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Ernst Max

Une Semaine De Bonte: A Surrealistic Novel in Collage

Dover Publications

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The great surrealist's collage masterpiece was printed in 1934 in a limited edition of five now-priceless pamphlets. This single-volume edition contains all of the original publication's 182 bizarre, darkly humorous scenes of violent dreams and erotic fantasies. "One of the clandestine classics of our century."— The New York Times.

Max Ernst and Alchemy : A Magician in Search of Myth (Surrealist

University of Texas Press

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Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.

A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.


Max Ernst, 1891-1976: Beyond Painting (Taschen Basic Art)

Taschen

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Max Ernst: Dada and the Dawn of Surrealism (Art)

Prestel Pub

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A Little Girl Dreams of Taking the Veil

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Max Ernst: Dream and Revolution

Hatje Cantz

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The relevance of the art of Max Ernst (1891-1976) has boomed again in recent years, as a younger generation of painters takes inspiration from his hallucinated image horde and embraces his example as an artist devoted to self-renewal and the realms of the fantastical. Rock musicians and writers as diverse as Mission of Burma, Thurston Moore and J.G. Ballard have also drawn fruitfully on his achievements. Ernst's German Romantic iconography, reconceived in the Surrealist looking glass, is endlessly suggestive and generative: nighttime forests, caves and cliffs, dead moonlight, spectral faces and figures all populate his scenarios, and his ongoing relevance is further assured by his combination of this iconography with techniques such as collage, frottage, grattage and decalcomania, several of which were his own innovations. Max Ernst: Dream and Revolution assesses the entirety of this unique career.

Ernst Max News




Museum and Gallery Listings - New York Times
Museum and Gallery ListingsThe original bad boys of 20th-century German art are featured in this visually aggressive show, specifically Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein and their driven, putative leader, Ernst Ludwig Kirchner. Together they revived a rawness of

Diego Rivera top draw
Diego Rivera top draw News-antique.com (press release)Born in England, Carrington fled France after her lover, German surrealist Max Ernst, was imprisoned there. Another painting by Carrington, "The Giantess," shows a towering woman, her tiny hands clasping a black egg. It was painted around 1947 and Sotheby's Spring 2009 Latin American Art Sale Totals $9422625

Architecture: New light on modern masters - Minneapolis Star Tribune
Architecture: New light on modern mastersMax Ernst sketchbooks, a Francis Picabia portrait made of burnt matches and hairpins, and a wall of Joseph Cornell's dreamy boxes are followed by rooms of Braque and Beckman, De Chirico and Bonnard. No mere roll call of 20th-century masters,

Hammering the Void - Gazira Babeli, Second Life - Art Daily
Hammering the Void - Gazira Babeli, Second Life"In 1920, at the opening of a Dada exhibition in Köln, Max Ernst made an axe available for the audience. As far as I know, this gesture was never reenacted. That's a shame. An artwork should always come with an axe in attach. This would remind us that

Tennis | Section 1AA results - Century soph wins singles title - Post-Bulletin
Tennis | Section 1AA results - Century soph wins singles titleMax Edwards has had the satisfaction of already having played in three state team tennis tournaments. Next week, the Mayo senior will make that four. What the senior has never done, however, is participate in the state individual tournament.