The Voyage of the Narwhal: A Novel

Description

From the author of the 1996 National Book Award Winner Ship Fever.

Capturing a crucial moment in the history of exploration, the mid-nineteenth century romance with the Arctic, Andrea Barrett focuses on a particular expedition and its accompanying scholar-naturalist, Erasmus Darwin Wells. Through his eyes, we meet the Narwhal's crew and its commander—obsessed with the search for an open polar sea—and encounter the far-north culture of the Esquimaux. In counterpoint, we see the women left behind in Philadelphia, explorers only in imagination. Together, those who travel and those who stay weave a web of myth and mystery. And finally they discover—as all explorers do—not what was always there and never needed discovering, but the state of their own souls. 16 steel engravings and one map

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In Andrea Barrett's extraordinary novel of Arctic and personal exploration, maps are deceitful, ice all-powerful, and reputation more important than truth or human lives. When the Narwhal sets sail from Philadelphia in May 1855, its ostensible goal is to find the crew of a long-vanished expedition--or at least their relics--and be home before winter. Of course, if the men can chart new coasts and stock up on specimens en route, so much the better. And then there's the keen prospect of selling their story, fraught with danger and discovery, to a public thirsting for excitement. Zeke Voorhees, the Narwhal's young commander, is so handsome that he makes women stare and men "hum with envy"--perhaps not the best qualification for his post--but he seems loved by all. Only his brother-in-law-to-be, a naturalist, quietly mistrusts him, though he's determined to stand by the youth for his sister Lavinia's sake. At 40, eternal low-profiler Erasmus Darwin Wells has one disastrous expedition behind him and is praying for another scientific chance. He is, however, familiar with the physical risks they're taking, as well as the "long stretches when nothing happened except that one's ties to home were imperceptibly dissolved and one became a stranger to one's life."

And what of the women left behind? Lavinia knows little of the dangers of ice (though she's well schooled in isolation) and lives only for Zeke's return. Her companion, Alexandra Copeland, is less sanguine. Even after she's been given a secret career break--ghosting for an ailing engraver--she knows how invisible she is and how threatening her family's "dense net of obligations" will always be. Though they get less page time, Barrett is in fact as concerned with these women as she is with her seafarers. Like the heroines of her National Book Award-winning Ship Fever, who bump up against science and history in which only men's triumphs are written, they must somehow escape social tyranny or retreat into the consolations of storytelling or silence.

There is tyranny on board the Narwhal as well, as Zeke alternates between good will and paranoia, his closest companion an arctic fox he has "civilized" and who sits on his shoulder "like a white epaulet." (Alas, Sabine, like many of the men, is not to survive the journey.) Encounters with the Esquimaux--who might know more about the lost expedition than they're willing to share--not having gone according to plan, Zeke determines in late August to head for Smith Sound rather than home, despite the crew's protests. By mid-September, however, the craft is ice-locked, and it's clear they'll have to "winter over." At first the men make the best of their situation, magically sculpting cottages, castles, palaces, even a whale--and offering informal seminars in butchery, Bible studies, and basic navigation. However, as the weather worsens and Zeke grows increasingly despotic, morale plummets.

Barrett excels in both physical and social description, writing with a naturalist's precision and a passionate imagination. With quick strokes (backed up by intense research), she can fill us in on some sensible but threatening Esquimaux footgear: "All five were dressed in fur jackets and breeches, with high boots made from the leg skins of white bears. The men's feet, Erasmus saw, were sheltered by the bears' feet, with claws protruding like overgrown human toenails. Walking, the men left bear prints on the snow." The author also shines in panoramic scenes--her descriptions of the Arctic can only be called magnificent--and in small, precarious, personal moments. When Erasmus eventually returns to Philadelphia, minus his toes and his future brother-in-law, a grieving Lavinia takes to her bed. Eventually, however, she relents: "Lavinia stared straight ahead. Straight at Erasmus, her right hand tucked in her lap while her left turned a silver spoon back to front, front to back, the reflections melting, re-forming, and melting again.... Lavinia said softly, 'I forgive you.' Everyone knew she was speaking to Erasmus."

The Voyage of the Narwhal is full of blood-freezing surprises, a score of indelible characters, and heart-stopping mysteries. As Erasmus watches Alexandra draw landscapes he has seen before but missed something in, each pencil stroke is "like a chisel held to a cleavage plane: tap, tap, and the rock split into two sharp pieces, the world cracked and spoke to him." Readers of Andrea Barrett's novel will experience this sensation again and again. Packed with harsh truths about the not-always-true art of discovery, it is also among the most emotionally wrenching, subtle works of the century. --Kerry Fried

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Ship Fever: Stories

Description

1996 National Book Award Winner for Fiction.

The elegant short fictions gathered hereabout the love of science and the science of love are often set against the backdrop of the nineteenth century. Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine biologists wonder whether their life-altering affair finally was worth it. In the tradition of Alice Munro and William Trevor, these exquisitely rendered fictions encompass whole lives in a brief space. As they move between interior and exterior journeys, "science is transformed from hard and known fact into malleable, strange and thrilling fictional material" (Boston Globe).

