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Albee Edward
At Home at the Zoo - Acting Edition
Description'I've been to the zoo.' These opening words usher the audience into one of the most iconic plays in American theatre history: The Zoo Story. More than fifty years later, master playwright Edward Albee (Who's Afraid of Virginia Woolf? and The Goat, or Who is Sylvia?) wrote a prequel to his classic. Home Life contains the events in Peter's life immediately preceding his encounter with Jerry on the park bench and is every bit as powerful as the original. We meet Ann, Peter's wife, and see the conversation that compelled Peter to go for that fateful walk in the park. For the first time collected in one volume, Edward Albee's At Home at the Zoo is a must for any theatre lover.
The Collected Plays of Edward Albee: 1966 - 1977
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DescriptionEdward Albee's many awards and recognitions--including three Pulitzer Prizes for Drama (a number exceeded only by Eugene O'Neill's four), three Tony Awards, the Gold Medal in Drama by the Academy if Arts and Letters, the Kennedy Center Honors, and the National Medal of the Arts--only confirm his tremendous talents and stature in the arts community. Albee's oeuvre consists of more than twenty-six plays, the earliest of which were collected in Volume One of his Collected Plays. Volume Two contains the nine plays written by Albee in the period between 1966 and 1977, ranging from the Pulitzer Prize-winning A Delicate Balance to the brilliant and complex short plays Box and Quotations from Chairman Mao Tse-Tung to his second Pulitzer Prize-winning play, Seascape, to the controversial Lady from Dubuque (hailed by Time magazine as "a major work...Albee's best since Who's Afraid of Virginia Woolf?")
Collected Plays of Edward Albee: 1958-1965
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DescriptionOverlook's three-volume Collected Plays of Edward Albee finally brought together all of Albee's works for the first time. Now, as the first book is released in paperback, the first stage of Albee's great career will be brought in full to an even broader audience. The first volume of this three-volume collection contains the eight plays written by Albee during his early years as a playwright, from 1958 through 1965. Those range from the four brilliant one-act plays with which he exploded on the New York theater scene--The Zoo Story, The Death of Bessie Smith, The Sandbox, and The American Dream--to his early masterpiece, Who's Afraid of Virginia Woolf? Also included are two adaptations from notable American novels--The Ballad of the Sad Café and Malcolm--and Albee's mysteriously fascinating Tiny Alice. Ben Brantley of the New York Times has described him as "one of the few genuinely great living American dramatists." This book represents one of the most exciting and bold periods in the career of one of America's most popular and imaginative playwrights.
The Goat, or Who is Sylvia?
DescriptionThree-time Pulitzer Prize-winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf?, The Goat won four major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin, a successful architect who has just turned fifty, leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: "Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."
Who's Afraid of Virginia Woolf?
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Description“Twelve times a week,” answered Uta Hagen when asked how often she’d like to play Martha in Who’s Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee’s masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play’s razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who’s Afraid of Virginia Woolf? as “a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.” Albee Edward News![]()
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