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Berry Wendell
The Unsettling of America: Culture & Agriculture
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Since its publication by Sierra Club Books in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural development and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the landfrom the intimate knowledge, love, and care of it.
Sadly, as Berry notes in his Afterword to this third edition, his arguments and observations are more relevant than ever. We continue to suffer loss of community, the devaluation of human work, and the destruction of nature under an economic system dedicated to the mechanistic pursuit of products and profits. Although this book has not had the happy fate of being proved wrong,” Berry writes, there are good people working to make something comely and enduring of our life on this earth.” Wendell Berry is one of those people, writing and working, as ever, with passion, eloquence, and conviction.
The mid-20th-century environmental crisis that led to important protective legislation in the 1970s, is, to poet/farmer Wendell Berry's mind, also a crisis of character, agriculture, and culture. Because Americans are divorced from the land, they mistreat it; because they are divorced from each other, they mistreat those around them. Berry, writing in a prophetic mode, argues that if Americans are to heal the environmental wounds their land has suffered, they will also need to create more meaningful work, sustain happier and healthier lives, and return to what conservatives call "family values." The Unsettling of America is a quarter century old now, but most of its arguments remain current.
Bringing It to the Table: On Farming and Food
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Only a farmer could delve so deeply into the origins of food, and only a writer of Wendell Berry’s caliber could convey it with such conviction and eloquence. Long before Whole Foods organic produce was available at your local supermarket, Berry was farming with the purity of food in mind. For the last five decades, Berry has embodied mindful eating through his land practices and his writing. In recognition of that influence, Michael Pollan here offers an introduction to this wonderful collection.
Drawn from over thirty years of work, this collection joins bestsellers The Omnivore’s Dilemma, by Pollan, and Animal, Vegetable, Miracle, by Barbara Kingsolver, as essential reading for anyone who cares about what they eat. The essays address such concerns as: How does organic measure up against locally grown? What are the differences between small and large farms, and how does that affect what you put on your dinner table? What can you do to support sustainable agriculture?
A progenitor of the Slow Food movement, Wendell Berry reminds us all to take the time to understand the basics of what we ingest. Eating is an agriculture act,” he writes. Indeed, we are all players in the food economy.
A Place on Earth: A Novel
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Part ribald farce, part lyrical contemplation, Wendell Berry's novel is the story of a place-Port William, Kentucky-the farm lands and forests that surround it, and the river that runs nearby. The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. This brings the revised 1983 edition back into print, the next book in our program to put all of Wendell Berry's fiction into print in revised and corrected uniform editions.
What Matters?: Economics for a Renewed Commonwealth
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Over the years, Wendell Berry has sought to understand and confront the financial structure of modern society and the impact of developing late capitalism on American culture. There is perhaps no more demanding or important critique available to contemporary citizens than Berry’s writings just as there is no vocabulary more given to obfuscation than that of economics as practiced by professionals and academics. Berry has called upon us to return to the basics. He has traced how the clarity of our economic approach has eroded over time, as the financial asylum was overtaken by the inmates, and citizens were turned from consumers entertained and distracted to victims, threatened by a future of despair and disillusion.
For this collection, Berry offers essays from over the last 25 years, alongside new essays about the recent economic collapse, including Money Versus Goods” and Faustian Economics,” treatises of great alarm and courage. He offers advice and perspective that should be heeded by all concerned as our society attempts to steer from its present chaos and recession to a future of hope and opportunity. With urgency and clarity, Berry asks us to look toward a true sustainable commonwealth, grounded in realistic Jeffersonian principles applied to our present day.
Jayber Crow
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For thirty-nine years Wendell Berry has brought us stories from the fictional town of Port William, Kentucky. The latest, Jayber Crow, is the story of a man's love for his community and his abiding and unrequited love for Mattie Chatham, a good woman who had too early made one bad mistake. Sent to an orphanage at the age of ten, Jayber grows up knowing of loneliness and want, and learns how to be a watchful observer of human goodness and frailty. With the flood of 1937 he returns to his native Port William to become the town's barber. Slowly, patiently, the observer becomes participant.This is a book about Heaven, writes Jayber, but I must say too that it has been a close call. For I have wondered sometimes if it would not finally turn out to be a book about Hell-where we fail to love one another, where we hate and destroy one another for reasons abundantly provided or for righteousness' sake or for pleasure, where we destroy the things we need the most, where we see no hope and have no faith...where we must lose everything to know what we have had.Sounding themes of love and loss, despair and deepest joy, Berry's clear-sighted artistry in depicting the Port William membership will not soon be forgotten.
