The Sportswriter: Bascombe Trilogy (1)
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It's hard to imagine a book illuminating the texture of everyday life more brilliantly, or capturing the truth of human emotions more honestly, than Ford does in his account of an alienated scribe in the New Jersey suburbs. Frank Bascombe, Ford's protagonist, clings to his almost villainous despair in a way that Walker Percy's men don't, but the book is heavily influenced by Ford's fellow southerner nonetheless. Read this and you're ready for Ford's Pulitzer Prize-winning sequel, Independence Day.
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Price: $4.75
You Save: $10.25 (68%)
Description
As a sportswriter, Frank Bascombe makes his living studying people--men, mostly--who live entirely within themselves. This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits soaring.It's hard to imagine a book illuminating the texture of everyday life more brilliantly, or capturing the truth of human emotions more honestly, than Ford does in his account of an alienated scribe in the New Jersey suburbs. Frank Bascombe, Ford's protagonist, clings to his almost villainous despair in a way that Walker Percy's men don't, but the book is heavily influenced by Ford's fellow southerner nonetheless. Read this and you're ready for Ford's Pulitzer Prize-winning sequel, Independence Day.
I never think of the characters I write as exactly people, the way some writers say they do, letting their characters "just take over and write the book;" or for that matter, in the way I want readers to think of them as people, or even as I think of characters in novels I myself read (and didn't write). In my own books I do all the writing--the characters don't. And for me to think of them as people, instead of as figures made of language, would make my characters less subject to the useful and necessary changes that occur as I grow in my own awareness about them as I make them up. Writing a character for twenty-five years and for three novels, as I have written about Frank Bascombe, has meant that Frank has, of course, become a presence in my life (and a welcome one). When I wrote Independence Day I began with the belief that Frank was pretty much the same character and presence he was in The Sportswriter. But when I went back later and read parts of The Sportswriter, I found that the sentences Frank "spoke" and that filled that second book were longer, more complex, and actually contained more nitty experience than the first book. This has also been true of The Lay of the Land: longer sentences, more experience to reconcile and transact, more words required to make lived life seem accessible. You could say that Frank had simply changed as we all do. But practically speaking--as his author--what this makes me think is that I've had to make up Frank up newly each time, and have not exactly "gone back" and "found" him--although Frank's history from the previous books has certainly needed to be kept in sight and made consistent. What is finally consistent to me about Frank is that I "hear" language I associate with him, and it is language that pleases me, with which I and he can (if I'm a good enough writer) represent life in an intelligent and hopeful and buoyant spirit a reader can make use of. --Richard Ford
guardian.co.ukSotomayor's Connecticut firefighter decision upheld civil rights But in a story on Slate, Stanford law professor Richard Thompson Ford argues Sotomayor rejected a discrimination suit brought by white and Hispanic fire fighters in New Hampshire because it “threatened to burn down civil rights law. Video: Obama nominates Sotomayor to Supreme Court Supreme Court Packed with GOP Nominees: Sotomayor a Rarity Because About Sotomayor's "firefighter" affirmative action case -