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Bourgeois Louise

Louise Bourgeois

Rizzoli

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Louise Bourgeois is among the most prominent contemporary sculptors. Strongly influenced by surrealism, abstract expressionism, and minimalism, her work focuses on the exploration of her psyche. A recurring theme is her troubled childhood and difficult relationship with her father. Despite early success, she did not receive widespread acclaim until the ’70s. Her 1982 exhibition at The Museum of Modern Art was the museum’s first-ever retrospective of a woman artist. Since then, she has exhibited worldwide, producing a beguiling body of work featuring spiders, cages, architectural sculptures, drawings, and found objects ranging in scale from intimate to monumental. Her staggering variety of mediums includes rubber, wood, stone, metal, and fabric. In 1993, she represented the United States at the Venice Biennale. This book accompanies a major retrospective touring exhibition. An overview of Bourgeois’s career, it covers individual works, art movements, other artists, and themes that have played an important role in her life and art, with text by acclaimed authors and critics, including Julia Kristeva, Elisabeth Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Robert Storr, Alex Potts, Marina Warner, and Deborah Wye. Exhibition Schedule:Tate Modern, London (October 11, 2007–January 20, 2008) Centre Georges Pompidou, Paris (March 5–June 2008) Guggenheim Museum, New York (June 27–September 28, 2008) LAMoCA (October 25, 2008–January 25, 2009) Hirshhorn, Washington (February 28–June 7, 2009 tentative)
Louise Bourgeois: The Return of the Repressed: Psychoanalytic Writings

Violette Editions

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Louise Bourgeois (1911-2010) invented a new kind of language for sculpture--a language that was essentially psychoanalytic, uniquely capable of expressing oedipal struggle, ominous forces of repression, sexual symbolism and material uncanniness. Famed for some of the twentieth century's most enduring works, such as "The Destruction of the Father" (1974), "Arch of Hysteria" (1993) and "Maman" (1999), Bourgeois also disseminated her influence through her writings, collected in the 1998 volume Destruction of the Father/Reconstruction of the Father: Writings 1927-1997--originally published by Robert Violette, also the publisher of this new deluxe writings-cum-monograph two-volume set. Louise Bourgeois: The Return of the Repressed highlights the enduring presence of psychoanalysis as a motivational force and a site of exploration in the artist's life and work. Selected and edited by Philip Larratt-Smith (Bourgeois' literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production. The second volume in this gorgeous slipcased set is an impressive, up-to-date Bourgeois monograph that details works made right up until the artist's death in 2010. Together, the two volumes comprise the most complete portrait of the life, work and thought of this seminal figure. (20120201)
Louise Bourgeois Destruction of the Father / Reconstruction of the Father: Writings and Interviews, 1923-1997

The MIT Press

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edited by Marie-Laure Bernadac and Hans-Ulrich Obrist"Everyday you have to abandon your past or accept it and then if youcannot accept it, you become a sculptor."Since the age of twelve, the internationally renowned sculptor LouiseBourgeois has been writing and drawing ;first a diary preciselyrecounting the everyday events of her family life, then notes andreflections. Destruction of the Father ;the title comes fromthe name of a sculpture she did following the death of her husband in1973 ;contains both formal texts and what the artist calls"pen-thoughts": drawing-texts often connected to her drawings andsculptures, with stories or poems inscribed alongside the images.Writing is a means of expression that has gained increasing importancefor Bourgeois, particularly during periods of insomnia. The writing iscompulsive, but it can also be perfectly controlled, informed by herintellectual background, knowledge of art history, and sense ofliterary form (she has frequently published articles on artists,exhibitions, and art events). Bourgeois, a private woman "withoutsecrets," has given numerous interviews to journalists, artists, andwriters, expressing her views on her oeuvre, revealing its hiddenmeanings, and relating the connection of certain works to the traumasof her childhood. This book collects both her writings and her spokenremarks on art, confirming the deep links between her work and herbiography and offering new insights into her creative process.


