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Frye Northrop

Anatomy of Criticism: Four Essays (Collected Works of Northrop Frye, Volume 22)

University of Toronto Press, Scholarly Publishing Division

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This volume, the twenty-second in the acclaimed Collected Works of Northrop Frye series, presents Frye's most influential work, Anatomy of Criticism (1957). In four stylish and sweeping essays, Frye attempts to formulate an overall view of the scope, principles, and techniques of literary criticism and the conventions of literature - its modes, symbols, archetypes, and genres. He makes the case for criticism as a legitimate and structured science, a science that he would go on to wield with great influence over the course of his distinguished career.

Robert D. Denham's introduction to this edition examines the book's genesis, its initial reception, and its relation to Frye's other works, particularly Fearful Symmetry (Volume 14 in the series). He highlights the diagrammatic way of thinking that characterizes Frye's brand of structuralism and explores the meaning of the word 'anatomy.' Denham also provides context for the work, considering the critical tradition out of which it emerged, as well as how it relates to some of the movements that appeared after the waning of structuralism. A key volume in the Collected Works series, this annotated and expertly introduced edition of Anatomy of Criticism will be sure to satisfy Frye's many admirers.


Northrop Frye on Shakespeare

Yale University Press

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One of the greatest literary critics of our time here provides a remarkable introduction to the genius of William Shakespeare through a study of ten of Shakespeare's most popular plays: A Midsummer Night's Dream, Romeo and Juliet, Richard II, Henry IV, Measure for Measure, Hamlet, King Lear, Antony and Cleopatra, The Winter's Tale, and The Tempest. The outgrowth of a lifetime of study and teaching, Frye's insights will inform and delight both the expert and the first-time reader of Shakespeare.
Anatomy of Criticism: Four Essays By Northrop Frye

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Spiritus Mundi: Essays on Literature, Myth, and Society

Fitzhenry and Whiteside

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This collection of a dozen major essays is vintage Frye - the fine distillation of a lifetime of originative thinking about literature and its context. The essays in Spiritus Mundi are arranged in three groups of four essays each.

The first are about the "contexts of literature", the second are about the "mythological universe", and the last are studies of four of the great visionary or myth-making poets who have been enduring sources of interest for Frye: Milton, Blake, Yeats, and Wallace Stevens.


Fearful Symmetry: A Study of William Blake (Collected Works of Northrop Frye)

University of Toronto Press, Scholarly Publishing Division

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Published in 1947, Fearful Symmetry was Northrop Frye's first book and the product of over a decade of intense labour. Drawing readers into the imaginative world of William Blake, Frye succeeded in making Blake's voice and vision intelligible to the wider public. Distinguished by its range of reference, elegance of expression, comprehensiveness of coverage, coherence of argument, and sympathy to its subject, Fearful Symmetry was immediately recognized as a landmark of Blake criticism. Fifty years later, it is still recognized as having ensured the acceptance of Blake as a canonical poet by permanently dispelling the widespread notion that he was the mad creator of an incomprehensible private symbolism.

For this new edition, the text has been revised and corrected in accordance with the principles of the Collected Works of Northrop Frye series. Frye's original annotation has been supplemented with references to currently standard editions of Blake and others, and many new notes have been provided, identifying quotations, allusions, and cultural references. An introduction by Ian Singer provides biographical and critical context for the book, an overview of its contents, and an account of its reception.


The Great Code: The Bible and Literature

Mariner Books

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An examination of the influence of the Bible on Western art and literature and on the Western creative imagination in general. Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.