Description
Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals.
|
Cahun Claude
Disavowals: or Cancelled Confessions
DescriptionWarning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals.
Don't Kiss Me: The Art of Claude Cahun & Marcel Moore
DescriptionThis first comprehensive overview of the oeuvre of Claude Cahun offers a wealth of previously unpublished photographs and drawings, illuminating not only her work but also that of her partner Marcel Moore and establishing for the first time the extent of their collaboration. It also includes the first thorough account of their Resistance operations, trial, imprisonment and attempted suicides during the Occupation. Cahun (1894-1954) is best known for riveting photographic self-portraits that seem eerily ahead of their time and has become the focus of an almost cultlike following. She acted out diverse identities, both male and female, in scenes ranging from severely simple to elaborately staged and was a pioneer of the gender-bending role-playing now seen in works by artists such as Cindy Sherman (born the year Cahun died), Nikki S. Lee and many others. Cahun (a pseudonym for Lucy Schwob) and Marcel Moore (Suzanne Malherbe, 1892-1972) were an extraordinary couple who worked and lived together for more than 40 years. Avid participants in the cultural avant-garde in Montparnasse during the 1920s and 30s, they ultimately moved to Jersey, in the Channel Islands, the only part of Great Britain to be occupied by the Germans during World War II. In Don't Kiss Me, seven international authors examine Cahun's and Moore's lives and art-making; their theatrical, literary and performance activities; their relationship with the Surrealist movement; their writings and Cahun's photographic technique. The extensive illustrations encompass not only Cahun's iconic images but also Moore's drawings and previously unseen photographs, manuscripts and ephemera.
Absence Where As: Claude Cahun and the Unopened Book
DescriptionThis new book, from inter-genre, bilingual writer Nathanael (Nathalie Stephens), investigates the relationship between image and language through a philosophical and poetic meditation on a self-portrait by Surrealist photographer and writer Claude Cahun.
Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman
DescriptionClaude Cahun, Maya Deren, and Cindy Sherman were born in differentcountries, in different generations ;Cahun in France in 1894, Deren inRussia in 1917, and Sherman in the United States in 1954. Yet theyshare a deeply theatrical obsession that shatters any notion of aunified self. All three try out identities from different socialclasses and geographic environments, extend their temporal range intothe past and future, and transform themselves into heroes andvillains, mythological creatures, and sex goddesses. The premise ofInverted Odysseys is that this expanded concept of theself ;this playful urge to "try on" other roles-is more than afeminist or psychological issue. It is central to our global culture,to our definition of human identity in a world where the individualexists in a multicultural and multitemporal environment. This book isan "odyssey" through historical, theoretical, critical, and literaryperspectives on the three artists viewed in the context of theseissues. Contributors include Lynn Gumpert, Lucy Lippard, Jonas Mekas,Ted Mooney, Shelley Rice, and Abigail Solomon-Godeau.Central to the book is Claude Cahun's "Heroines" manuscript, a seriesof fifteen stream-of-consciousness monologues written in the voices ofmajor women of literature and history, such as the Virgin Mary,Sappho, Cinderella, Penelope, Delilah, and Helen of Troy. Translatedby Norman MacAfee, these perverse and hilarious vignettes make theirEnglish-language debut here. This is also the first time that Cahun'stext has appeared in its entirety.The book accompanies an exhibit cocurated by Lynn Gumpert and ShelleyRice at the Grey Art Gallery, New York University.Published in cooperation with the Grey Art Gallery, New YorkUniversity.EXHIBITION SCHEDULE:Grey Art GalleryNew York, New YorkNovember 16, 1999 - January 29, 2000Museum of Contemporary ArtNorth Miami, FloridaMarch - May 2000
Claude Cahun: A Sensual Politics of Photography
DescriptionThe first full-length title in English on the celebrated photographer Claude Cahun whose work was rediscovered in the 1980s. This lively and original book looks at Cahun and her oeuvre in the contexts of the turbulent times in which she lived. Surveying standard postmodernist approaches to Cahun, born Lucy Schwob, Doy goes further, positioning Cahun's photographs as part of her life as a woman, lesbian and political activist in the early twentieth century. Doy considers Cahun's relationships with Symbolism and then Surrealism and her approach to dress and masquerade, assessing the images in the context of the situation of women at the time and within the prevailing fashion and beauty culture. She also pays attention to her curious images of constructed objects and re-evaluates the status of Cahun's small-scale snapshots as photographs. Enormously readable, 'Claude Cahun' at last provides a fuller picture of this important artist's life and work. Cahun Claude News![]()
|
|