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Beckmann Max

Max Beckmann

The Museum of Modern Art, New York

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Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on "The Beckmann Effect"; and artist William Kentridge on Beckmann's Death. This sumptuous volume is published on the occasion of the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.
Max Beckmann and the Self (Pegasus Library)

Prestel Publishing

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As original as he was prolific, German artist Max Beckmann produced nearly a thousand works in a career that spanned two world wars. This volume uses Beckmann's own words as an introduction to the artist's creative expression and his unwavering search for the self. Beckmann struggled throughout his life to define his identity through his paintings. He started out as an ambitious and self-confident young artist, went through a horrific stint as a medical orderly in World War I, and then became an exile in Holland and the United States. Through her careful analyses of more than 50 works, Sister Wendy illuminates Beckmann's use of symbolism as well as the strong thematic strains of his paintings and triptychs. The artist's bold use of colour and line are in evidence in numerous full-colour reproductions, and an extensive biography as well as several photographs offer additional insight into this strong creative presence.
Max Beckmann (Modern Masters Series, Vol. 19)

Abbeville Press

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With more than 100 illustrations -- approximately 48 in full color -- this innovative series offers a fresh look at the most creative and influential artists of the postwar era. Modern Masters form a perfect reference set for home, school, or library. Each handsomely designed volume presents:

- A thorough survey of the artist's life and work

- Statements by the artist

- An illustrated chapter on technique

- Chronology

- Lists of exhibitions and public collections

- Annotated bibliography

- Index


Self-Portrait in Words: Collected Writings and Statements, 1903-1950

University Of Chicago Press

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One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life.

"Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review

German expressionist painter Max Beckmann, whose paintings were influenced by horrific scenes he witnessed as a medical orderly in World War I, was eventually labeled a "degenerate artist" by the Nazis and forced to flee his homeland. In this collection of essays, speeches, and letters, Beckmann emerges as a deeply intelligent and sensitive observer of the world. Of particular note are writings from the battlefields of 1915, and some of his instructional comments to students from his time spent teaching in the United States in the late 1940s.
Max Beckmann: Dream of Life

Hatje Cantz Publishers

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Description: "Art serves understanding, not entertainment," reads one of Max Beckmann's dictums. Beckmann's oeuvre, widely acknowledged to be some of the most significant German art of the twentieth century, contains a wealth of existential and contemporary historical convictions and questions. This representative selection of some 60 figurative paintings done between 1917 and the artist's death in 1950 unfolds the entire panorama of his career, from violent works reflecting the shock of war to pieces from his later years in New York, from the Cubism and Expressionism of his youth to the Symbolism of his later age. The Dream of Life sheds new light on the development of Beckmann's techniques, ideas and central themes: cabaret, music, the world of the theater, dreams and reality, sensual settings and the role of the female muse, as well as his unusual use of romantic visual motifs in landscapes and urban contexts. The authors focus on conceptual aspects of Beckmann's work which have heretofore been neglected.
Max Beckmann: Self-Portrait with Horn

Neue Galerie New York

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In August of 2008, The New York Times' Ken Johnson wrote, "Max Beckmann's 'Self-Portrait with Horn' is one of the finest treasures of the Neue Galerie... Painted in brusque, brushy strokes in high-contrast darks and lights, it depicts the artist in a black-and-orange striped dressing gown holding up a silver hunter's horn in one sausage-fingered hand. He looks sideways with an intent expression as though he had sounded a note and was awaiting an answering response. Or he may be listening for the hounds of war." Beckmann painted "Self-Portrait with Horn" in 1938, just after he and his wife fled Nazi Germany to seek refuge in Amsterdam, and it evokes the tribulations of an entire generation. This volume celebrates this painting and the special place it holds for the Neue Galerie. Art historian Jill Lloyd brings her superb scholarship to bear in tracing the work's history and its importance within the Beckmann oeuvre.

Beckmann Max News




Renzo Piano adds onto Art Institute of Chicago - San Francisco Chronicle
Renzo Piano adds onto Art Institute of Chicago gems of the AIC's modern and contemporary collection, which include Willem de Kooning's "Excavation" (1950), Henri Matisse's "Bathers by a River" (1909-17), a cluster of sculptures by Constantin Brancusi and a 1937 self-portrait by Max Beckmann.

Exhibit of selected works by artist Renee Kahn showed at LAA Gallery - Stamford Plus Magazine
Exhibit of selected works by artist Renee Kahn showed at LAA GalleryHaving taught Modern Art for over twenty years at the University of Connecticut Stamford Campus, she is especially drawn to the work of the German social satirists of the Weimar era, among them George Grosz and Max Beckmann.

Sotheby's $61.3 Million Sale Disappoints; Picasso Goes Unsold
Sotheby's $61.3 Million Sale Disappoints; Picasso Goes Unsold New York TimesBut works by artists like Max Beckmann, Jean Arp, Jacques Lipchitz and Joan MirĂ³ failed to find buyers. The sale achieved around 58% of its potential value. The mood and pacing of last night's sale also differed greatly from the flush times of recent ART MARKET WATCH

AASU tennis teams open title defense with easy wins - Savannah Morning News
AASU tennis teams open title defense with easy winsMartina Beckmann-Alida Muller-Wehlau (AASU) def. Amanda Bartlett-Taryn Cappadona (CN) 8-0; 2. Gabriella Kovacs-Sona Novakova (AASU) def. Cassie Moulton-Elizabeth Sneed (CN) 8-2; 3. Kathleen Henry-Tina Ronel (AASU) def. Kylie Elliott-Emily Sorah (CN)

Avenue of Flags honors 1088 veterans - Le Mars Daily Sentinel
Avenue of Flags honors 1088 veteransVirgil M. Beaman, Grover Bechtle, Ernest Beck, Herman H. Beck, William "Bill" Beckmann, Chris Beeck, Ronald D. Beeck, Edward Bergin Sr., Donald Berkenpas, Harold L. Berkenpas, Norman Berkenpas, Ray Berkenpas, Felix Berner, Darwin J. Betsworth,