Louise Bourgeois

Phaidon Press

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One of this UK's pre-eminent artists, Louise Bourgeois is a unique figure in contemporary art. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist-inspired art, and yet remains distinct from all these. An extraordinarily influential sculptor, she has worked, often experimentally, with materials varying from alabaster, plaster, latex, bronze, and marble to found objects. She is equally admired for her intimate drawings at times combining fragments of text (featured at Documenta 11, 2002) with her highly personal writings, which often address her long and complex life story. With the combined backdrops of a conflicted family upbringing and her father's tapestry restoring business (whose weaving provides a recurring symbol in her work); her struggles as an artist in a world reserved for men; as well as her experiences as a mother, the subjects of her work are as broad as the materials in which she expresses them. Themes such as the Other, the feminine and the masculine, the body as well as her own specific biography spin a tangled and intense, lifelong body of work of unusual profundity. Bourgeois has presented her work in many of the world's most prestigious museums, including a major one-person exhibition New York's Museum of Modern Art. In 1993 she represented the United States at the Venice Biennale.
Tate Modern Artists: Louise Bourgeois

Tate Publishing

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This engaging survey probes the spellbinding life and work of Louise Bourgeois, whose artworks are among the most memorable of the 20th century, and now the 21st. Bourgeois, born in Paris in 1911, has produced a body of work that is as diverse in its use of materials as it is consistent in its themes. While placing her within key art historical traditions, each chapter focuses on the artist’s use of different media and techniques, from painting and assemblage to sculpture, paper ephemera, and beyond. Quotations and interviews with the artist provide insight into her motivations and concerns. As Bourgeois approaches her own centenary, still active and creating new work, this accessible introduction is a fitting tribute to the achievement of an astonishing artist.


Runaway Girl: The Artist Louise Bourgeois (Bccb Blue Ribbon Nonfiction Book Award (Awards))

Harry N. Abrams

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This title about one of the most important and controversial artists of the 20th century is aimed at young teenagers. "Runaway Girl" provides an intimate look at the life and work of sculptor Louise Bourgeois (born 1911). Known for her graphic, sometimes disturbing, yet always personal artworks, Bourgeois broke down barriers for women in the male-dominated art world as she struggled to make sense of her own troubled past. Family photographs and reproductions of Bourgeois's work - from "Deconstruction of Father" to "Maman" - are interspersed with exclusive interviews, selections from the artist's journals and clear text.

Bourgeois Louise News




Emile Bourgeois Sr. - Daily Comet
Emile Bourgeois Sr.He was preceded in death by his son-in-law, Francis "PT" Fanguy; his parents, Aurelien and Alice Hebert Bourgeois; three brothers, Clifford, Abby, and Irvin Bourgeois; and three sisters, Anita Benoit, Louise LeBlanc, and Aline Ayo.

At Paris' Pompidou Center, the year of the women - Los Angeles Times
At Paris' Pompidou Center, the year of the womenBut the first name of Louise Bourgeois, a sculptor who has garnered almost as most notice as her male counterparts -- has been changed to Louis. Time will tell how all this is received. "It's a very un-French thing to do," Morineau says over lunch at a

The Eye: Louise Bourgeois - Washington Examiner
The Eye: Louise BourgeoisWhat I want to tell you about this piece: It'sa metaphor, or a symbol for a state of mind that is riddled with anxiety, even fear. And yet there is, at its core, reassurance. The entire space is enclosed by a metal cage, the kind of fence that you put

The Independent Weekly Line on Durango and Beyond - Durango Telegraph
The Independent Weekly Line on Durango and Beyond - Durango Telegraph Durango TelegraphThe Independent Weekly Line on Durango and BeyondSituated at the waterfront walk is a sculptural element common to parks and gardens, but unusual for the nonagenarian artist Louise Bourgeois. Her site-specific work, “Father and Son,” is a pair of classically sculpted male figures – a child and an

Leading European art gallery plans NYC showroom - Forbes
Leading European art gallery plans NYC showroom - Forbes New York TimesLeading European art gallery plans NYC showroomThe four-story Hauser & Wirth gallery will be located on Manhattan's Upper East Side. It's slated to open in September. Hauser & Wirth represents over 30 established and emerging contemporary artists, including Louise Bourgeois (Borzh-WAH').Seeing the Hudson River Through 700 Windows Hauser & Wirth Announces Long-Awaited New York Gallery Hauser & Wirth to Open NYC Gallery