Chronicles: Volume One

Description

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

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One would not anticipate a conventional memoir from Bob Dylan--indeed, one would not have foreseen an autobiography at all from the pen of the notoriously private legend. What Chronicles: Volume 1 delivers is an odd but ultimately illuminating memoir that is as impulsive, eccentric, and inspired as Dylan's greatest music.

Eschewing chronology and skipping over most of the "highlights" that his many biographers have assigned him, Dylan drifts and rambles through his tale, amplifying a series of major and minor epiphanies. If you're interested in a behind-the-scenes look at his encounters with the Beatles, look elsewhere. Dylan describes the sensation of hearing the group's "Do You Want to Know a Secret" on the radio, but devotes far more ink to a Louisiana shopkeeper named Sun Pie, who tells him, "I think all the good in the world might already been done" and sells him a World's Greatest Grandpa bumper sticker. Dylan certainly sticks to his own agenda--a newspaper article about journeymen heavyweights Jerry Quarry and Jimmy Ellis and soul singer Joe Tex's appearance on The Tonight Show inspire heartfelt musings, and yet the 1963 assassination of John Kennedy prompts nary a word from the era's greatest protest singer.

For all the small revelations (it turns out he's been a big fan of Barry Goldwater, Mickey Rourke, and Ice-T), there are eye-opening disclosures, including his confession that a large portion of his recorded output was designed to alienate his audience and free him from the burden of being a "the voice of a generation."

Off the beaten path as it is, Chronicles is nevertheless an astonishing achievement. As revelatory in its own way as Blonde on Blonde or Highway 61 Revisited, it provides ephemeral insights into the mind one of the most significant artistic voices of the 20th century while creating a completely new set of mysteries. --Steven Stolder

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Who Is That Man?: In Search of the Real Bob Dylan

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A Kaleidoscopic Look at the Many Faces of Bob Dylan

For almost half a century, Bob Dylan has been a primary catalyst in rock’s shifting sensibilities. Few American artists are as important, beloved, and endlessly examined, yet he remains something of an enigma. Who, we ask, is the “real” Bob Dylan? Is he Bobby Zimmerman, yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe playing Greenwich Village haunts? Folk Messiah, Born-Again Bob, Late-Elvis Dylan, Jack Fate, or Living National Treasure? In Who Is That Man?, David Dalton—cultural historian, journalist, screenwriter, and novelist—paints a revealing portrait of the rock icon, ingeniously exposing the three-card monte games he plays with his persona.

Guided by Dalton’s cutting-edge insights and myth-debunking point of view, Who Is That Man? follows Dylan’s imaginative life, integrating actual events with Dylan’s words and those of the people who know him most intimately. Drawing upon Dylan’s friends and fellow eyewitnesses—including Marianne Faithfull, Allen Ginsberg, Peter Stampfel , Larry “Ratso” Sloman, Eric Andersen, Nat Hentoff, Andrew Oldham, Nat Finkelstein, and others—this book will provide a new perspective on the man, the myth, and the musical era that forged them both.

Praise for Who Is That Man?
“All of David Dalton’s books are wonderful, but Who Is That Man? is especially insightful, funny, and beautifully written.”
—Marianne Faithfull “Dalton’s crazy poetic prose first caught my eye in Rolling Stone back in the day. Have loved his writing ever since. Oh yeaah!”
—Steven Tyler The first truly hip analysis of the ultimate hipster.
—Lenny Kaye Praise for David Dalton “James Joyce meets the Blues, Voodoo, and Jimi Hendrix. Proust couldn’t and didn’t write like this.”
—The Herald (Glasgow) “Dalton writes like a mad, inflamed poet. Searing images.”
—Oliver Stone

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Forever Young

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Since it first appeared on the 1974 album Planet Waves, "Forever Young" has been one of Bob Dylan's most beloved songs. Now award-winning artist Paul Rogers gives us a new interpretation of the lyrics. With images inspired by classic Dylan songs and pieces of his life, this is a bold and touching tribute to an anthem whose message will always stay forever young.

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Lyrics: 1962-2001

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This collection contains Bob Dylan's lyrics, from his first album, Bob Dylan, to 2001's "Love and Theft."

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No Direction Home: The Life and Music of Bob Dylan (The Acclaimed Biography)

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Robert Shelton met Bob Dylan when the young singer first arrived in New York. He became Dylan's friend, champion, and critic. This book, first published in 1986, was hailed as the definitive unauthorized biography of this moody, passionate genius and his world. Dylan gave Shelton access to his parents, Abe and Beatty Zimmerman - whom no other journalist has ever interviewed in depth; to his brother, David; to childhood friends from Hibbing; to fellow students and friends from Minneapolis; and to Suze Rotolo, the muse immortalized on the cover of Freewheelin', among others. No Direction Home took 20 years to complete and received widespread critical acclaim. Two decades on, Dylan's standing is higher than at any time since the 1960s and Shelton's book is now seen as a classic of the genre. Today, everything Bob Dylan does guarantees saturation media coverage, and a new edition of No Direction Home is long overdue. This new edition, published to coincide with Dylan's 70th birthday on May 24, 2011, restores significant parts of Shelton's original manuscript and also includes key images of Dylan throughout his incredible, enduring career, alongside updated footnotes and bibliography, and a new selective discography, making it a must for all Dylan aficionados.

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Robert Shelton, a critic for the New York Times in 1961, caught an early Bob Dylan gig at Folk City in Greenwich Village and wrote an effusive review for the newspaper. The coverage in the Times was a huge boost to the career of the then-struggling folksinger, and Shelton and Dylan became friends, seeing each other frequently around the Village folk scene. When Shelton, in the 1980s, finally got around to finishing his full-length biography of Dylan, he could draw upon a wealth of insider stories from the early days. The book is naturally strongest when describing Dylan's early career, from his coffeehouse gigs as a Woody Guthrie disciple to the insanely high artistic peaks of the mid-'60s. A particularly engaging passage concerns a freeform interview Shelton conducted with Dylan as they flew high above the Midwest in early 1966; Shelton's memories of Dylan are essential reading for fans. Shelton saw much less of the notoriously private Dylan as the years passed, and the book loses momentum as he becomes less of an eyewitness and more of a distant observer, though Dylan's story is credibly told up through the mid-1980s. --Robert McNamara

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Man Gave Names to All the Animals

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