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Baldwin Shauna Singh

What the Body Remembers: A Novel

Anchor

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Out of the rich culture of India and the brutal drama of the 1947 Partition comes this lush and eloquent debut novel about two women married to the same man.

Roop is a young girl whose mother has died and whose father is deep in debt. So
she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.

Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.
Shauna Singh Baldwin's What the Body Remembers begins and ends with rebirth--an apt metaphor, perhaps, for the tragedy of Indian partition that forms the backdrop for her story. Though politics overshadows the lives of all the characters, the heart of this first novel is in the home where Sardarji, a middle-aged Sikh engineer, has brought his new wife, 16-year-old Roop. The only problem is, his current wife, Satya, is less than thrilled about sharing hearth and husband. Satya's inability to bear a child has led to Sardarji's recent marriage, and this fact, combined with jealousy has turned her heart "black and dense as a stone within her." Her rival is not only 25 years younger, but of considerably lower social rank, and her husband's obvious infatuation with Roop rankles considerably:
Can a young woman ever know his friends and laugh with them in that rueful way? How will a young woman know that he breathes deeply when he thinks too much, that he wipes his forehead in the cold heart of winter when the British settlement officer approaches to collect his yearly taxes? How can a young woman know how to manage his flour mill while he is hunting kakar with his English "superiors"? How will she know how to give orders that sound as if she is a mere mouth for his words? How will she know that his voice is angry with the servants only when he is tired or hungry? How can she understand that all his talk of logic and discipline in the English people's corridors and his writing in brown paper files about the great boons of irrigation engineering brought by the conquerors are belied by his donations to the freedom-fighting Akali party?
The rift between the two wives widens when Roop gives birth, first to a daughter and then to a son, and both children are sent to Satya for rearing. Eventually the younger wife demands the ouster of the elder from the household, and Satya is sent away. But her spirit is not exiled entirely, and years later, when Roop and Sardarji find themselves swept up in the bloody partition of India and Pakistan, it is memories of the elder woman's strength and wisdom that Roop draws on to survive. Baldwin develops her characters' personalities and interactions against the backdrop of changing Anglo-Indian relations; sometimes the political bleeds into the personal, as the novel juxtaposes India's struggle for independence with the smaller outrages and betrayals Satya and Roop suffer at their husband's hands--and each other's. What the Body Remembers is a powerful combination of historical and domestic drama, marking a promising debut for Shauna Singh Baldwin. --Sheila Bright
English Lessons and Other Stories

Goose Lane Editions

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The new reader’s guide edition of Shauna Singh Baldwin’s literary debut features the fifteen stories from the original collection, an interview with the author, an original afterword, and her suggested reading list. When Shauna Singh Baldwin’s debut collection was first published in 1996, it took readers by storm. Reviewers discovered a new voice; listeners tuned in to the stories on CBC Radio. Since then, Baldwin has written two award-winning novels and, in 2007, a second story collection, We Are Not in Pakistan. Dramatizing the lives of Indian women from 1919 to the present, from India to North America, Shauna Singh Baldwin travels from the intimate sphere of family to the wasteland of office and university.
The Tiger Claw: A Novel

Penguin Books

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From the author of What the Body Remembers, an extraordinary story of love and espionage, cultural tension and displacement, inspired by the life of Noor Inayat Khan (code name “Madeleine”), who worked against the Occupation after the Nazi invasion of France.

When Noor Khan’s father, a teacher of mystical Sufism, dies, Noor is forced to bow, along with her mother, sister and brother, to her uncle’s religious literalism and ideas on feminine propriety. While at the Sorbonne, Noor falls in love with Armand, a Jewish musician. Though her uncle forbids her to see him, they continue meeting in secret.

When the Germans invade in 1940, Armand persuades Noor to leave him for her own safety. She flees with her family to England, but volunteers to serve in a special intelligence agency. She is trained as a radio operator for the group that, in Churchill’s words, will “set Europe ablaze” with acts of sabotage. She is then sent back to Occupied France. Unwavering courage is what Noor requires for her assignment and her deeply personal mission — to re-unite with Armand. As her talisman, she carries her grandmother’s gift, an heirloom tiger claw encased in gold.

The novel opens in December 1943. Noor has been imprisoned. She begins writing in secret, tracing the events that led to her capture. When Germany surrenders in 1945, her brother Kabir begins his search through the chaos of Europe’s Displaced Persons camps to find her.

In its portrayal of intolerance, The Tiger Claw eerily mirrors our own times, and progresses with moments of great beauty and white-knuckle tension towards a moving and astonishing denouement.

Excerpt from The Tiger Claw
December moved in, taking up residence with Noor in her cell, and freezing the radiator.

Cold coiled in the bowl of her pelvis, turning shiver to quake as she lay beneath her blanket on the cot. Above, snow drifted against the glass and bars. Shreds of thoughts, speculations, obsessions … some glue still held her fragments together.

The flap door clanged down.

“Herr Vogel…”

The rest, in rapid German, was senseless.

Silly hope reared inside; she reined it in.

The guard placed something on the thick, jutting tray, something invisible in the dingy half-light. Soup probably. She didn’t care.

She heard a clunk and a small swish.

Yes, she did.

Foreign Visitor's Survival Guide to America

John Muir Pubns

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We Are Not In Pakistan

Rupa & Co.

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Why should the very things we share create such distance between us? The ten stories of We are not in Pakistan illuminate a paradox: love and fear draw us together, yet drive us to extremes of separation. Eliciting amusement, curiosity, and wonder mingled with sadness for a post 9/11 world, Shauna Singh Baldwin lures us toward the displaced men, women, and other animals who populate these stories. Along the way, she explores her complex human responses to technology art, and, most of all, our fellow humans.
Das geteilte Haus.

Btb Bei Goldmann

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Baldwin Shauna Singh News




Londonderry High School - NH Primary
Londonderry High SchoolKendra Pimenta, Thomas Radloff, Erin Sailor, Nicholas Salvatore, Shauna Sarsfield, Richard Saulnier, Mikayla Scaduto, Lauren Schechinger, Maggie Siekmann, Kyle Silva, Hadleigh Smith, Kristin Spera, Sarah St. Peter, Mark Sullivan, Chalmer Swanson,