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Chicago Judy
The Dinner Party: From Creation to Preservation
DescriptionJudy Chicago's masterpiece "The Dinner Party" is a monumental work of art conceived as a symbolic history of women in Western civilization. Strategically countering the traditional erasure of women's achievements, this epic installation honours 1038 iconic, mythical, archetypal and historical women. This, the most definitive book to be published on Chicago's masterwork, reveals more fully than ever before the art and the artist's expanded research into the rich history embodied in the installation. In lively contextualizing sections, Chicago discusses the creative genesis of "The Dinner Party", the technical processes involved, and the work's early - often hostile - reception by the art world, and its subsequent preservation and permanent exhibition. "The Dinner Party" is profusely illustrated throughout with documentary images and new photography that displays the work in detail making this the ultimate source on an iconic work that is taught in art history and women's studies courses around the world.
Through The Flower: My Struggle as A Woman Artist
DescriptionThrough the Flower was my first book (I’ve since published nine others). I was inspired to write it by the writer and diarist, Anais Nin, who was a mentor to me in the early seventies. My hope was that it would aid young women artists in their development and that reading about my struggles might help them avoid some of the pitfalls that were so painful to me. I also hoped to spare them the anguish of “reinventing the wheel”, which my studies in women’s history had taught me was done again and again by women, specifically because we have not had access to our foremothers’ experience and achievements—one consequence of the fact that we still learn both history and art history from a male-centered bias with insufficient inclusion of women’s achievements. I must admit that when I re-read Through the Flower, I winced at some of the unabashed honesty; at the same time, I am glad that my youthful self had the courage to speak so directly about my life and work. I doubt that I could recapture the candor that allowed this book to reflect such unabashed confidence that the world would accept revelations so lacking in self-consciousness. And yet, it is precisely this lack that helps give the book its flavor, the flavor of the seventies, when so many of us believed that we could change the world for the better, a goal that has been—as one of my friends put it—“mugged by reality”. And yet, better an overly idealistic hope that the world could be reshaped for the better than a cynical acceptance of the status quo. At least we tried—and I’m still trying. Perhaps I’m just too old now to change. Judy Chicago 2005
Frida Kahlo: Face to Face
DescriptionAt once deeply personal and brilliantly perceptive, this dynamic reconsideration of the life and work of Frida Kahlo is curated by the prominent feminist artist Judy Chicago, who helped introduce American audiences to Kahlo's paintings.For decades Judy Chicago has worked tirelessly to ensure that women's artistic achievements become a permanent part of our cultural heritage. In this sumptuous, large format book, she turns her attention to the work of Frida Kahlo, one of the world's most revered female painters. In this volume Chicago, together with her collaborator, art historian Frances Borzello, has handpicked a selection of Kahlo's work, a hundred portraits that speak to the full spectrum of women's experience. The result is a fascinating conversation between two artistic icons, one that is further enhanced by a dialogue between Chicago and Borzello, an authority on women's portraiture. The book features each work on its own spread, facing commentary by Chicago and Borzello. Essays explore Kahlo's many facets: woman, artist, historical figure, and inspiration. Designed to evoke a Mexican retablo, or altarpiece, this volume reframes Frida Kahlo for a contemporary audience.
Sweet Judy Blue Eyes: My Life in Music
DescriptionA vivid, highly evocative memoir of one of the reigning icons of folk music, highlighting the decade of the ’60s, when hits like “Both Sides Now” catapulted her to international fame.Sweet Judy Blue Eyes is the deeply personal, honest, and revealing memoir of folk legend and relentlessly creative spirit Judy Collins. In it, she talks about her alcoholism, her lasting love affair with Stephen Stills, her friendships with Joan Baez, Richard and Mimi Fariña, David Crosby, and Leonard Cohen and, above all, the music that helped define a decade and a generation’s sound track. Sweet Judy Blue Eyes invites the reader into the parties that peppered Laurel Canyon and into the recording studio so we see how cuts evolved take after take, while it sets an array of amazing musical talent against the backdrop of one of the most turbulent decades of twentieth-century America. Beautifully written, richly textured, and sharply insightful, Sweet Judy Blue Eyes is an unforgettable chronicle of the folk renaissance in America.
Becoming Judy Chicago: A Biography of the Artist
DescriptionBorn to Jewish radical parents in Chicago in 1939, Judy Cohen grew up to be Judy Chicago — one of the most daring and controversial artists of her generation. Her works, once disparaged and misunderstood by the critics, have become icons of the feminist movement, earning her a place among the most influential artists of her time. Early to reject the modernist move away from content in art, Chicago first mastered and then transcended modernism’s formalist austerity, before blazing a trail to the new esthetic now known as postmodern.In Becoming Judy Chicago, Gail Levin gives us a biography of uncommon intimacy and depth, revealing the artist as a person and a woman of extraordinary energy and purpose. Drawing upon Chicago’s personal letters and diaries, her published and unpublished writings, and more than 250 new interviews with her friends, family, admirers, and critics, Becoming Judy Chicago is a richly detailed and moving chronicle of the artist’s unique journey from obscurity to fame, including the story of how she found her audience outside the art establishment. From her early training as a gifted child at the School of the Art Institute of Chicago to the groundbreaking Feminist Art Program she created at Fresno State College in 1970–1971, Chicago has never feared to challenge the status quo. At a time when art history textbooks still omitted work by all women, she led her students on a remarkable journey during which they began to examine the meaning of being a woman, to explore women’s traditional crafts, and to compile a history of women artists. For Chicago, no topic has been taboo—from menstruation, pregnancy, and childbirth to men’s abuse of power and the Holocaust. Chicago has revolutionized the way we view art made by and for women. She has fundamentally changed our understanding of women’s contributions to art and to society. Influential and bold, The Dinner Party has become a cultural monument. Becoming Judy Chicago tells the story of a great artist, a leader of the women’s movement, a tireless crusader for equal rights, and a complicated, vital woman who dared to express her own sexuality in her art and demand recognition from a male-dominated culture.
Entering the Picture: Judy Chicago, The Fresno Feminist Art Program, and the Collective Visions of Women Artists (New Directions in American History)
DescriptionIn 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art – including the famous "Cunt Cheerleaders" – were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco’s Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world. An engaging editor’s introduction explains how feminist art emerged within the powerful women’s movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art. Chicago Judy News![]()
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