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In 1764, two Englishwomen set out to prove that swallows--contrary to the great Linnaeus's belief--do not hibernate underwater. But they must be patient and experiment in secret, such actions being inappropriate for the female of the species. In 1862, a hopeless naturalist heads off for yet another journey, though he can't seem to rid his conscience of the thousands of animals that have already died in his service. In 1971, a pregnant young woman, ill at ease with her socially superior husband and his stepchildren, hears of a Tierra del Fuegan taken hostage by the commander of the Beagle in 1835. This unwilling specimen was, we read, "captured, exiled, re-educated; then returned, abused by his family, finally re-accepted. Was he happy? Or was he saying that as a way to spite his captors? Darwin never knew."

Many of the characters who populate Andrea Barrett's National Book Award-winning collection, Ship Fever, feel similarly displaced in the world. They long to prove themselves in both science and love, but are often thwarted by gender, social position, or the prevailing order. In "The Behavior of the Hawkweeds," the wife of a genetics professor has learned that each narrative of discovery is matched by one, if not more, "in which science is not just unappreciated, but bent by loneliness and longing." Barrett's astonishing tales of ambition and isolation convey the meaning and feeling behind the patterns--scientific and emotional--but slip free of easy closure. The two women in "Rare Bird," like the swallows, depart England for more conducive climes, or so the brother of one believes. The reader is left to hope, and imagine. Much has been made of Andrea Barrett's interlacing of history, knowledge, and fact--and rightly so. But equal attention should be paid to the brilliant serenity and exactitude of her style. --Kerry Fried

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Servants of the Map: Stories

Description

"Luminous....Each [story] is rich and independent and beautiful and should draw Barrett many new admirers."—Publishers Weekly, starred review

Ranging across two centuries, and from the western Himalaya to an Adirondack village, these wonderfully imagined stories and novellas travel the territories of yearning and awakening, of loss and unexpected discovery. A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. Throughout, Barrett's most characteristic theme—the happenings in that borderland between science and desire—unfolds in the diverse lives of unforgettable human beings. Although each richly layered tale stands independently, readers of Ship Fever (National Book Award winner) and Barrett's extraordinary novel The Voyage of the Narwhal, will discover subtle links both among these new stories and to characters in the earlier works.

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No one limns the opposing pull of inner and outer worlds more eloquently than Andrea Barrett. Her naturalists, explorers, scientists, and healers are driven to work and above all to know; they categorize, theorize, and collect the phenomena of the natural world with an urgency that feels like physical need. But they are motivated equally by desire and loneliness, and the theme of domestic life runs like a countermelody through each of the six lovely, deeply memorable stories in Servants of the Map. The narrator of the title story, a cartographer in the Grand Trigonometrical Survey of India, is a timid, home- and family-loving man, but the Himalayas strike him with the force of a revelation. The heroine of the lyrical "Theories of Rain" is a creature of strong feelings and appetites, driven to ask questions about the world around her in the same spirit as she longs for a neighbor and mourns the brother separated from her in childhood. Her scientific curiosity is scarcely different from her desire: "Through that channel of longing, the world enters me."

Fans of Barrett's earlier books (the sublime Ship Fever and Voyage of the Narwhal) will delight in tracing the stories and characters that wind in and out of these three books, producing the sense of something lovely, ongoing, and whole. In the final story, Elizabeth finds consolation in her work caring for tubercular patients--"as if, in the order and precarious harmony of this house and those it shelters she might, for all that gets lost in this life, at last have found a cure." The same might be said of science, and of Barrett's art. --Mary Park

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The Air We Breathe: A Novel

Description

"An evocative panorama of America...on the cusp of enormous change" (Newsday) by the National Book Award-winning author of Ship Fever.

In the fall of 1916, America prepares for war—but in the community of Tamarack Lake, the focus is on the sick. Wealthy tubercular patients live in private cure cottages; charity patients, mainly immigrants, fill the large public sanatorium. Prisoners of routine, they take solace in gossip, rumor, and—sometimes—secret attachments. But when the well-meaning efforts of one enterprising patient lead to a tragic accident and a terrible betrayal, the war comes home, bringing with it a surge of anti-immigrant prejudice and vigilante sentiment. Reading group guide included.

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The Story Behind the Story: 26 Stories by Contemporary Writers and How They Work

Description

In a splendid display of show-and-tell, 26 writers tell a story and lift the curtain to reveal how they did it.

This big, beautiful anthology of short fiction is for readers, writers, and anyone curious about the mysterious processes of literary minds. All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.

Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.

Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

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The Middle Kingdom

Description

A woman attending an international science conference falls forever out of love with her husband and very much in love with China and its magnificent culture. Reprint."

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