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Aldiss Brian

Hothouse: The Long Afternoon Of Earth (New Classics of the Fantastic)

IDW Publishing

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In the future, when the Sun has expanded and is ready to go nova, few animal species remain while plants have adapted to fill animal niches. One of the few species to survive are humans, but in much-altered forms. It is here where young tribal Gren finds himself captured by an intelligent fungus with plans to colonize humans to control the world! Hothouse tells the story of a remarkable journey of discovery that will alter your perceptions about the true nature of the world today... and the world to come!
Helliconia Spring: The First Book in the Helliconia Trilogy (Helliconia Trilogy, Book 1)

I Books

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This is the first volume of the Helliconia Trilogy-a monumental saga that goes beyond anything yet created by this master among today's imaginative writers. Helliconia, the chief planet of a binary system, is emerging from its centuries long winter. The tribes of the equatorial continent emerge from their hiding places and are again able to dispute possession of the planet with the ferocious phagors. In Oldorando, love, trade and coinage are being rediscovered. - Aldiss's short story "Supertoys Last All Summer Long" was the basis for the Steven Spielberg/Stanley Kubrick film A.I.-Artificial Intelligence. - Introduction by the author. - Over 1,000,000 Brian W. Aldiss books in print! - Aldiss novel Frankenstein Unbound was adapted for the film starring John Hurt and Bridget Fonda. - Aldiss's was named a science fiction Grandmaster in 2000 by the Science Fiction Writers of America - A Robert Silverberg selection
Non-Stop

Overlook TP

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  • ISBN13: 9781585676835
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The Greene tribe is no longer the center of the universe. The crucial "watchwords" have lost their power, and now, self-esteem is draining away. But Roy Complain refuses to sink into apathy. To escape extinction, he joins Marapper the Priest and begins a perilous journey of discovery.
Hothouse

Baen Books

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The Sun is about to go Nova. Earth and Moon have ceased their axial rotation and present one face continuously to the sun. The bright side of Earth is covered with carnivorous forest. This is the Age of vegetables. Gren and his lady - not to mention the tummybelly men - journey to the even more terrifying Dark side. One of Aldiss' most famous and long-enduring novels, fast moving, packed with brilliant imagery.
A Science Fiction Omnibus

Penguin Classics

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Supertoys Last All Summer Long: And Other Stories of Future Time

St. Martin's Griffin

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  • ISBN13: 9780312280611

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David is just a little boy, a little boy who loves his mother, and his teddy bear. David wants to make his mummy happy, and tell her he loves her, but can't quite seem to find the words.

His verbal communication center is giving him trouble again. He may have to go back to the factory.

For more than four decades Brian Aldiss has been confounding the limits of satire, poetry, and science fiction, creating stories from the well of dreamscapes that come up sharp against the cutting edge of our technological society.

Blame it on taxes. According to SFWA Grand Master Brian Aldiss, that's the main reason he sold the movie rights to the Pinocchio-android tale "Supertoys Last All Summer Long" to Stanley Kubrick back in 1982. Bound here along with two followup short stories and nine unrelated short pieces from more recent years, "Supertoys" was to be the source material for Kubrick's last movie. Of course, Kubrick died, and then Steven Spielberg inherited the rights, intending to follow through on Kubrick's original vision.

In fairness, Aldiss has never seen his original story--nor the two pieces added later, "Supertoys When Winter Comes" and "Supertoys in Other Seasons"--as a Pinocchio fable at all. As he recounts in the wry, revealing foreword to this collection, "I could not or would not see the parallels between David, my five-year-old android, and the wooden creature who becomes human.... Never consciously rewrite old fairy stories." But the interpretation of the stubbornly eccentric Kubrick prevailed until Aldiss was "wheeled out of the picture."

These three excellent stories occupy just the first 35 pages of this compilation, but they accurately capture one of the great voices of British SF at his prime, with a plaintive, thoughtfully nuanced story about existence and the meaning of being human. The remaining tales range from intriguing to distractingly strident to borderline mawkish, but make no mistake about what's the main attraction here. In fact, the foreword alone, with Kubrick exposed at his curmudgeonly worst ("[To Aldiss:] You seem to have two modes of writing--brilliant and not so damned good"), makes this a collection worth picking up. --Paul Hughes


Aldiss Brian News




A Million Little Pictures: The Pictures Generation Revisited - The Nation.
A Million Little Pictures: The Pictures Generation Revisited from British new-wave science fiction (he entertains himself on the bus ride with the New York Times and Brian Aldiss's dystopian sci-fi novel Earthworks), Smithson evokes a vacant reality made only of "memory-traces of an abandoned set of futures.

Interview: Im Gespräch mit: Alexander Lohmann - Phantastik-News
Interview: Im Gespräch mit: Alexander LohmannDaneben würde ich Brian W. Aldiss und PJ Farmer nennen. Ich weiß, die drei zusammen ergeben eine ziemliche unheilige Mischung. Außerhalb der Genreliteratur fühle ich mich vor allem der Romantik verbunden. Namentlich würde ich da ETA Hoffmann nennen,