them they race and roar and discharge a foul odour." Needless to say, such speeding tends to precede a killing fest. Alas, this is a book heavy with omens and slaughter, and Gowdy makes each elephant so individual, so conscious, that their separate fates are impossible to bear. When Tall Time, for instance, hears a helicopter, nothing, not even Gowdy's poetry, can save him: "The shots that pelt his hide feel as light as rain. It is bewildering to be brought down under their little weight." As the devastation increases, and her characters fail, and fail again, to find the magical white bone that should lead them to safety, the novel becomes a litany of pain and death. The only success is Barbara Gowdy's, in getting so thoroughly under the skin of her elephantine protagonists. --Kerry Fried
We So Seldom Look on Love
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Now in paperback, this masterfully crafted story collection by the author of the internationally best-selling novel Mister Sandman is a haunting book that is certain to both disturb and entertain. With a particular focus on obsession and the abnormal, We So Seldom Look On Love explores life at its quirky extremes, pushing past limits of convention into lives that are fantastic and heartbreakingly real. Whether writing about the dilemma of a two-headed man who attempts to expunge his own pain, the shock of a woman who discovers she has married a transsexual, the erotic delusions of a woman who repeatedly exposes her body to an unknown voyeur, or the bizarre predilections of a female necrophile (a story made into the acclaimed motion picture, "Kissed"), Gowdy convinces us with incisive detail, only to disarm us with black humor.
From the author of the blockbuster Mister Sandman comes a gathering of unusual characters captured in the outrageous and humorous situations for which Barbara Gowdy has become famous. Teasing the taboos, Gowdy creates a marriage dialogue between a woman and her transsexual fiancé, who she thought was a man, and litigation between Samuel and Simon who share the same two-headed body. She peoples her stories with Siamese twins, a necrophile, and a pathetically lonely exhibitionist. And she brilliantly illustrates how uncomfortably close a connection comedy has to human suffering. The title story has been adapted into a movie called " Kissed.
Helpless: A Novel
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From the internationally acclaimed author of The White Bone and The Romantic, a haunting and suspenseful novel of abduction and obsessive love Nine-year-old Rachel Fox has the face of an angel, a heart-stopping luminosity that strikes all who meet her. Her single mother, Celia, working at a video store by day and a piano bar by night, is not always around to shield her daughter from the attentionÂ--both benign and sinisterÂ--that her beauty draws. Attention from model agencies, for example, or from Ron, a small-appliance repairman who, having seen Rachel once, is driven to see her again and again.
When a summer blackout plunges the city into darkness and confusion, Rachel is taken from her home. A full-scale search begins, but days pass with no solid clues, only a phone call Celia receives from a woman whose voice she has heard before but cannot place. And as Celia fights her terror and Rachel starts to trust in her abductor's kindness, the only other person who knows where she is wavers between loyalty to the captor and saving the child. Will Rachel be found before her abductor's urge to protect and cherish turns to something altogether less innocent?
Tapping into the fear that lies just below the surface of contemporary city life, Barbara Gowdy draws on her trademark empathy and precision to create a portrait of love at its most consuming and ambiguous and to uncover the volatile point at which desire gives way to the unthinkable.
Falling Angels
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The three daughters of the Field family, aged 17 to 19 are bound together by the love and protection of their fragile alcoholic mother and fear of their abusive father. In a family on the brink of madness, they learn to survive in a dangerously psychotic environment. First published in 1990, FALLING ANGELS is a gripping portrait of a family in trouble, by the author of the highly acclaimed MISTER SANDMAN.
Mister Sandman: A Novel
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Barbara Gowdy’s outrageous, hilarious, disturbing, and compassionate novel is about the Canary family, their immoderate passions and eccentricities, and their secret lives and histories. The deepest secret of all is harbored in the silence of the youngest daughter, Joan, who doesn’t grow, who doesn’t speak, but who can play the piano like Mozart though she’s never had a lesson. Joan is a mystery, and in the novel’s stunning climax her family comes to understand that each of them is a mystery, as marvelous as Joan, as irreducible as the mystery of life itself. In its compassionate investigation of moral truths and its bold embrace of the fractured nature of every one of its characters, Mister Sandman attains the heightened quality of a modern-day parable.
This riotous account of "the family unit" was a smash hit in Europe, Canada, and England. In the Times Literary Supplement, author Margaret Atwood (The Handmaid's Tale) praised Barbara Gowdy's novel as surprising and delightful, containing moments "at the same time preposterous and strangely moving." The Canary family guards many secrets, including the mystery of tiny daughter, Joan, who was dropped on her head at birth and has never spoken. Joan plays the piano like Mozart, yet has never had a lesson. The outrageous hilarity rises into a climax that creates a stunning new definition of family togetherness.
The Romantic: A Novel
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Product Details
- Notes: Name brand NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
- ISBN13: 9780312423247
- Condition: New
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When she is nine-years-old, Louise Kirk’s mother disappears, leaving a note that reads only--and incorrectly--"Louise knows how to work the washing machine." It is not long before a strange couple and their adopted son, Abel, move in across the street. Louise quickly grows close with the exotic Mrs. Richter, but saves her stronger, more lasting affections for Mrs. Richter’s intelligent son. From this childhood friendship evolves a love that will bind Louise and Abel forever, and though Abel moves away and Louise matures into adulthood, her attachment grows dangerously, fiercely fixed.
Gowdy Barbara News
Ad campaign launched to get zoo to mo...
CBC.ca - Aug 14, 2009
Ad campaign launched to get zoo to move LucyThree months later, Margaret Atwood, Michael Ondaatje, Nico Ricci, Jane Urquhart, Barbara Gowdy and 31 other Canadian authors sent a letter to council Groups campaign to get Lucy the elephant moved from Edmonton to all 21 news articles »
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Bob Barker wants Edmonton elephant re...
Winnipeg Sun - Aug 08, 2009
Bob Barker wants Edmonton elephant releasedCanadian authors Margaret Atwood, Barbara Gowdy and Michael Ondaatje were among 36 writers to sign a letter earlier this year that urged Edmonton's mayor and more »
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