Description
This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other’s children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472–1553) and Luther (1483–1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"—both products of the merged Renaissance and Reformation worlds—evoked a new organization of society and foretold a new direction for Germany.







The Norton Simon Museum is battling to keep 'Adam' and 'Eve'STAYING PUT: "Adam and Eve" painted by german artist Lucas Cranach the Elder around 1530. (unknown / August 20, 2009) By Suzanne Muchnic She is a beguiling One more battle for Norton Simon's 'Adam' and 'Eve'all 2 news articles »
San Francisco ChronicleAppeals court overturns Holocaust looted-art lawDoes the Norton Simon Museum in Pasadena really own one of the most prized works hanging in its galleries, Lucas Cranach the Elder's depiction of Adam and California's Nazi Art Law UnconstitutionalAppeals court orders new look at looted art caseCourt Strikes Down Law Extending Time to Sue Over Stolen Art - -all 37 news articles »
The paintings of Lucas Cranach are also prominently on display. Known as the "photographer of the Reformation," Cranach painted Luther many times. Retracing Martin Luther's Stepsall 3 news articles »