The questions who and what and how and why are no doubt useful and occasionally even noble in their place. But for Wendell Berry, whose spare and elegant prose has long testified to the rural American values of thrift and frugality, four interrogatives must seem a waste, when one will do. Where is the ultimate qualifier, the sine qua non, for both the author and his characters. Place shapes them and defines them; the winding Kentucky River and the gentle curves of the Kentucky hills find an echo in their lilting speech and brusque affections. Jayber Crow is another story of the Port William membership, the community whose life--and lives--Berry has unfurled over the course of a half dozen novels. Jayber himself is an orphan, lately returned to the town. And his status as barber and bachelor places him simultaneously at its center and on its margins. A born observer, he hears much, watches carefully, and spends 50 years learning its citizens by heart. They were rememberers, carrying in their living thoughts all the history that such places as Port William ever have. I listened to them with all my ears, and have tried to remember what they said, though from remembering what I remember I know that much is lost. Things went to the grave with them that will never be known again. Jayber tells the town's stories tenderly. Gently elegiac, the novel charts the tension between an urge to isolation and an impulse to connectivity, writ both small and large. As the 20th century moves inexorably forward, swallowing in great mechanized gulps rural towns governed by agricultural rhythms, Port William turns in upon itself. And as Jayber admits quietly, "Once a fabric is torn, it is apt to keep tearing. It was coming apart. The old integrity had been broken." Integrity, both whole and shattered, is key to the stories of Burley Coulter, Cecelia Overhold, Troy Chatham, and above all, Athey Keith and his daughter Mattie, to whom Jayber pledges his undying and unrequited love. Berry's prose, so carefully tuned that you never know it is there, carries us into the very heart of the land itself; his exquisitely constructed sentences suggesting the cyclic rhythms of his agrarian world. Jayber Crow resonates with variations played on themes of change, looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. --Kelly Flynn
What Are People For?: Essays
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Wendell Berry identifies himself as both a farmer of sorts and an artist of sorts,” which he deftly illustrates in the scope of these 22 essays. Ranging from America’s insatiable consumerism and household economies to literary subjects and America’s attitude toward waste, Berry gracefully navigates from one topic to the next. He speaks candidly about the ills plaguing America and the growing gap between people and the land. Despite the somber nature of these essays, Berry’s voice and prose provide an underlying sense of faith and hope. He frames his reflections with poetic responsibility, standing up as a firm believer in the power of the human race not only to fix its past mistakes but to build a future that will provide a better life for all.
Berry Wendell News
Wendell Berry a coup for Wisconsin Bo...
77 Square - Jul 30, 2009
Wendell Berry a coup for Wisconsin Book FestivalLanding poet, novelist and essayist Wendell Berry as the headlining presenting author is a coup for the Wisconsin Book Festival. - Publicity shot It takes a
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Back to basics
Malaysia Star - Aug 21, 2009
On my visit to EVI, farmer, poet and author Wendell Berry's words — “The mere act of eating is an agricultural act” — kept ringing in my ears. and more »
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Michael Vick's Apology
New York Times - Aug 19, 2009
Michael Vick's Apology religious conservatives, from Matthew Scully, the former Bush speechwriter, through writers like Wendell Berry, Rod Dreher, Mary Eberstadt and others. and more »
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Is America better, or Europe?
Beliefnet.com - Aug 24, 2009
or at least so I would have thought, culturally conservative (in the Wendell Berry sense of conservative, at least) arguments for them.and more »
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Mark Engler
Grist Magazine - Aug 11, 2009
Wendell Berry, 70 years old today, has established himself as many things in his lifetime: a veteran sage of sustainable agriculture; a progressive defender
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