Clockwork Fagin (Free Preview of a story from Steampunk!)

Description

Imagine an alternate universe where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships. In Steampunk!, fourteen masters of speculative fiction, including two graphic storytellers, embrace the genre's established themes and refashion them in surprising ways and settings as diverse as Appalachia, Ancient Rome, future Australia, and alternate California. Get a preview of the anthology by sampling one of these inventive tales for free—Cory Doctorow's “Clockwork Fagin,” in which orphans use the puppet of a dead man to take control of their lives.

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Imagine an alternate universe where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships. In Steampunk!, fourteen masters of speculative fiction, including two graphic storytellers, embrace the genre's established themes and refashion them in surprising ways and settings as diverse as Appalachia, Ancient Rome, future Australia, and alternate California. Get a preview of the anthology by sampling one of these inventive tales for free—Cory Doctorow's “Clockwork Fagin,” in which orphans use the puppet of a dead man to take control of their lives.

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Ragtime: A Novel

Description

Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.

The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

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The March: A Novel

Description

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
WINNER OF THE PEN/FAULKNER AWARD
NEW YORK TIMES BESTSELLER

In 1864, Union general William Tecumseh Sherman marched his sixty thousand troops through Georgia to the sea, and then up into the Carolinas. The army fought off Confederate forces, demolished cities, and accumulated a borne-along population of freed blacks and white refugees until all that remained was the dangerous transient life of the dispossessed and the triumphant. In E. L. Doctorow’s hands the great march becomes a floating world, a nomadic consciousness, and an unforgettable reading experience with awesome relevance to our own times.

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As the Civil War was moving toward its inevitable conclusion, General William Tecumseh Sherman marched 60,000 Union troops through Georgia and the Carolinas, leaving a 60-mile-wide trail of death, destruction, looting, thievery and chaos. In The March, E.L. Doctorow has put his unique stamp on these events by staying close to historical fact, naming real people and places and then imagining the rest, as he did in Ragtime.

Recently, the Civil War has been the subject of novels by Howard Bahr, Michael Shaara, Charles Frazier, and Robert Hicks, to name a few. Its perennial appeal is due not only to the fact that it was fought on our own soil, but also that it captures perfectly our long-time and ongoing ambivalence about race. Doctorow examines this question extensively, chronicling the dislocation of both southern whites and Negroes as Sherman burned and destroyed all that they had ever known. Sherman is a well-drawn character, pictured as a crazy tactical genius pitted against his West Point counterparts. Doctorow creates a context for the march: "The brutal romance of war was still possible in the taking of spoils. Each town the army overran was a prize... There was something undeniably classical about it, for how else did the armies of Greece and Rome supply themselves?"

The characters depicted on the march are those people high and low, white and black, whose lives are forever changed by war: Pearl, the newly free daughter of a white plantation owner and one of his slaves, Colonel Sartorius, a competent, remote, almost robotic surgeon; several officers, both Union and Confederate; two soldiers, Arly and Will, who provide comic relief in the manner of Shakespeare's fools until, suddenly, their roles are not funny anymore.

Doctorow has captured the madness of war in his description of the condition of a dispossessed Southern white woman: "What was clear at this moment was that Mattie Jameson's mental state befitted the situation in which she found herself. The world at war had risen to her affliction and made it indistinguishable." And later, " This was not war as adventure, nor war for a solemn cause, it was war at its purest, a mindless mass rage severed from any cause, ideal, or moral principle."

As we have come to expect, Doctorow puts the reader in the picture; never more so than in recalling "The March" and letting us see it as a cautionary tale for our times. --Valerie Ryan

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Homer & Langley: A Novel

Product Details

• ISBN13: 9780812975635
• Notes: Maker NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
• Teach: New

Description

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SAN FRANCISCO CHRONICLE, THE CHICAGO TRIBUNE, THE ST. LOUIS POST-DISPATCH, THE KANSAS CITY STAR, AND BOOKLIST

Homer and Langley Collyer are brothers—the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers—wars, political movements, technological advances—and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians . . . and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves.

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Amazon Exclusive: E.L. Doctorow on Homer & Langley

E. L. Doctorow's novels include The March, City of God, The Waterworks, Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, Lives of the Poets, World's Fair, and Billy Bathgate. His work has been published in thirty-two languages. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner awards, the Edith Wharton Citation for Fiction, the William Dean Howells Medal of the American Academy of Arts and Letters, and the presidentially conferred National Humanities Medal. E. L. Doctorow lives in New York. Read his exclusive Amazon essay on Homer & Langley:

I was a teenager when the Collyer brothers were found dead in their Fifth Avenue brownstone. Instantly, they were folklore. And so there is the real historical existence of them and the mythological existence--two existences, as with Abe Lincoln, though of a less exalted standing. I didn’t know at the time that I would someday write about them, but even then I felt there was some secret to the Collyers--there was something about them still to be discovered under the piles of things in their house--the bales of newspapers and the accumulated detritus of their lives. Was it only that they were junk-collecting eccentrics? You see that every day in the streets of New York. They had opted out--that was the primary fact. Coming from a well-to-do family, with every advantage, they had locked the door and closed the shutters and absented themselves from the life around them. A major move, as life-transforming as emigration. In fact it was a form of emigration, of leave-taking. But where to? What country was within that house? What would have caused them to become the notorious recluses of Fifth Avenue? As myths, the brothers demanded not research but interpretation, and when a few years ago I was finally moved to do this book, I felt as if writing it was an act of breaking and entering just to see what may have been going on in that house, which really meant getting inside two very interesting minds. And with the first sentence, “I’m Homer, the blind brother,” I was in.

In one sense I think of Homer & Langley as a road novel--as if they are two people traveling together down a road and having adventures, though in fact they are housebound. It turns out that the world will not let them alone--others intrude on their privacy as if it is the road running through them. As for their collecting, I think of them as curators of their life and times, and their house as a museum of all our lives. That is my idea of them, that is my reading of the Collyer myth. I make them to be two brothers who opted out of civilization and pulled the world in after them.--E.L. Doctorow

(Photo © Philip Friedman)

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Little Brother

Description

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The Book of Daniel: A Novel

Description

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia.

His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted.

Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him.

In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different.

It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him.

It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House.

It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks.

It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself.

It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations.

It is The Book of Daniel.


From the Hardcover edition.

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