Frankenthaler: Works on Paper, 1949-1984
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Frankenthaler Helen
Frankenthaler: Works on Paper, 1949-1984
DescriptionHelen Frankenthaler has received international recognition since the 1950s, when, in her twenties, she emerged as a leading New York artist who played a pivotal role in the transition from Abstract Expressionism to the Colorfield painting of the 1960s. While she is perhaps best known for her radiant canvases, it is in her intimate works on paper, which are less familiar, that she first experimented with aspects of her innovative style and techniques. In this body of work can be found her initial essays with staining, an important element in her work of the late 1960s, as well as her 'clumps' of paint set directly on the paper surface, which figure prominently in her most recent production. Over the past decade, in fact, the artist's works on paper have assumed a stature equal to that of her canvases and often catch the most highly charged and vibrant aspects of her art. By focusing on these works on paper, Frankenthaler's masterful use of drawing, space, and colour is redefined to shed new light on her entire career.
Frankenthaler at Eighty
DescriptionFrankenthaler at Eighty commemorates painter Helen Frankenthaler's eightieth birthday with a selection of masterworks from her own collection. Published concurrently with an exhibition at New York's Knoedler & Company, this handsome volume--the cover of which features Frankenthaler's great painting, "A Green Thought in a Green Shade" (1981)--pays tribute to the painter's long and distinguished career, with a fully illustrated survey of the works chosen for the exhibition, which represent quintessential paintings from each period of her career. Also included are historic photographs of Frankenthaler and a detailed chronology studded with reprinted images from periodicals, including art magazine covers. An essay by curator Karen Wilkin--who worked closely with Frankenthaler in the curation of this exhibition, and who has worked with the painter extensively for decades--sheds new light on the painter's tremendous contribution to American art during the last half-century.
Helen Frankenthaler
DescriptionHelen Frankenthaler is one of the most significant and influential artists of the past 45 years. An early pioneer of the stained-canvas method and one of the foremost lyrical colorists of our time, she has produced a body of work whose impact on contemporary art has been profound.This landmark study offers an in-depth analysis of the year-by-year evolution of her art. In addition to paintings, Frankenthaler's studies on paper, prints, book covers, ceramic and metal sculpture, tapestries, set designs, and mural works are also featured. John Elderfield's text is enhanced by quotations from Frankenthaler and from other contemporary artists and critics who shed new light on her enormous achievement, resulting in the definitive work on the artist.
Helen Frankenthaler: Painting History, Writing Painting (New Encounters: Arts, Cultures, Concepts)
DescriptionThis extraordinary examination of the work of "color field" painter Helen Frankenthaler overturns assumptions about the artist, whose work has been burdened by its label as "the bridge between Pollock and what was possible". Trained as a painter, Alison Rowley brings a keen eye to Frankenthaler's paintings, returning to the fore, the artist's debt not only to Jackson Pollock, but also to Cezanne, and speculating for the first time as to her artistic responses to wider political events, in particular the Rosenberg trial. Making a fascinating case, too, for the connections between the "breakthrough" work "Mountains and Sea" and Lily Briscoe's painting in Virginia Woolf's novel To the Lighthouse, this beautifully written book provides crucial new insights into Frankenthaler's practice, as a painter who is also a woman. SERIES ANNOUNCEMENT New Encounters: Arts, Cultures, Concepts Series Editor: Griselda Pollock This timely new series, with eminent art historian and cultural analyst Griselda Pollock as series editor, brings together major international commentators and also introduces a new generation of emerging scholars. Resisting both the rejection of theory and the current displacement of art history in favour of visual culture, New Encounters instead rejuvenate both approaches. Marked out by its critical engagement with and close informed readings of images, texts and cultural events, this series employs new feminist, postcolonial and queer perspectives. New Encounters also showcases exciting new volumes which revisit key figures in twentieth century art through highly original feminist approaches. Frankenthaler Helen News![]()
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