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Cartier-Bresson Henri

Henri Cartier-Bresson: The Modern Century

The Museum of Modern Art, New York

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Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson-including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material-featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines-will revolutionize the study of Cartier-Bresson's work.
Henri Cartier-Bresson: Photographer

Bulfinch

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For more than 45 years, Henri Cartier-Bresson's camera has glorified the decisive moment in images of unique beauty and lyrical compassion. From the cities of war-torn Europe to the rural landscape of the American South, this retrospective volume shows the lifework of a legendary photographer. 155 duotone illustrations.
Henri Cartier-Bresson: À Propos de Paris

Bulfinch

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Photography is nothing, it's life that interests me.--Henri Cartier-Bresson. A PROPOS DE PARIS presents the renowned photographer's personal selection of more than 130 of his best photographs of Paris taken over 50 years. This is a unique gallery of urban landscapes rendered by a great sensibility. 131 illustrations.
"Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory--the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is the familiar beauty and cruelty of the day-to-day that is so engaging in his photographs: two cosmopolitan woman chat nonchalantly while surrounded by empty lettuce crates; mourners at a funeral stare directly into the camera; postwar Paris awakens in the fog. Cartier-Bresson was the master of the "decisive moment," that fleeting instant for which a picture really is worth a thousand words, which is the essence of photojournalism. In no place is this more exemplified than in his images of Paris.

Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value." --Manine Golden


Henri Cartier-Bresson (Photofile)

Thames & Hudson

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Gorgeous duotones that show how, for Cartier-Bresson, art is an expression of common humanity.

Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, India, Russia, Mexico, and pre-revolutionary China.

About the series: The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. Now back in print, the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography. 63 duotone illustrations
Henri Cartier-Bresson in India

Thames & Hudson

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"Striking images of a land renowned for its contradictions and variety as viewed by one of the great artists of our century."—Houston Post

Henri Cartier-Bresson's record of his fascination with India over half a lifetime contains the very best of his photographs of that country. Beginning in 1947 at the time of Independence and produced during six extended visits over a twenty-year period, these beautiful, dramatic images are shaped by an eye and a mind legendary for their intelligent empathy and for going to the heart of the matter.

Cartier-Bresson's extraordinary gifts of observation and his famous "mantle of invisibility," as well as his good connections with Jawaharlal Nehru and others, allowed him to capture the quintessence of India. His pictures of Hindus in refugee camps after the Partition or beggars in Calcutta speak with the same passion and authority as those of the Maharaja of Baroda's sumptuous birthday celebrations or of the Mountbattens on the steps of Government House. Ample space is given to his famous reportages, such as the astonishing sequence on the death and cremation of Gandhi. But above all, it is the apparently ordinary faces and scenes from market, temple, or countryside that have the power to put us in direct touch with the spirit of a country and its people. 105 duotone illustrations.
Henri Cartier-Bresson: The Mind's Eye

Aperture

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Henri Cartier-Bresson's indelible writings on photography and photographers have been published sporadically over the past forty-five years. His essays--several of which have never before been translated into English--are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba, and China during turbulent times. These essays ring with the same immediacy and visual intensity that characterize his photography

Cartier-Bresson Henri News




When a Picture Is Worth a Thousand Debates - New York Times
When a Picture Is Worth a Thousand DebatesHenri Cartier-Bresson made it too. He described shooting pictures of people as a “sort of violation,” adding, “if sensitivity is lacking, there can be something barbaric about it.” There can be, of course, and not just when the subject doesn't like the

Date Lines: News from the Bay Area arts scene - San Francisco Chronicle
Date Lines: News from the Bay Area arts sceneIturbide, a Mexico City native, studied with the dean of Mexican photographers, Manuel Álvarez Bravo, and absorbed the influence of Henri Cartier-Bresson through close contact with the man and his work.

Christopher Hyland Photos At New Britain Museum Of American Art - Hartford Courant
Christopher Hyland Photos At New Britain Museum Of American Art - Hartford Courant Hartford CourantChristopher Hyland Photos At New Britain Museum Of American ArtThere's one Henri Cartier-Bresson and one Herb Ritts that looks like a direct descendant of a Mapplethorpe. And there is one Mapplethorpe: a portrait of a statue, the 1989 "Sleeping Cupid." There are several striking early examples of photography from

City life shown in stark contrast - Weekend Post
City life shown in stark contrastThe students captured everyday events portraying decisive moments, which emulated the classic black and white prints of master photographer Henri Cartier Bresson. A more traditional side to photography is shown in this exhibition, despite the use of

Behind the Lens: 'Decisive moment' drives photography - Lawrence Journal World
Behind the Lens: 'Decisive moment' drives photographyFrench photographer Henri Cartier-Bresson made the phrase famous and wrote this: “The decisive moment, it is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which