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Berry Michelle
This Book Will Not Save Your Life
DescriptionToo big for regular medical equipment, Sylvia Swamp is on her way to a veterinary hospital for an emergency procedure. While the ambulance workers try to keep her alive, Sylvia contemplates her life and her place in the dysfunctional family that she both idolizes and detests. Sylvia’s mother, Ruth, is obsessed with the common sense advice in the book, Dr. Spock’s Baby and Child Care, but common sense is exactly what eludes her. Sister Sadie wants to follow in her mother’s footsteps as an assistant to a magician. But once Sadie dons the sequins, Ruth must learn to share not only the applause but also the erotic attentions of Marvellous Marvin. Meanwhile, the somnolent Mr. Swamp turns to TV and booze for escape. Who in this misfit family will crack first?
I Still Don't Even Know You
DescriptionYou could be married for over 10 years and still not know your spouse. You could think you knew everything about your dad but still he surprises you at your mother’s death bed. You think you know everyone in your small town but you’ll never know the dark secret your drinking buddy hides in his heart.With control, wit, and brilliance, Michelle Berry explores the hidden depths between individuals, families, and communities. Dysfunctional characters create tension in situations where they teeter on the edge of life. Psychological or situational twists pop readers’ eyes wide open and force them to pay attention. Berry uses rapid-fire dialogue to build tension and emotion. Despite the underlying dark tones, the stories carry life and hope, human kindness—and strangeness.Each story is a vivid snapshot of a raw moment in the lives of people at a crossroads. A married couple in the title story, “I Still Don’t Even Know You,” question the foundation of their relationship during a winter getaway. In “The Cat,” a life of endless purgatory stretches before a newly-wed husband. The wives in “Five Old Crows,” contemplate ways to pass the time ranging from murder to writing. And the title character in “Martin” drives around a boring country town with a shotgun in his car, his dissatisfaction with his empty life mounting as townspeople talk about recent mysterious murders.
Blur
DescriptionThis book is a pacy and innovative twist on a classic murder mystery. Bruce waits seven years for a big story, and then Emma Fine, an ex-actress with an unsolved murder behind her, blows into his life. Bruce starts to investigate what led to her lover's body being pulled out of her pool one hot summer morning. The lover's wife Bridget had been having surgery, becoming a sinister body double. Is this woman who returns Emma after all? Or Bridget? One is still missing and Bruce wants to know which.
Postcard Fictions
DescriptionSince the 1930s, the friendly glow of a neon motel "vacancy" sign has signaled a long anticipated break for the road weary motorist. The essential aim of the motel is to provide convenient, comfortable and affordable accommodation for exhausted travelers. Yet, despite their image as places of wholesome reliability, run by proprietors of strong moral fiber -- with a courtesy bible in each room -- motels have earned a reputation as the venue of choice for people seeking a discreet rendezvous. With advertisements declaring the availability of "hourly rates," J. Edgar Hoover, in 1940, labeled motels as "dens of vice and corruption." In Postcard Fictions, Andrew Valko captures this seamier side of motel life in vivid detail. This series of paintings, hyper realistic images of motels glow and beckon eerily from the side of the highway. In Valko's motel rooms, people are engaged in various solitary activities: a scantily clad woman watches television while her companion sleeps; another woman takes nude pictures of herself, scattering polaroids all over the bed; still another woman sits in her lingerie with her back to the viewer as she watches Snow White on the television. A disturbing psychological undercurrent inhabits Valko's motels both inside and out. The alienation and loneliness of Valko's paintings is captured strikingly in the accompanying short story by Michelle Berry. Known for her complex psychological narratives, Berry weaves a disturbing tale of two motel inhabitants that captures the unsettling events of life at the side of the highway.
The Notebooks: Interviews and New Fiction from Contempory Writers
DescriptionIn the tradition of the Paris Review, The Notebooks is an exciting collection of original short fiction and in-depth interviews from Canada’s most celebrated and innovative young writers.A provocative examination of the writer’s life in the twenty-first century, The Notebooks charts a new direction in Canadian literature. It brings together a unique collection of accomplished fiction, ranging from the classic storytelling of Michael Redhill to the more experimental style of Lynn Crosbie. In his keenly observed story “Seratonin,” Russell Smith captures the sensuous pleasures and dizzying energy of the rave scene. “Big Trash Day,” a hybrid of fiction and poetry by Esta Spalding, is a devastating commentary on poverty and a striking portrait of the shorthand that develops within intimate relationships. In a sample from a novel-in-progress, Yann Martel shares the process through which rough sketches become realized characters, and disparate moments become fleshed-out scenes. The interviews, remarkable for their honesty and insight, bring us into the writer’s world, revealing the passion and inspiration that motivates these young writers, as well as the hardships they endure in pursuit of their art. By asking thoughtful and probing questions, Michelle Berry and Natalee Caple elicit frank and intriguing details of how writers work, structure their days, and order their physical space to facilitate the act of writing. Many of the authors here explore the impact of technological innovation and mass culture on contemporary fiction, as well as the influence of various art forms on the way they imagine stories. The writers in The Notebooks speak candidly about their political engagement, their passion for writing, and their desire to produce art that will last. Contributors: Catherine Bush, Eliza Clark, Lynn Coady, Lynn Crosbie, Steven Heighton, Yann Martel, Derek McCormack, Hal Niedzviecki, Andrew Pyper, Michael Redhill, Eden Robinson, Russell Smith, Esta Spalding, Michael Turner, R.M. Vaughan, Michael Winter, Marnie Woodrow "These seventeen writers come from different backgrounds, different parts of the country, have different lifestyles, and write very different kinds of fiction, yet the connections between them are still plentiful. As a group they are highly engaged with the world around them, politically sophisticated, intelligent, modest about their potential success, and passionate about the act of writing. We hope that The Notebooks inspires an ongoing discussion with young writers at work and answers some of the silent questions that readers have longed to ask." -- From the Introduction Berry Michelle News![]()
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