Giovanni Bellini
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The artist struggled to break out of the long shadow cast by his accomplished father Jacopo and father-in-law Andrea Mantegna, and Bätschmann chronicles Bellini’s development of distinct aesthetic and painting techniques that enabled him to set himself apart. Bellini also insisted on choosing his own subjects and themes, independent of the preferences of his patron Isabella d’Este, and thus set new standards for the role of the artist.
Anchoring the analysis are a wealth of vibrant color reproductions that include such famous works as The Feast of the Gods and Madonna and Child, as well as photographs of Bellini’s lauded altar-pieces at the churches of San Giobbe, Murano, and San Zaccania. Drawing on these masterpieces, Bätschmann argues that Bellini’s artistry and skillful blending of colors created a new aesthetic more akin to music than to previous approaches to painting. And by leading viewers to understand this subtle, refined sensibility, Bellini transformed them into knowledgeable admirers of art.
A lushly illustrated and expansive study, Giovanni Bellini is essential for all historians and admirers of Renaissance art. (20080426)
List Price:
Price: $39.49
You Save: $15.51 (28%)
Description
Hailed as the “savior” of Venetian painting by Jacob Burckhardt and declared by Albrecht Dürer to be the foremost painter of the city, Giovanni Bellini is a pivotal figure in the development of Italian Renaissance art. With Giovanni Bellini, renowned art historian Oskar Bätschmann charts the fraught trajectory of Bellini’s career, highlighting the crucial works that established his far-reaching influence in the Renaissance.
The artist struggled to break out of the long shadow cast by his accomplished father Jacopo and father-in-law Andrea Mantegna, and Bätschmann chronicles Bellini’s development of distinct aesthetic and painting techniques that enabled him to set himself apart. Bellini also insisted on choosing his own subjects and themes, independent of the preferences of his patron Isabella d’Este, and thus set new standards for the role of the artist.
Anchoring the analysis are a wealth of vibrant color reproductions that include such famous works as The Feast of the Gods and Madonna and Child, as well as photographs of Bellini’s lauded altar-pieces at the churches of San Giobbe, Murano, and San Zaccania. Drawing on these masterpieces, Bätschmann argues that Bellini’s artistry and skillful blending of colors created a new aesthetic more akin to music than to previous approaches to painting. And by leading viewers to understand this subtle, refined sensibility, Bellini transformed them into knowledgeable admirers of art.
A lushly illustrated and expansive study, Giovanni Bellini is essential for all historians and admirers of Renaissance art.
Boston GlobeA man looking for a Madonna, hoping she comes with salvationBased on references found in some old letters, Lynch has spent the last 10 years trying to track down an uncataloged Madonna painting by Venetian Renaissance artist Giovanni Bellini. It is supposedly the painter's last, luminous Madonna which hasn't
Brisbane TimesJones unruffled as PM lets the bird flyAmong the new acquisitions is a Giovanni Bellini Madonna and Child and a 16th-century Bavarian Jesus sculpture. More than 4600 French archaeologists, museum staff and art historians have signed a petition against the project.
Khaleej TimesA Glimpse of What Louvre Will BeThe paintings of some of the great masters — Madonna and Child by Renaissance painter Giovanni Bellini, Esther Fainting Before Ahaseurus, by Jean-Francois de Troy, 18 th century French painter, Jacob's Dream by Bartolome Esteban Murillo, a major figure